Studies in Musical Theatre

Studies in Musical Theatre

ISSN: 1750-3159
E-ISSN: 1750-3167

Studies in Musical Theatre is a refereed journal which considers areas of live performance that use vocal and instrumental music in conjunction with theatrical performance as a principal part of their expressive language.

Journal Status

Active

Collection(s)

Latest Articles Lasest articles RSS feed

- Context for The Olurombi Musical
  
  Authors: Leesi Patrick and Bolanle Austen-Peters
- Mexicano Flores
  
  Authors: Claudia Romero-Herrera and Lorena Oliva
- Malinche, directed by Nacho Cano (2022)
  
  By Alejandro Postigo
- Musical-theatrical Global South roundtables: Selected excerpts
  
  Authors: Masi Asare and Emilio Méndez
- Africanist diasporic identities: Nigerian immigrants in the Global North in Bode Omojola’s opera Ìrìn Àjò
  
  Authors: Olasunbo Omolara Loko and Omotolani Ebenezer Ekpo
- Orpheus in Hell: Adaptation and reimagination of a myth in Rio de Janeiro’s musical theatre
  
  By Alex Bádue
- Concert theatre, a new genre of contemporary Iranian musical
  
  By Niloofar Mohtadi
- Genealogy and sketch of Indonesian musical theatre
  
  By Josh Stenberg
- Brazilian musicals during the military dictatorship period (1964–85): Fighting violence through art
  
  By Larissa de Oliveira Neves
- Introduction: The musical-theatrical Global South
  
  Authors: Masi Asare and Emilio Méndez
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Studies in Musical Theatre

Latest Articles Lasest articles RSS feed

Context for The Olurombi Musical

Mexicano Flores

Malinche, directed by Nacho Cano (2022)

Musical-theatrical Global South roundtables: Selected excerpts

Africanist diasporic identities: Nigerian immigrants in the Global North in Bode Omojola’s opera Ìrìn Àjò

Orpheus in Hell: Adaptation and reimagination of a myth in Rio de Janeiro’s musical theatre

Concert theatre, a new genre of contemporary Iranian musical

Genealogy and sketch of Indonesian musical theatre

Brazilian musicals during the military dictatorship period (1964–85): Fighting violence through art

Introduction: The musical-theatrical Global South

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