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Using the song ‘I Can Have Both’ as a case study, we examine the ways in which Morrissey’s creative output has consistently recognized the fluidity of sexual and gender identities. We demonstrate how Morrissey’s work invites a deep textual reading that reveals a complex counter-hegemonic stance on the issue of gender and sexuality. Queering and queer discourses play a fundamental role in achieving this. Our study adds to the emerging body of scholarly literature on Morrissey and contributes to our understanding of how queering processes occur within a popular culture setting.