Performing Arts

Choreographic Practices

Drama Therapy Review

Journal of Interdisciplinary Voice Studies

Journal of Popular Music Education

Performing Islam
Emerging from an international network project funded by the British Arts and Humanities Research Council and the Economics and Social Research Council and research collaboration between academics and practitioners Performing Islam is the first double-blind peer-reviewed interdisciplinary journal about Islam and performance and their related aesthetics. It focuses on socio-cultural as well as the historical and political contexts of artistic practices in the Muslim world.
The journal covers dance ritual theatre performing arts visual arts and cultures and popular entertainment in Islam-influenced societies and their diasporas. It promotes insightful research of performative expressions of Islam by performers and publics and encompasses theoretical debates empirical studies postgraduate research interviews with performers research notes and queries and reviews of books conferences festivals events and performances.

Dramatherapy

Journal of Dance & Somatic Practices

Studies in Costume & Performance
Studies in Costume & Performance aims to encourage generate and disseminate critical discourse on costume and the relationship between costume and performance. It considers costume as a symbiotic articulation of the body of the performer which is visual material temporal and performative. Whether performed live seen through the camera lens or found in an archive costume embodies and reflects the performance itself.
The journal will bring together experts in costume scenography performance fashion and curation as well as critically engaged practitioners and designers to reflect and debate costume in performance its reception in production exhibition and in academic critical discourse. Submission will include visual essays. The journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
Past and current practice is considered through the ‘reading’ of the costumed body as a communication of embodied cultural social artistic and historical narratives. As such this journal is an articulation of practice which through this process redefines practice itself.
