Cultural Studies

Reconstructing the American Dream
Life Inside the Tiny House Nation
Over the past decade, Tiny Housing has become something of a viral sensation in the US. From Instagrammable enclaves for young professionals to vast municipality-supported schemes seeking to address homelessness, tiny house sites are proliferating across the country.
This book takes a look at life inside the ‘Tiny House Nation’, shining an intimate light on a phenomenon widely celebrated in the mainstream media. The book presents textured narrative accounts from and striking images of Tiny Home residents, their homes and communities, while analysing the broader socio-economic structures shaping their lives. In so doing, it paints a compelling and complex picture of a trend at the crossroads of several key social, cultural and economic shifts, at a pivotal moment for America’s housing future.
Fundamentally, this is a book about paradoxes. The paradox of tiny housing offering freedom from the constraints of capitalism, whilst at the same time remaining embedded within capitalist systems. The paradox of those who ‘go tiny’ both choosing an alternative lifestyle, and those who are pushed into tiny housing as a consequence of limited choice. The paradox of Austin, Texas, as both a countercultural enclave and hyper-capitalist tech haven. And the paradox of tiny house ethoses in Austin, as both centring community and shared assets, and individualist libertarianism. These paradoxes do not necessarily sit in opposition to one another, but are all bound up in the complexity of what tiny housing has to offer as an alternative way of living.
Despite its unattainability for all but the most privileged, the American Dream - the home-owning society, the suburban bliss, the white picket fence - remains emblematic of the residential Good Life. But in the decades since the turn of the millennium the dream has been shrunk down, expectations of a decent home literally reduced. Whilst for some this has led to forms of freedom and fulfilment, it has also contributed to the normalisation of cities so outrageously expensive that all people can afford are miniature homes on the urban periphery. As this book shows, both impacts of tiny housing are equally true, and one does not cancel out the other. Tiny housing embodies an important societal crossroads. In some respects, it offers an alternative to the prevailing housing status quo. In others, it demonstrates what options have already been taken away from us.
from the Introduction
‘In the rest of this book, we’ll lead you through our exploration of tiny housing in Texas. We’ll start, in the next chapter, by introducing some of the places and people we encountered on our travels to set the scene. Then, the ‘pathways’ chapter examines the various conditions and journeys through which people end up living tiny. As you’ll see, our attempt to produce a diagram of pathways to tiny living escalated into the production of a fully blown board game. We describe this diagrammatic board game to show the complex and nuanced personal and structural circumstances that lead people into tiny housing. From there, we go into three empirical chapters, focusing on economies of tiny living, the materiality of tiny housing as domestic spaces, and community culture. We then draw the book to a close, and speculate about what tiny housing means for the future of domestic life, especially in relation to the American Dream.
‘Throughout the book our descriptions are accompanied by photographs taken by Cian Oba-Smith, who accompanied us on our first trip to Texas in 2022. The hype around tiny housing is undoubtedly driven, in large part, by the aesthetic cultures surrounding it. Tiny homes are the picturesque, boutique, upmarket cousin of mobile homes and trailers. They are distinguished from these other types of small housing, as we’ll argue in this book, specifically by their aesthetics. Anyone who ventures into the world of tiny housing for more than five minutes will see how thick this aesthetic culture is. From beautifully curated Instagram pages, to countless coffee table books, to Etsy shops dedicated to crafted tiny house merchandise, a key part of living tiny is enjoying and embracing its aesthetics. By working with Cian we were able to focus (literally) on these aesthetic dimensions of tiny housing. However, we were also able to capture some of what’s not presented in promotional tiny house materials; the constraints, the challenges and the complexities that come along with the joy and the freedom. We’re positioning this book as something of a disrupted coffee table book. On an initial flick through it might not look too different to the photography books that valorise tiny living, but you’ll already know, if you’ve read this far, that our approach is more nuanced. Our attempt has been to expose the ‘real’ Tiny House Nation. Not to attack it, not to deny its beneficial impacts for a huge number of people, but to inject some nuance into the debate so that we can take forward the positives of tiny living without normalising the negatives.’

Reconstructing the American Dream
Life Inside the Tiny House Nation
Over the past decade, Tiny Housing has become something of a viral sensation in the US. From Instagrammable enclaves for young professionals to vast municipality-supported schemes seeking to address homelessness, tiny house sites are proliferating across the country.
This book takes a look at life inside the ‘Tiny House Nation’, shining an intimate light on a phenomenon widely celebrated in the mainstream media. The book presents textured narrative accounts from and striking images of Tiny Home residents, their homes and communities, while analysing the broader socio-economic structures shaping their lives. In so doing, it paints a compelling and complex picture of a trend at the crossroads of several key social, cultural and economic shifts, at a pivotal moment for America’s housing future.
Fundamentally, this is a book about paradoxes. The paradox of tiny housing offering freedom from the constraints of capitalism, whilst at the same time remaining embedded within capitalist systems. The paradox of those who ‘go tiny’ both choosing an alternative lifestyle, and those who are pushed into tiny housing as a consequence of limited choice. The paradox of Austin, Texas, as both a countercultural enclave and hyper-capitalist tech haven. And the paradox of tiny house ethoses in Austin, as both centring community and shared assets, and individualist libertarianism. These paradoxes do not necessarily sit in opposition to one another, but are all bound up in the complexity of what tiny housing has to offer as an alternative way of living.
Despite its unattainability for all but the most privileged, the American Dream - the home-owning society, the suburban bliss, the white picket fence - remains emblematic of the residential Good Life. But in the decades since the turn of the millennium the dream has been shrunk down, expectations of a decent home literally reduced. Whilst for some this has led to forms of freedom and fulfilment, it has also contributed to the normalisation of cities so outrageously expensive that all people can afford are miniature homes on the urban periphery. As this book shows, both impacts of tiny housing are equally true, and one does not cancel out the other. Tiny housing embodies an important societal crossroads. In some respects, it offers an alternative to the prevailing housing status quo. In others, it demonstrates what options have already been taken away from us.
from the Introduction
‘In the rest of this book, we’ll lead you through our exploration of tiny housing in Texas. We’ll start, in the next chapter, by introducing some of the places and people we encountered on our travels to set the scene. Then, the ‘pathways’ chapter examines the various conditions and journeys through which people end up living tiny. As you’ll see, our attempt to produce a diagram of pathways to tiny living escalated into the production of a fully blown board game. We describe this diagrammatic board game to show the complex and nuanced personal and structural circumstances that lead people into tiny housing. From there, we go into three empirical chapters, focusing on economies of tiny living, the materiality of tiny housing as domestic spaces, and community culture. We then draw the book to a close, and speculate about what tiny housing means for the future of domestic life, especially in relation to the American Dream.
‘Throughout the book our descriptions are accompanied by photographs taken by Cian Oba-Smith, who accompanied us on our first trip to Texas in 2022. The hype around tiny housing is undoubtedly driven, in large part, by the aesthetic cultures surrounding it. Tiny homes are the picturesque, boutique, upmarket cousin of mobile homes and trailers. They are distinguished from these other types of small housing, as we’ll argue in this book, specifically by their aesthetics. Anyone who ventures into the world of tiny housing for more than five minutes will see how thick this aesthetic culture is. From beautifully curated Instagram pages, to countless coffee table books, to Etsy shops dedicated to crafted tiny house merchandise, a key part of living tiny is enjoying and embracing its aesthetics. By working with Cian we were able to focus (literally) on these aesthetic dimensions of tiny housing. However, we were also able to capture some of what’s not presented in promotional tiny house materials; the constraints, the challenges and the complexities that come along with the joy and the freedom. We’re positioning this book as something of a disrupted coffee table book. On an initial flick through it might not look too different to the photography books that valorise tiny living, but you’ll already know, if you’ve read this far, that our approach is more nuanced. Our attempt has been to expose the ‘real’ Tiny House Nation. Not to attack it, not to deny its beneficial impacts for a huge number of people, but to inject some nuance into the debate so that we can take forward the positives of tiny living without normalising the negatives.’

On the Communicative Turn in Philosophy
Exploring Intersubjectivity, Community and the Ethics of Dialogue
The book aims to give prominence to the way the concept of communication has been deployed within philosophical debates. It shows how philosophers have adopted this concept in their discussions on the issues of intersubjectivity, community and the ethics of dialogue.
Although mainstream philosophers do not, as yet, consider the philosophy of communication as a branch in its own right, instead subsuming it within the philosophy of language as pragmatics, the concept of communication is broader than that of language. This book aims to develop the relationship between communication and philosophy further.
Mangion hopes to encourage others to conduct further research by aligning communication with questions that are of a philosophical nature.

Nuclear Gaia
Media Archives of Planetary Harm
Describes the transformations we have witnessed due to the development of nuclear science and technology, accelerating policies interdependent on energy, and military procedures that have led us to make a provocative claim that, in many respects, planet Earth is getting closer to the embodiment of the project we call Nuclear Gaia.
The book examines media archives and online platforms that recover data and memory and shape community knowledge of nuclear events from the distant and nearer past. These are the pieces of evidence that we are on the eve of creating new forms of social justice, carried out by open-source investigations (OSINT) groups, independent researchers, artists, media makers, activists, local communities, and civic groups.
Thus, analysing nuclear processes and their social and environmental consequences is no longer the exclusive domain of experts, scientists, politicians, and the military. The authors hope that such communities’ practices and decolonial discourses, combined with the critiques within our methodology as post-nuclear media studies, can also change the fate of nuclear industry victims by creating media space to discuss and regain justice as socially sanctioned and shared rules for understanding and using nuclear energy both in past and the future.

The Being of Relation
How does whiteness sediment worlds? How does it format individuality in the name of a neurotypicality that polices how one bodies, and how one comes to know? And how does a poetics of relation shift the very logic of this sedimentation?
Edouard Glissant’s poetics of relation are bold in their call to “consent not to be a single being.” This transindividual consent, born in the process of worlds crafting themselves in what he would call an “aesthetics of the earth,” are felt in Fernand Deligny’s errant lines. These errant lines, traced to move with the complex gestures of autistics over a period of several years in Monoblet, France (1965-1970), offer an alternative to pathology, and individual psychological assessment.
The Being of Relation brings these two projects into encounter, exploring what else blackness can be at this non-pathological juncture where what is foregrounded is the very being of relation. On the way, trails of whiteness are excavated and interrogated. The aim: to move toward parapedagogies of resistance, in a logic of a poetics of relation, a logic of neurodiversity, minor sociality and the kind of difference without separability that refuses the binary that holds neurotypicality – as whiteness – in place.

Islamic and Islamicate Architecture in the Americas
Transregional Dialogues and Manifestations
Architectural expressions resonant with Islamic traditions appear in diverse modes across the Americas, from Andalusian-inspired colonial patios in Peru to the modern and contemporary patronage of immigrant communities in the United States and Canada. This volume examines the multiple manifestations of Islamic architecture that permeate the region’s built environment to invite an expanded framing of this architectural legacy via a hemispheric consideration of aesthetics, narrative, and patronage.
Chapters consider a broad range of topics from the migration of aesthetic traditions and construction techniques tied to the architectural forms of the Islamic world in the colonial “New World,” to the direct contributions of modern and contemporary migrants in shaping a collective identity and the built environment.
By placing in productive dialogue sites that represent Islamic and Islamicate architecture across North and South America – two areas outside of the traditional conceptions of the Islamic world– this volume bridges transregional and transcultural gaps in the current literature.

Entrepreneurial Arts and Cultural Leadership
Traits of Success in Nonprofit Theatre
Traits is timely and needed. It provides a pathway to cultivate an entrepreneurial mindset in nonprofit arts management students and in those in the nonprofit field. Traits is not another academic, hypothetical, imagining text. Rather, Traits is a tactical, centred on entrepreneurial leadership, offering a concrete case example, Imagination Stage.
2020 brought significant changes to the world’s business and social fabric. The nonprofit arts has been greatly impacted with the highest unemployment rate during the peak of the pandemic response to the slow and inconsistent return of patrons. Internally, organizations had to address often long-over-due adaptations to the inclusive and accessible practices demanded by their communities, including equitable pay scales, diversity, inclusion and access on stage, staffs, and boards.
Consequently, many nonprofit arts organizations are now less viable; many have gone out of business; and most are struggling to adopt new post-pandemic practices that promote a new culture in their organization. The authors contend that those organizations that have survived are led by social entrepreneurs who were always ahead of the curve and able to adapt.
The authors’ underlying assumption is that while entrepreneurship may be innate in some, in most it is not - even in those who lead organizations. But it can also be taught – just like any form of leadership. And this is what Traits does.

The Social Object
Apprehending Materiality for Industrial Design Practice
The Social Object uses the methods of design history, material culture studies and the social construction of technology to analyse the domestic spaces and objects in the homes of the middle class in India. The book describes how people make meaning of the objects they buy, own, and gift.
This is a book about the biography of projects and objects. The projects in the book serve as book ends to a detailed and affectionate account of the biographies of objects within the homes of the not so rich.
The aim of the author has been to silence the voice of the designer to allow the accounts of objects to emerge as periodic irruptions that reveal a hidden maelstrom of passion, ideas and failed projects. The book opens with the biography of a project dealing with waste, leading the reader to a very particular kind of object, the bads. This object is illicit, handled by criminals and in the writing by the author serves to invert the dominant discourse of objects as commodities. This book makes the case that the program of design is better seen as a democratic community, where the householders, the zietgiest, technology and all manner of hidden agents collide to allow unforseen periodic objects to emerge.
Varadarajan argues against a simplistic universal account off the way we think about how objects are designed. As an enterprise, the book was a journey to assemble the evidence - of places and objects - and observe the enactment of practices with the objects. It was also a project of speculation upon the possible ways in which objects come to be, as local collaborations of action.

Linking social capital accumulation and information-seeking practices of international students in Germany
While existing studies have extensively explored various facets of international students’ experiences, a gap remains in understanding the connection between their social capital accumulation and information-seeking practices that shape the incoming students’ extended transition process. Successful information-seeking is not solely related to academic outcome; it is also influenced by the social capital resources available within and beyond familiar cultural groups. This article sheds light on how international students’ social capital accumulation shapes their information searches across various online and offline social networks. A total of ten international students were interviewed at the beginning and the end of their first semester in Germany during the 2022–23 academic year. The findings demonstrate that the incoming students’ information-seeking strategies and social capital accumulation change over time. The students rely on their previously established social connections offline and online when preparing for their departure. Upon arrival in Germany, the students continue to search for information within their linguistic and cultural familiar groups, but their information-seeking process shifts to local in-person contexts. During the semester, lecturers and fellow students become useful information sources at the university while the students develop confidence in their foreign language skills.

Fullmetal Alchemist and the hero’s journey: Decoding the monomyth in Hiromu Arakawa’s shōnen masterpiece
Fullmetal Alchemist is a Japanese shōnen manga that is written as well as illustrated by Hiromu Arakawa. The story follows the journey of Edward Elric and Alphonse Elric as they try to regain their original physical bodies, which were altered due to a fatal alchemical procedure to revive their deceased mother. Existing critical studies on Fullmetal Alchemist primarily focus on structural elements, gender, trauma and war. However, no study has been done on the monomyth aspect of the story, and the present study aims to bridge that research gap. Joseph Campbell originally conceived the hero’s journey or ‘Monomyth’ template. However, the present article utilizes Christopher Vogler’s twelve-stage revised version of the Campbellian monomyth as the primary theoretical framework to analyse Edward Elric’s journey in the story. Moreover, critical comments from critics like Angela Drummond-Mathews, Vladimir Propp, Stuart Voytilla and others have been incorporated. Shōnen manga typically follow the hero’s journey structure, but there are exceptions as well. The present study attempts to decode whether Fullmetal Alchemist follows the hero monomyth or negates it.

Queer Taiwan and the construction of a Taiwanese queer identity
This article examines Queer Taiwan, a docu-series focusing on LGBTQ topics in Taiwan. Among the very first original content commissioned by GagaOOLala, Asia’s first LGBTQ streaming platform, Queer Taiwan is imbued with messages of social import while tracing the history and recording the current fight for LGBTQ rights. By adopting a participatory approach, Queer Taiwan sparked conversation on hotly debated topics among different social groups with the goal of enhancing mutual understanding and shedding light on common misconceptions. This article explores how these conversations reflect the changing social outlook and public attitudes during Taiwan’s journey towards marriage equality. It includes a discussion of the socialization and politicization of sexual identity by situating it within the history of Taiwan’s national identity politics, a pervasive theme of the island’s queer literature and cinema. The analysis encompasses queer cinema, documentaries in particular, illustrating how non-fiction film envisions the parallels between campaigns to assert queer pride and Taiwanese distinctiveness. This study illuminates the relationship between queer cinema and the wider sociopolitical landscape in the run-up to Taiwan’s legalization of same-sex marriage.

Is that your kei or my K? Bodily performance of fandom in visual kei and K-pop dance parties in Santiago, Chile
Visual kei, a Japanese rock subgenre, and K-pop have been the two most visible East Asian music fandoms in Chile since the 2000s and a critical element of the expansion of East Asian popular culture in the country. This article examines how fans of both genres have come to perform their fandom through bodily strategies within the setting of visual kei and K-pop dance parties held in Santiago, Chile. We understand identity as a performance and the dance floor as a prime site to display fandom adherence and build identities via in-person interactions. Through literature review and direct observation conducted over twelve months, this article establishes that Chilean visual kei fans perform fandom through sartorial choices. However, K-pop fans perform their fandom through imitation and repetition of dance moves. We argue that the differences in fandom strategies arise from the availability of identification models within Chilean society and the expectations set by visual kei and K-pop as genres.

New Queer Television
From Marginalization to Mainstreamification
Though queer critics and queer theory tend to frame queer identities as marginal, this edited volume draws attention to a dynamic field in which a wide variety of queer identities can be put on display and consumed by audiences. Cementing a foundational understanding of queerness that is at odds with current shifts in media production, contributors present a broad variety of queer identities from across a range of televisual shows and genres to reconsider the marginalization of queerness in the twenty-first century. Doing so challenges preexisting notions that such “mainstreamification” necessitates being subsumed by the cisheteropatriarchy. This project argues the opposite, showing that heteronormative assumptions are outdated and that new queer representations lay the groundwork for filling gaps that queer criticism has left open.
Thomas Brassington is a researcher whose work explores intersections of queerness and the Gothic in contemporary popular culture. Debra Ferreday is a feminist cultural theorist whose research concerns gender, feminist theory, sexuality, critical race theory, queer theory, and embodiment. Dany Girard is a queer researcher whose work primarily explores representations of gender, asexualities, and queer theory in television and film.

Decoding impermanent narratives: A study of transient migrants as digital influencers on YouTube
Students migrate from India annually for higher education in large numbers. Social media has become an essential network for disseminating information related to aspects of migration like student visas, college applications, residence and finances. YouTube engages vigorously in this dispersion of information. Many times, the sources of these kinds of information are found to be transient migrants themselves. YouTubers and influencers like Tushar Bareja, Nidhi Nagori, Gursahib Singh, Bani Singh and Saloni Verma, among others, have made a niche, creating content and sharing information about the experience of being a transient migrant. Much like the status of being transient, creating one’s brand on social media is both dynamic and fleeting, which cannot be defined in a sense of permanence. The analysis of content created by YouTube influencers enables an insight into the definition of transient migrant identity. The topics that are covered in the content showcase the particular components of international student life that add to the concept of a transient migrant identity. The article attempts to ask the question of how the YouTube videos made by student migrants end up contributing to the transient migrant identity. It also attempts to decipher how the transient identity itself is packaged as a commodity to be monetized by these student migrant influencers on YouTube. Using theoretical frameworks of influencer culture, social media and migration, the article attempts to unravel the workings of YouTube in commodifying the transient migrant experience.

Cosmetics Marketing: Strategy and Innovation in the Beauty Industry, Lindsay Karchin and Delphine Horvath (2023)
Review of: Cosmetics Marketing: Strategy and Innovation in the Beauty Industry, Lindsay Karchin and Delphine Horvath (2023)
London: Bloomsbury Visual Arts, 253 pp.,
ISBN 978-1-35029-943-6, p/bk, $44.95

Tribal and the Cultural Legacy of Streetwear, G. James Daichendt (ed.) (2024)
Review of: Tribal and the Cultural Legacy of Streetwear, G. James Daichendt (ed.) (2024)
Bristol: Intellect Books, 240 pp.,
ISBN 978-1-78938-808-4, p/bk, EUR 29.99

Hang Ups: Reflections on the Causes and Consequences of Fashion’s ‘Western’-Centrism, Benjamin Linley Wild (2024)
Review of: Hang Ups: Reflections on the Causes and Consequences of Fashion’s ‘Western’-Centrism, Benjamin Linley Wild (2024)
London, New York, New Delhi and Sydney: Bloomsbury Visual Arts, 292 pp.,
ISBN 978-1-35019-724-4, h/bk, $103.50
ISBN 978-1-35019-723-7, p/bk, $34.15
ISBN 978-1-35019-725-1, e-PDF, $27.32
ISBN 978-1-35019-726-8, e-book, $27.32

Butts: A Backstory, Heather Radke (2022)
Review of: Butts: A Backstory, Heather Radke (2022)
New York: Avid Reader Press, 310 pp.,
ISBN 978-1-98213-548-5, h/bk, $28.99
ISBN 978-1-98213-549-2, p/bk, $18.99
ISBN 978-1-98213-552-2, e-book, $14.99

Dress and Identity in America: The Baby Boom Years 1946–1964, Daniel Delis Hill (2024)
Review of: Dress and Identity in America: The Baby Boom Years 1946–1964, Daniel Delis Hill (2024)
London: Bloomsbury Visual Arts, 242 pp.,
ISBN 978-1-3503, h/bk, $80.50

Latin American and Latinx Fashion Design Today: ¡Moda Hoy!, Tanya Meléndez-Escalante and Melissa Marra-Alvarez (2024)
Review of: Latin American and Latinx Fashion Design Today: ¡Moda Hoy!, Tanya Meléndez-Escalante and Melissa Marra-Alvarez (2024)
New York: Bloomsbury, 272 pp.,
ISBN 978-1-35034-395-5, h/bk, $42.40

Shirts, Shifts and Sheets of Fine Linen: British Seamstresses from the 17th to the 19th Century, Pam Inder (2024)
Review of: Shirts, Shifts and Sheets of Fine Linen: British Seamstresses from the 17th to the 19th Century, Pam Inder (2024)
London: Bloomsbury Visual Arts, 311 pp.,
ISBN 978-1-35025-296-7, h/bk, $115.00
ISBN 978-1-35025-297-4, e-PDF, $103.50
ISBN 978-1-35025-298-1, e-book, $103.50

Textiles on Film, Becky Peterson (2024)
Review of: Textiles on Film, Becky Peterson (2024)
London: Bloomsbury, 184 pp.,
ISBN 978-1-35002-655-1, h/bk, $70.00

New Approaches to Decolonizing Fashion History and Period Styles: Refashioning Pedagogies, Ashley Bellet (ed.) (2024)
Review of: New Approaches to Decolonizing Fashion History and Period Styles: Refashioning Pedagogies, Ashley Bellet (ed.) (2024)
New York: Routledge, 228 pp.,
ISBN 978-1-03223-542-4, p/bk, $42.95

Fashion Projects: 15 Years of Fashion in Dialogue, Francesca Granata (ed.) (2024)
Review of: Fashion Projects: 15 Years of Fashion in Dialogue, Francesca Granata (ed.) (2024)
Bristol: Intellect, 225 pp.,
ISBN 978-1-78938-893-0, h/bk, $134.95
ISBN 978-1-78938-894-7, e-book, $103.95
ISBN 978-1-78938-895-4, e-PDF, $103.95

Luxury Fashion and Media Communication: Between the Material and Immaterial, Paula von Wachenfeldt and Magdalena Petersson McIntyre (eds) (2024)
Review of: Luxury Fashion and Media Communication: Between the Material and Immaterial, Paula von Wachenfeldt and Magdalena Petersson McIntyre (eds) (2024)
New York: Bloomsbury Visual Arts, 214 pp.,
ISBN 978-1-35029-106-5, h/bk, £85.00

Understanding Fashion Scandals: Social Media, Identity, and Globalization, Annamari Vänskä and Olga Gurova (2024)
Review of: Understanding Fashion Scandals: Social Media, Identity, and Globalization, Annamari Vänskä and Olga Gurova (2024)
London: Bloomsbury Publishing, 235 pp.,
ISBN 978-1-35024-896-0, h/bk, £15.11

Fragmentation, taboos and advocacy: An examination of the Indian-Australian ethnic media
This article examines the advocacy role of Indian-Australian ethnic media and their efforts to address sociocultural issues within the Indian diaspora in Australia. Based on interviews with twelve media producers, the study explores how these outlets raise awareness of challenges such as casteism, dowry practices and sociopolitical divides. Ethnic media play a vital role in multicultural societies, expressing cultural identity while managing relationships between minority and majority groups. However, the findings show that financial and structural constraints often lead to editorial caution, especially regarding contentious topics. This restraint is largely driven by reliance on advertising revenue from community businesses and government sources, which affects editorial decisions. The study also reveals that these outlets often prioritize a broader national identity over engaging with internal divisions within the Indian diaspora, such as those related to religion, caste and class. The concept of multi-ethnic public sphere further supports the idea that ethnic media can promote inter-cultural dialogue, though their potential is limited by ongoing financial challenges. This article highlights the need for greater institutional and financial backing to strengthen ethnic media’s ability to serve their communities. Supporting these outlets would allow for more active engagement with marginalized groups and internal dynamics, positioning Indian-Australian ethnic media as key advocates for community interests within Australia’s multicultural framework and contributing to social change.

Turning puzzle games into fashion: Exploring personal outfits through symbol-based clothing assembly
The intersection of gaming and fashion opens a novel avenue for personal expression through symbol-based clothing assembly, akin to puzzle games. This study delves into the transformative potential of integrating the mechanics of puzzles into creating personal outfits, fostering a platform for individuals to manifest their distinctive style and creativity. The research scrutinizes the design process, highlighting the symbiotic relationship between self-expression and individuality, and the cognitive stimulation provided by the puzzle-solving aspect that enhances the wearer’s brainstorming capabilities. Implementing this concept poses a unique set of challenges and opportunities, aiming to redefine the paradigms of fashion design. Ultimately, this innovative approach seeks to revolutionize personal style, creating a dynamic and interactive experience that resonates with the wearer’s identity and ingenuity.

Fashion influences of women university administrators
Women administrators are responsible for a broad array of difficult management tasks that affect their higher education institutions. There exist great societal expectations regarding women’s dress and appearance management practices. In this study, we identify the clothing-related influences women leaders used to develop their roles as university administrators. We interviewed 36 women in high-level administrative leadership roles at a Midwestern doctoral-granting land grant university. Qualitative thematic analysis revealed four major influences: (1) the importance of complying with the (unofficial) university dress code or ‘uniform’, (2) the comparison, negotiation and influence of others, (3) dressing for their roles and (4) fitting into social and cultural norms. Through the lens of social identity theory, findings revealed that administrators’ practices were negotiated through a process of observation, contemplation of their own individuality and responsibilities, and close identification of themselves as leaders within their specific university setting. Implications for retailers and aspiring leaders are included.

Visual merchandising in fashion retail: The diversity, equity and inclusion (DEI) perspective
Diversity, equity and inclusion (DEI) has been at the forefront of many disciplines in recent years. Utilizing three different aspects of visual merchandising in the context of fashion retail, this study investigates the effects of (1) colours of mannequins, (2) sizes of mannequins and (3) the presence of a rainbow flag as signage in a physical store on consumers’ feelings towards the store and related clothing styles, in addition to their perceptions of the store’s commitment to DEI. Using an online survey, data were collected from a 2 × 2 × 2 factorial experimental design with 382 responses. Findings suggest that mannequin sizes influenced the participants’ overall feelings towards a store, in addition to mixed interaction effects among mannequin sizes, colours and/or use of a rainbow flag. Discussion and implications are provided.