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Journal of Interdisciplinary Voice Studies
JIVS provides a forum for scholarly and practice-based engagement with voice as a phenomenon of communication and performance, and a methodology or metaphor for analysis. This peer-reviewed journal draws on an interdisciplinary series of lenses, including cultural studies, critical theory, performance studies, inter-culturalism, linguistics, visual culture, musicology, architecture and somatics.
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Journal of Italian Cinema & Media Studies
The Journal of Italian Cinema & Media Studies (JICMS) is a fully peer reviewed English language journal, which explores Italian cinema and media as sites of crossing, allowing critical discussion of the work of filmmakers, artists in the film industry and media professionals. The journal intends to revive a critical discussion on the auteurs, celebrate new directors and accented cinema, and examine Italy as a geo-cultural locus for contemporary debate on translocal cinema.
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Journal of Music, Technology & Education
The Journal of Music, Technology and Education (JMTE) explores the issues concerning the use of technology in music education. It examines pedagogy at all levels and across genres such as composition, musicology, performance and music production. It is the only journal specifically dedicated to the educational aspects of music technology and the technological aspects of music. Peer-reviewed, with an international editorial board, JMTE aims to draw its contributions from a broad community of educators, researchers and practitioners who are working closely with new technologies in the fields of music education and music technology education.
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Journal of New Zealand & Pacific Studies
This peer reviewed publication will focus on the range of issues and subjects which are relevant to New Zealand and Pacific Studies, with a priority for the latter
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Journal of Pervasive Media
The Journal of Pervasive Media is an international peer-reviewed journal for transdisciplinary researchers and practitioners engaging with devices and systems that alter users' behaviours, interactions and relationships with the world around them. For instance, artists, designers, creative technologists, theorists and scientists, exploring technologies such as locative media, augmented or mixed reality, mobile or wearable computing, through which places and times can be layered, performance enhanced, subjectivity multiplied, and data critically and creatively explored.
Journal of Pervasive Media is the new title for Ubiquity. The title change will comes into effect from Volume 8. All previous issues can be accessed on the Ubiquity page.
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Journal of Popular Music Education
The main aims of Journal of Popular Music Education, especially initially, will be iteratively to define the parameters of the field and disciplines of its readership and contributors (especially with regard to other journals in popular music and music education), this being an emerging field of scholarship and practice. The other principal aim will be to disseminate excellent critique and other forms of scholarship (e.g. phenomenological) in and related to the field. The journal will have an inclusive, global reach. 'Education' and 'popular music' are terms that we expect to be stretched and problematized through rigorous examination from multiple international perspectives.
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Journal of Scandinavian Cinema
The Journal of Scandinavian Cinema is a new scholarly journal devoted to film in the Scandinavian countries. It aims to become the prime site for excellent research and engaging discussions on cinema in Scandinavia, both within the national context of Denmark, Finland, Iceland, Norway and Sweden, and as a region existing in a globalized world.
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Journal of Science & Popular Culture
Science permeates contemporary culture at multiple levels, from the technology in our daily lives to our dreams of other worlds in fiction. The Journal of Science & Popular Culture is a peer-reviewed academic publication that seeks to explore the complex and evolving connections between science and global society.
Working with a distinguished international board, the Journal of Science & Popular Culture aims to create a unique forum in which to analyse, chronicle, and interpret this diverse landscape through original research articles, editorials, book and new media reviews, notes and essays. The journal also provides a site where emerging and established scholars can access salient knowledge and cutting-edge research. Contributions from academics, scientists, communicators, industry professionals, and practitioners with an interest in the science and society interface are invited. Any scholarly approaches or disciplines may be used and the Journal of Science & Popular Culture strongly reinforces interdisciplinary and multidisciplinary research, opening up new possibilities for inquiry across and between the humanities and sciences.
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Journal of Screenwriting
The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting, the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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Journal of Urban Cultural Studies
Cities have been increasingly at the forefront of debate in both humanities and social-science disciplines, but there has been relatively little dialogue across these disciplinary boundaries. Journals in social-science fields that use urban-studies methods to look at life in cities rarely explore the cultural aspects of urban life in any depth or delve into close readings of the representation of cities in individual cultural products. As a platform for interdisciplinary scholarship from any and all linguistic, cultural and geographical traditions, the Journal of Urban Cultural Studies prioritizes the urban phenomenon in order to better understand the culture(s) of cities.
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Journal of Visual Political Communication
Journal of Visual Political Communication (formerly known as The Poster) is a forum for debate about the ways in which visual devices are used to form opinion, sway, persuade, provoke, unite and divide us. This peer-reviewed journal invites all scholars and practitioners of visual culture - its social operation, anthropology, philosophy, history, politics and creation - to join with us in an open debate about the ethics, aesthetics, effect and operation of visual rhetoric in the public sphere. A fully refereed and peer-reviewed through a rigorous process conducted by our international Editorial Board and team of Associate Editors, all selected for their ability to bring a unique insight into the applications of visual rhetoric in the public sphere and for their academic strength as researchers.
Formerly published as The Poster (ISSN 2040-3704, Online ISSN 2040-3712)
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Journal of Writing in Creative Practice
The Journal of Writing in Creative Practice is the official organ of the Writing Purposefully in Art and Design (Writing PAD) network. It offers art and design institutions an arena in which to explore and develop the notion of thinking through writing as a parallel to visual discourse in art and design practice. The journal aims to extend the debates to all national and international higher educational art and design institutions.
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KinoSputnik
The series will aim to provide concise companion guides to the most important and interesting films to emerge from Russian, Soviet and post-Soviet cinema from its inception to the present day. While based on solid scholarship, the books will be written in a clear and accessible style. Each volume will have a broadly common structure, while allowing some flexibility to cater for the particular needs of individual films. Illustrated and at an attractive price, the volumes are aimed primarily at undergraduate and postgraduate students and an interested and intelligent general readership. Each instalment will contain production details, a brief plot synopsis, analyses of the films both in terms of content and context, and an analysis of how they were received.
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Living and Sustaining a Creative Life
Series editor: Sharon Louden
The Living and Sustaining a Creative Life series of books reveal the realities of today's artists and culture producers. With volumes dedicated to the experience of practitioners across the creative arts, these timely publications comprise essays that generously share innovative models of creative lives that have been sustained over many years. Their first-hand stories show the general public how contemporary artists, creative individuals and change-makers of the twenty first century add to creative economies through their out-of-the-box thinking while also contributing to the well-being of others. Although there is a misconception that artists are invisible and hidden, the truth is that they furnish measurable and innovative outcomes at the front lines of education, the non-profit sector, and corporate environments. Intended to spark conversations across and beyond the arts, each path is an inspiring example that provides exceptional insight.
All of the contributors have been chosen by guest editors within a specific field who are distinctive and generous in their own lives, with the aim to inspire new avenues for artists across the creative disciplines to thrive for years to come.
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Luxury Studies: The In Pursuit of Luxury Journal
As a term which has made its way into everyday language, the idea of luxury has secured a place in contemporary society. Luxury Studies: The In Pursuit of Luxury Journal explores the many issues and debates surrounding the idea of luxury as a historical and contemporary phenomenon, both critically and commercially.
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Mediated Cities
Series Editor: Dr. Graham Cairns, Architecture_Media_Politics_Society (AMPS) Director
Please send all series enquiries and proposals to [email protected].
The Mediated Cities series explores the contemporary city as a hybrid phenomenon of digital technologies, new media, digital art practices and physical infrastructure. It is an inherently interdisciplinary series around intersecting issues related to the city of today and tomorrow.
As Marshall McLuhan identified in 1964, today’s global village is a place of simultaneous experience; a site for overlapping material and electronic effects; a place not so much altered by the content of a medium, but rather, a space transformed by the very nature of medias themselves. For some, this is little more than the inevitable evolution of urban space in the digital age. For others, it represents the city’s liberation from the condition of stasis. For scaremongers, it’s a nightmare scenario in which the difference between the virtual and the real, the electronic and the material, the recorded and the lived, becomes impossible to identify.
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Metal Music Studies
Metal Music Studies is the journal of the International Society for Metal Music Studies.
The aims of the journal are:
• To provide an intellectual hub for the International Society of Metal Music Studies and a vehicle to promote the development of metal music studies;
• To be the focus for research and theory in metal music studies – a multidisciplinary (and interdisciplinary) subject field that engages with a range of parent disciplines, including (but not limited to) sociology, musicology, humanities, cultural studies, geography, philosophy, psychology, history, natural sciences;
• To publish high-quality, world-class research, theory and shorter articles that cross over from the industry and the scene;
• To be a world leader in interdisciplinary studies and be a unique resource for metal music studies.
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Metaverse Creativity (new title: Virtual Creativity)
In 2017 Metaverse Creativity is changing its name to Virtual Creativity, to reflect its content more accurately. Metaverse Creativity is a refereed journal focusing on the examination of creativity in user-defined online virtual worlds such as Second Life. While such creative activity includes artistic activity, this definition should in no way be limited to artistic output alone but should encompass the output of the various disciplines of design - such as fashion and object design, landscaping and virtual architecture - that are currently all amply manifest in Second Life.
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