Rehearsal for Deep Song

References

1. Benjamin, Walter (1996), ‘The task of the translator’, in M. Bullock and M. W. Jennings (eds), Walter Benjamin: Selected Writings, vol. 1, 1913-1926, Cambridge, MA: Belknapp Press of Harvard University Press, pp. 253–63.
   [Google Scholar]
2. Bergson, Henri (1911), ‘Chapter II: Two forms of memory’, in Matter and Memory, New York: Zone Books, pp. 77–131.
   [Google Scholar]
3. Browse, Lillian ([1949] 1960), Edgar Degas: Ballet Dancers, London: Folio Society.
   [Google Scholar]
4. Buchmann, Sabeth (2016), ‘Rehearsing in/with media: Some remarks on the relationship between dance, film and painting’, in I. Graw and E. Lajer-Burcharth (eds), Painting Beyond Itself: The Medium in the Post-Medium Condition, Berlin: Sternberg Press, pp. 149–57.
   [Google Scholar]
5. Capucilli, Terese (2022), e-mail to author, 1 February.
6. Dávila, Lourdes (2020), ‘Martha Graham’s Dances for Spain’, The Volunteer, 15 November, https://albavolunteer.org/2020/11/martha-grahams-dances-for-spain/. Accessed 20 June 2021.
   [Google Scholar]
7. Démoris, René (2016), ‘Body and soul: About the practice of painting in France (660–1770)’, in I. Graw and E. Lajer-Burcharth (eds), Painting Beyond Itself: The Medium in the Post-Medium Condition, Berlin: Sternberg Press, pp. 185–226.
   [Google Scholar]
8. Deziel, Laurie (2016), ‘Martha Graham’s Deep Song solo’, YouTube, 18 September, https://www.youtube.com/watch?v=7XgVAnCcnAc. Accessed 18 September 2019.
9. Félibien, André (1685), Entretiens sur les vies et sur les ouvrages des plus excellents peintres anciens et modernes, vol. 7, Paris: Sébastien Mabre-Cramoisy.
   [Google Scholar]
10. Freedman, Russell (1998), Martha Graham: A Dancer’s Life, New York: Clarion Books.
    [Google Scholar]
11. Garcés, Marina (2013), Un mundo Común, Barcelona: Editorial Bellatera.
    [Google Scholar]
12. Gilfond, Henry (1938), ‘Martha Graham’, The Dance Observer, 5:1, pp. 7–8.
    [Google Scholar]
13. Graham, Martha (1930), Lamentation, Maxine Elliot Theatre, New York, 8 January.
    [Google Scholar]
14. Graham, Martha (1935), Frontier, Guild Theatre, New York, 28 April.
    [Google Scholar]
15. Graham, Martha (1936), Chronicle, Guild Theatre, New York, 20 December.
    [Google Scholar]
16. Graham, Martha (1937a), Deep Song, Guild Theatre, New York, 19 December.
    [Google Scholar]
17. Graham, Martha (1937b), Immediate Tragedy, Bennington, VT, 30 July.
    [Google Scholar]
18. Graham, Martha (1991), Blood Memory: An Autobiography, New York: Doubleday.
    [Google Scholar]
19. Gregory, Stamatina (2022), ‘A compulsion to rehearse’, in L. Lasurt (ed.), Rehearsal for Deep Song, Valencia: Concreta.
    [Google Scholar]
20. Kisselgoff, Anna (1984), ‘Martha Graham’, New York Times, 18 February, p. 44.
    [Google Scholar]
21. Lepecki, André (2010), ‘The body as archive: Will to re-enact and the afterlives of dances’, Dance Research Journal of Illinois University Press, 42:2, pp. 28–48.
    [Google Scholar]
22. Lorca, Federico (1931), Poema del Cante Jondo, Madrid: Ediciones Ulises.
    [Google Scholar]
23. Morgan, Barbara (1941), Martha Graham: Sixteen Dances in Photographs, New York: Morgan & Morgan.
    [Google Scholar]
24. Sachs, Joel (2022), ‘Notes on program’, Focus 2022: From Maple Leaf Rag to the Prepared Piano: The Making of an American Music, 1899–1948, New York: The Juilliard School, https://www.juilliard.edu/sites/default/files/1.23-28_focus_festival.pdf. Accessed 7 November 2023.
    [Google Scholar]
25. Sontag, Susan (2003), Regarding the Pain of Others, New York: Picador and Farrar, Straus and Giroux.
    [Google Scholar]
26. Stodelle, Ernestine (1984), Deep Song: Dance Story of Martha Graham, New York: Schirmer Books.
    [Google Scholar]
27. The New School (2019), ‘Histories of the New School: Henry Cowell’, 29 March, http://newschoolhistories.org/people/henry-cowell/. Accessed 20 July 2022.
28. Valéry, Paul ([1900] 1940), Tanz, Zeichnung and Degas, Berlin: Suhrkamp.
    [Google Scholar]