The Audience Experience identifies a momentous change in what it means to be part of an audience for a live arts performance. Together, new communication technologies and new kinds of audiences have transformed the expectations of performance, and The Audience Experience explores key trends in the contemporary presentation of performing arts. The book also presents case studies of audience engagement and methodology, reviewing both conventional and innovative ways of collecting and using audience feedback data. Directed to performing arts companies, sponsors, stakeholders and scholars, this collection of essays moves beyond the conventional arts marketing paradigm to offer new knowledge about how audiences experience the performing arts.

Since the late 1990s, when broadcasters began adapting such television shows as Big Brother, Survivor and Who Wants to Be a Millionaire? for markets around the world, the global television industry has been struggling to come to grips with the prevalence of program franchising across international borders. In TV Format Mogul, Albert Moran traces the history of this phenomenon through the lens of Australian producer Reg Grundy’s transnational career. 



Program copycatting, Moran shows, began long before its most recent rise to prominence. Indeed, he reveals that the practice of cultural and commercial cloning from one place to another, and one time to another, has occurred since the early days of broadcasting. Beginning in the late 1950s, Grundy brought non-Australian shows to Australian audiences, becoming the first person to take local productions to an overseas market. By following Grundy’s career, Moran shows how adaptation and remaking became the billion-dollar business they are today. An exciting new contribution from Australia’s foremost scholar of television, TV Format Mogul will be a definitive history of program franchising.

Professor Jin's new book, Global Technological Change: From Hard Technology to Soft Technology, is a powerful re-conceptualization of technological options and innovation management, which can help steer societies in assessing technologies for the 21st century. As Zhouying Jin correctly points out: in emerging knowledge societies, the "soft" technologies are drivers of physical "hard" technologies. These soft technologies include management, organizational design, education for creativity and entrepreneurship, good governance, preudent regulation, patent systems, efficient banking as well as fostering systems of thinking, ecological and cultural balance. This book is a major intellectual advance that can help clarify human choices for decades to come.

(Hazel Henderson, Advisory Council Member, US Office of Technology Assessment, National Science Foundation, National Academy of Engineering (1974-1980); President, Ethical Markets Media (USA and Brazil); member, Club of Rome)

This volume indicates that the complex problems we are facing in the 21st Century can only be solved by a balance between 'yin-yang' environment, between hard technology (machine-centred) and soft technology (human-centred). This concept is invaluable as it conveys a new perspective of the assumptions about the relationships between technological innovation, institutional innovation as well as of the gap between the developed and developing countries at the turn of the millennium.

(Karamjit S Gill, Editor, AI & Society: Journal of Human-Centred Systems)

A multitude of factors affect how the European media industry is governed, including commercialisation, concentration, convergence and globalisation. George Terzis’ collection, European Media Governance, is the first volume to concentrate on analysing and explaining how European countries are slowly conceding control of the media from the government to the market, professional and public forces.

This impressive volume provides a detailed examination of all aspects of media governance, including media ownership structures, government policies, citizen’s organisations and union’s accountability systems, for 32 European countries. European Media Governance includes recent research into technological developments and provides sources for more information in each country. In addition to this incredibly diverse scale of research and analysis, the book provides a companion website with regular updates. Terzis’ European Media Governance addresses all aspects of media governance in Europe, reflecting contemporary developments in both the countries analysed and their media, creating a comprehensive and reliable source.

All those involved in Higher Education are under pressure to familiarise themselves with the newest developments in Information Technology, and to understand the ways in which they can make use of these resources. The purpose of this book is to help academics from all disciplines to take full advantage of IT. Anticipating a future in which distance learning and virtual reality tutoring systems play a central role in university teaching, Roy Rada provides guidelines for making use of such technological opportunities. The chapters cover:

• distance learning for individual students

• groups in classrooms - focusing on interactive technology

• the university as a whole

• emerging market forces in Higher Education and training for industry

Unlike competing books that focus on specific aspects of the subject, Understanding Virtual Universities combines managerial, social and technical issues, to provide a comprehensive approach to Information Technology for Higher Education.

With contributions from leading international experts from within both the communications industry and academia, Trends in Communication Policy Research comprises the very latest developments in the theories, methods and practical applications of this dynamic field. Topical and politically relevant, this authoritative volume will prove an invaluable reference for students and scholars seeking to understand communication policy issues.

The aim of the Watching series is to draw attention to some of the very interesting items around us, things that perhaps we don't notice as much as we might. The first was Bridge Watching, and when this was put 'on the Net' it produced, to the surprise of the author, such a pleasant flood of e-mail that another was written, called Water Watching. This, too, was kindly received. So it was tempting to continue with the theme. Some people find pleasure in taking photographs and some like to sketch or paint, because tunnel mouths are often set in lovely countryside. A train emerging from a hole in the side of a hill makes a good picture, in any weather conditions, whether as a photograph or a painting. On the other hand some people like to just look, without recording the sight. Whichever may be your choice, I wish you happy tunnel-watching. There are other reasons for tunneling, such as providing an approach for men and materials, to get at something not otherwise accessible from the surface, escaping from a prison, robbing a bank, or following a seam of mineral deposits, perhaps to carry water or other liquids from one place to another. As you extend your knowledge during tunnel-watching sessions I wish you well. You may also be drawn to some of the literature on the subject, either easy introductory material like this or more technical treatment, leading you along fascinating lines of learning. Go forth and enjoy this free entertainment.

Matthew Arnold's poem, 'The Church of Brou', is no Kubla Khan. Relatively unimportant as poetry and with a curiously muffled message, it has received little critical attention. This book identifies and explains its underlying symbolism, and establishes its very great importance in Arnold's inner progress.

This collection of essays provides an overview of research on the social uses of media. Drawing on long traditions in both cultural studies and the social sciences, it brings together competing research approaches usually discussed separately. The topics include up-to-date research on activity and interactivity, media use as a social and cultural practice, and participation in a cultural, political and technological sense. This book explores three general areas of current scholarly study of the social aspects of media use. First, the introduction of interactive and so-called social media has had repercussions for the definition of media use, reception and even our perception of media effects. Second, the recognition that media constitute social practice, which utilizes media for its own goals, has been highly influential in communication research. Third, media provide many opportunities for participation in cultural and political issues. Yet media also shape participation in certain – and sometimes constraining – ways.

Are witnesses, jurors, or others in courtrooms distracted by in-court television cameras and their operators? Citing a lack of evidence one way or the other, the US Supreme Court has recommended additional research on the matter. Answering the court’s recommendation, this proof-of-concept study demonstrates for the first time that eye-tracking technology can now accurately determine whether courtroom actors look at the television cameras in the courtroom and for how long. In doing so, Television Courtroom Broadcasting opens the door to a new era of research on the effects of in-court distraction.