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Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice promotes and disseminates drawing research with a focus on contemporary practice and its theoretical context. This journal seeks to reestablish the materiality of drawing as a medium at a time when virtual, on-line, electronic media dominates visuality and communication.
This peer-reviewed publication represents drawing as a significant discipline in its own right and in a diversity of forms: as an experimental practice, as research, as representation and/or documentation, as historical and/or theoretical exploration, as process or as performance. It explores the drawing discipline across fine art, science and engineering, media and communication, psychology, architecture, design, science and technology, textiles, fashion, social and cultural practices.
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East Asian Journal of Popular Culture
The East Asian Journal of Popular Culture is the leading academic peer-reviewed journal for scholars, teachers and students from around the world interested in the popular culture of East Asia. In recent decades, East Asian popular culture has attracted increasing attention within academia and beyond. The East Asian Journal of Popular Culture is one manifestation of this, serving as an important forum for academic debate over popular cultural phenomena throughout the region and their social and political ramifications. The journal's scope embraces all aspects of popular culture in East Asia as well as the cultural interplay between East Asia and the wider world. Encompassing work on genres from film to music, art to translation and fashion to tourism; the journal offers a forum where multidisciplinary work can come together in new and exciting ways. We welcome original scholarship related to all aspects of East Asian popular culture from creation to dissemination and beyond. We also offer a space for shorter reviews or reports of cultural events and activities, and for reviews of scholarship in any language related to East Asian popular culture.
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Empedocles: European Journal for the Philosophy of Communication
The European Journal for the Philosophy of Communication aims to provide a publication and discussion platform for those working at the interface of philosophy and the study of communication, in all its aspects. This journal is published in cooperation with the Section for the Philosophy of Communication of ECREA, the European Communication Reserach and Education Association.
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European Communication Research and Education Association
Series Editors: Nico Carpentier and François Heinderyckx
The ECREA series makes a major contribution to the theory, research, practice and/or policy literature in the field of Communication and Media Studies. The ECREA series is European in scope and represents a diversity of paradigms, perspectives, and cultures. Each book is edited by one or more acknowledged authorities in the field and the contributors have been selected to provide a broad overview and breadth of understanding of the concerns in question. Book proposals are refereed. Although the ECREA series is clearly embedded in the ECREA membership, a degree of openness towards non-ECREA members is considered to add value to the series.
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European Journal of American Culture
The European Journal of American Culture (EJAC) is an academic, refereed journal for scholars, academics and students from many disciplines with a common involvement in the interdisciplinary study of America and American culture, drawing on a variety of approaches and encompassing the whole evolution of the country.
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Explorations in Media Ecology
EME explores the relationships between media, technology, symbolic form, communication, consciousness, and culture. Its scope is interdisciplinary and multidisciplinary. Media ecology provides a rich philosophical, historical and practical context for studying our increasingly technological and mediated society and culture with an emphasis on historical context.
Media ecology scholarship emphasizes a humanistic approach to understanding media, communication, and technology, with special emphasis on the ways in which we have been and continue to be shaped and influenced by our inventions and innovation. The Media ecology approach is predicated on understanding that media, symbols, and technologies play a leading role in human affairs, and function as largely invisible environments affecting the way we think, feel, act, and organize ourselves collectively.
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Fan Phenomena
Series Editor: Tim Mitchell
This series is prompted by a growing appetite for books that tap into the fascination we have with what constitutes an iconic or cultish phenomenon and how a particular person, TV show or film character/film infiltrates their way into the public consciousness. We will look at particular examples of ‘fan culture’ and approach the subject in an accessible manner aimed at both fans and those interested in the cultural and social aspects of these fascinating – and often unusual – ‘universes’.
The concept of the book series is to address cult/fan culture within a specified gaze. Topics will range from mythic actors like Marilyn Monroe and James Dean to the long-lasting television series Buffy The Vampire Slayer to film juggernauts like Harry Potter, James Bond and Star Wars.
Each of the subjects we choose have massive visual appeal as they deal with fan fashion, memorabilia, (fan)homages, merchandising and branding that help to create the immersive world that extends beyond the phenomenon itself. The books will aim to exploit this visual aspect to align them with other Intellect book series such as World Film Locations and Directory of World Cinema which make good use of relevant collected imagery.
The series aims to ‘decode’ cult subjects in terms of the appeal and far reaching connections each of them have in becoming part of popular culture. We are fully aware that these are not meant to be comprehensive, weighty tomes on the subject – rather a series of ‘handy’ books that each include a fascinating collection of essays which explore a particular area or aspect of the subject’s ‘universe’ in each chapter.
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Fashion, Style & Popular Culture
Fashion, Style & Popular Culture is a peer-reviewed journal specifically dedicated to the area of fashion scholarship and its interfacings with popular culture. It was established to provide an interdisciplinary environment for fashion academics and practitioners to publish innovative scholarship in all aspects of fashion and popular culture relating to design, textiles, production, promotion, consumption and appearance-related products and services. Articles related to history, manufacturing, aesthetics, sourcing, marketing, branding, merchandising, retailing, technology, psychological/sociological aspects of dress, style, body image, and cultural identities, as well as purchasing, shopping, and the ways and means consumers construct identity as associated to Fashion, Style & Popular Culture are welcomed. The journal offers a broad range of written and visual scholarship and includes works done through various methods of research. We welcome conceptual, theoretical and translational applied research in the areas of fashion, style and popular culture. This journal hopes to stimulate new discussions in the fashion disciplines and to push the envelope of scholarship by welcoming new and established scholars to submit their works.
Download the journal's Notes for Contributors.
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Film International
Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines.
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Film Matters
Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars. It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for graduate study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied learning experiences, all Film Matters feature submissions from external open calls will undergo a peer review process.
Film Matters also enjoys partnering with guest editors on themed dossiers. Any instructor who works with undergraduate students (including teaching assistants, part-time faculty, etc.) is encouraged to contact the editors with dossier proposals.
For more information and content visit the Film Matters website.
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Film, Fashion & Consumption
Film, Fashion & Consumption is a peer-reviewed journal designed to provide an arena for the discussion of research, methods and practice within and between the fields of film, fashion, design, history, art history and heritage. The journal seeks to stimulate ongoing research on these topics and to attract contributions not only from scholars researching in these areas but also from practitioners, who are traditionally excluded from academic debate. The journal thus aims to unite and enlarge a community of researchers and practitioners in film, fashion, consumption and related fields, whilst also introducing a wider audience to new work, particularly to interdisciplinary research which looks at the intersections between film, fashion and consumption.
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Global Health Humanities
Series Editors: Susan Hogan and Anna Greenwood
Global Health Humanities is a new book series from Intellect that will look at the global health humanities from a number of perspectives, incorporating:- medical humanities
- health humanities (broadly defined)
- history of medicine
- arts and health
A wide range of critical studies interrogating the epistemology of knowledge production will be considered. Forms of health knowledge production will be questioned. This is a series that will be attentive to the mutually constitutive nature of gender, sexual identity, cultural identity, disability, age and other categories of difference that shape social practices and individual lives. This sensitivity to cultural perspectives will form a critical, and distinctive, lens for the series. Topics of interest will include, but not be restricted to, global health inequalities and the health humanities; critical reflections on global health humanities; conceptualisations of health; global health in health humanities scholarship; global maternal health; critical analysis of representations of health and illness across cultures; gender inequality; gender issues in the arts and health.
The series will have multiple formats: traditional scholarly monographs, edited collections and shorter format volumes. It is anticipated that the shorter format will provide an easily accessible medium as a ‘way in’ for readers to learn about new aspects of health humanities. The shorter format books will comprise accessibly written, but still scholarly and referenced, introductions or case studies. Authors will include established scholars in the field, emerging early-career scholars, and practitioners.
Whilst health is a universal issue, it is experienced differently by those with different genders and sexual orientations. The way women, men, intersex, non-binary, and transgender people relate via the arts and humanities to their health remains under-researched. This is a striking omission in today’s world increasingly attuned to multiple modes of gender identification, as well as the ever-changing roles of women and men.
The series is targeted to appeal to health humanities scholars, clinicians and carers, and arts and humanities practitioners, as well as the learned general public.
Brief expressions of interest can be sent to [email protected] or [email protected]
Download CFP
Editorial Board
Victoria Bates, University of Bristol
Brian Brown, De Montfort University
Paul Crawford, University of Nottingham
Paul Elliot, University of Derby
Sander L. Gilman, Emory University
Jessica Howell, Texas A & M University (TAMU)
Janelle Jones, Queen Mary University of London
Therese Jones, University of Colorado Denver
Michael Koon Boon Tan, Sheffield Hallam University
George Rousseau, King's College, Aberdeen
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Global Hip Hop Studies
Global Hip Hop Studies (GHHS) is a peer-reviewed, rigorous and community-responsive academic journal that publishes research on contemporary as well as historical issues and debates surrounding hip hop music and culture around the world, twice annually.
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Global Punk
Series editors: Russ Bestley and Mike Dines
Produced in collaboration with the Punk Scholars Network, the Global Punk book series focuses on the historical development and contemporary presence of punk around the world, reflecting upon origins, aesthetics, identity, legacy, membership, and circulation. Critical approaches draw upon the interdisciplinary areas of (among others) cultural studies, art and design, sociology, musicology, and social sciences in order to develop a broad and inclusive picture of punk and punk-inspired subcultural developments around the globe. The Global Punk series, therefore, adopts an essentially analytical perspective, raising questions about the dissemination of punk scenes and subcultures and their form, structure, and contemporary cultural significance in the daily lives of an increasing number of people around the world.
Topics may include (but are not limited to):- Global impact and inclusion
- Punk history/histories
- Etymology and language
- Genre definition and development
- Antecedents and influences
- Practices of production, distribution and consumption/reception
- Art and design strategies
- Fashion, aesthetics and style
- Musicology
- Politics, community, gender, sexuality, class and race issues
- Transgression and subcultural opposition
- Associated cultural industries
- Concepts of independence and DIY cultures
- Debates around authenticity
- Archival practices
- Film studies
Editorial Board
Edward Avery-Natale, Mercer County Community College
Ellen Bernhard, Georgian Court University
Minerva Campion Canelas, Javeriana University
Pete Dale, University of York
Matt Grimes, Birmingham City University
Daniel Makagon, DePaul University
Michael Mary Murphy, Dun Laoghaire Institute of Art
Marie Arleth Skov, Staatliche Museen zu Berlin
Francis Stewart, Bishop Grosseteste University
Laura Way, University of Lincoln
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Horror Studies
Horror Studies intends to serve the international academic community in the humanities and specifically those scholars interested in horror. Exclusively examining horror, this journal will provide interested professionals with an opportunity to read outstanding scholarship from a variety of disciplinary perspectives, including work conceived as interdisciplinary. By expanding the conversation to include specialists concerned with diverse historical periods, varied geography, and a wide variety of expressive media, this journal will inform and stimulate anyone interested in a wider and deeper understanding of horror
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Hospitality & Society
Hospitality & Society is an international multidisciplinary social sciences journal focusing upon hospitality and exploring its connections with wider social and cultural processes and structures. The journal welcomes submissions from various disciplines and aims to be an interactive forum expanding frontiers of knowledge and contributing to the literature on hospitality social science. Articles that stimulate debate, discussion and exchange across disciplines are welcomed, as well as review essays or short topical pieces that are provocative and problematic in nature.
Hospitality & Society is the official journal of the Council for Hospitality Management Education http://www.chme.org.uk/.
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Indian Theatre Journal
Indian Theatre Journal (ITJ) is the first international journal on Indian theatre. It is committed to publishing a wide range of critical and scholarly approaches to various aspects of Indian theatre and performance from their social, political, cultural, economical and diasporic contexts through academic essays, plays, production reviews, interviews and other important performance events in India. The journal hopes to bring together current intellectual debates and artistic practices not only in theatre but also in other corresponding areas such as dance, music, arts, aesthetics and culture, which will bring together the wider context of the confluences and correspondence between philosophy, performance and culture in India. This double-blind peer-reviewed journal aims at creating an international platform for scholars, critics, playwrights, actors and directors of Indian theatre to present their work through cutting edge research and innovative performance practice. In addition, the journal is keen to explore the recent developments in intercultural theatre, theatre anthropology, performance studies and Indian and South Asian diaspora across the globe.
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Intellect China Library
Series Editor: Dr Hiu Man Chan, Chair: Mark Lewis
The Intellect China Library is a series of new English translations of the latest scholarship in Chinese that have not previously been available. Subjects covered include film studies, visual arts, performing arts, media and the broader creative industries. The series aims to foster intellectual debate and to promote closer cross-cultural knowledge exchange by introducing unique Chinese scholarship and ideas to our readers.
International Advisory Board
Professor Kerry Brown, Director, Lau China Institute, King’s College London
Professor Nick Bryan-Kinns, Queen Mary, University of London
Professor Juan Cruz, Edinburgh College of Art
Professor Anthony Fung, the Chinese University of Hong Kong
Grace Lang, China Director, UK Research and Innovation
Professor Justin O’Connor, University of South Australia
Dr Li Pi, M Plus Museum, Hong Kong
Professor Yueming Rong, Director, Shanghai Culture Research Centre
Dr Tim Summers, the Chinese University of Hong Kong
Professor Hong Zhang, Colby College
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Intellect Live
Series Editors: Dominic Johnson, Lois Keidan and C. J. Mitchell.
Intellect Live is a collaboration between Intellect Books and the Live Art Development Agency. The series is characterized by lavishly illustrated and exquisitely designed books, created through close collaborations between artists and writers, each of which is the first substantial publication dedicated to an artist's work.
The Live Art Development Agency (LADA) offers Resources, Professional Development Initiatives, and Projects & Publishing for the support and development of Live Art artists, audiences and discourses in the UK and internationally. LADA works strategically, in partnership and in consultation with artists and organisations in the cultural sector and is committed to creating the conditions in which diversity, experimentation and risk can thrive.
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Interactions: Studies in Communication & Culture
Interactions aims to encourage the development of the widest possible scholarly community both in terms of geographical location and intellectual scope in the fields of media, communication and cultural studies.
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