‘What are words?’: Symbolism and romance in Agatha Christie’s short stories ‘Within a Wall’, ‘The House of Dreams’ and ‘The Lonely God’

References

1. Agatha Christie Wikia ( n.d.;), ‘ The Sovereign Magazine. ’, Fandom , https://agathachristie.fandom.com/wiki/The_Sovereign_Magazine. Accessed 7 July 2020.
2. Aldridge, M.. ( 2012;), ‘ Love, crime, and Agatha Christie. ’, in K. A. Ritzenhoff, and K. Randell. (eds), Screening the Dark Side of Love, New York:: Palgrave Macmillan;, pp. 83–94.
   [Google Scholar]
3. Armstrong, T.. ( 2005), Modernism: A Cultural History, vol. 1, Cambridge:: Polity;.
   [Google Scholar]
4. Bargainnier, E. F.. ( 1980), The Gentle Art of Murder: The Detective Fiction of Agatha Christie, Bowling Green, OH:: Popular Press;.
   [Google Scholar]
5. Bernthal, J. C.. ( 2016), Queering Agatha Christie: Revisiting the Golden Age of Detective Fiction, Cham:: Springer;.
   [Google Scholar]
6. Beyer, C.. ( 2016;), ‘ “With practised eyes”: Feminine identity in The Mysterious Mr Quin. ’, in J. C. Bernthal. (ed.), The Ageless Agatha Christie: Essays on the Mysteries and the Legacy, Jefferson, NC:: McFarland;, pp. 61–80.
   [Google Scholar]
7. Beyer, C.. ( 2019;), ‘ “What are words?”: Representing consciousness through symbolism in Agatha Christie’s early short stories. ’, Agatha Christie – Investigating the Queen of Genre, Southampton Solent University, Southampton, 5–6 September 2019.
   [Google Scholar]
8. Bishop, N. J.. ( 2016;), ‘ Mundane or menacing? “Nobodies” in the detective fiction of Agatha Christie. ’, Clues: A Journal of Detection, 34:1, https://e-space.mmu.ac.uk/id/eprint/618434. Accessed 16 October 2020.
   [Google Scholar]
9. Bram, D.. ( 1986), Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture, Oxford:: Oxford University Press;.
   [Google Scholar]
10. Bunson, M.. ( 2000), The Complete Christie: An Agatha Christie Encyclopedia, New York:: Pocket Books;.
    [Google Scholar]
11. Cawelti, J. G.. ( 2014), Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture, Chicago, IL:: University of Chicago Press;.
    [Google Scholar]
12. Christie, A.. ( [1924; 1965; 1973] 2009;), ‘ Star Over Bethlehem, including “The Road of Dreams and Poems”. ’, London:: Harper Collins, Kindle;.
    [Google Scholar]
13. Christie, A.. ( [1925] 2008a;), ‘ Within a Wall. ’, London:: Harper Collins, Kindle;.
    [Google Scholar]
14. Christie, A.. ( [1926] 2008b;), ‘ The House of Dreams. ’, London:: Harper Collins, Kindle;.
    [Google Scholar]
15. Christie, A.. ( [1926] 2008c;), ‘ The Lonely God. ’, London:: Harper Collins, Kindle;.
    [Google Scholar]
16. Cooper, C. C.. ( 2006), House as a Mirror of Self: Exploring the Deeper Meaning of Home, Berwick:: Nicolas-Hays;.
    [Google Scholar]
17. Cooper, C.. ( [1974] 2014;), ‘ The house as symbol of the self. ’, in J. J. Gieseking,, W. Mangold,, C. Katz,, S. Low, and S. Saegert. (eds), The People, Place, and Space Reader, London:: Routledge;, pp. 168–72.
    [Google Scholar]
18. Cox, A.. (ed.) ( 2011), Teaching the Short Story, Houndmills:: Palgrave Macmillan;.
    [Google Scholar]
19. Driscoll, B.. ( 2016;), ‘ The middlebrow family resemblance: Features of the historical and contemporary middlebrow. ’, Post45 , 7 January, https://post45.org/2016/07/the-middlebrow-family-resemblance-features-of-the-historical-and-contemporary-middlebrow/. Accessed 8 July 2020.
20. Earle, D. M.. ( 2009), Re-covering Modernism: Pulps, Paperbacks, and the Prejudice of Form, Aldershot:: Ashgate;.
    [Google Scholar]
21. Hoffman, M.. ( 2016), Gender and Representation in British ‘Golden Age’ Crime Fiction, London:: Palgrave Macmillan;.
    [Google Scholar]
22. Humble, N.. ( 2001), The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism, Oxford:: Oxford University;.
    [Google Scholar]
23. Liggins, E.,, Maunder, A., and Robbins, R.. ( 2011), The British Short Story, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
24. Lutkus, A.. ( 2002;), ‘ Agatha Christie. ’, in V. K. Janik, and D. I. Janik. (eds), Modern British Women Writers: An A-to-Z Guide, Westport, CT:: Greenwood;, pp. 73–80.
    [Google Scholar]
25. Maddison, I.. ( 2019;), ‘ The middlebrow and popular. ’, in J. Smith. (ed.), Companion to British Literature of the 1930s, Cambridge:: Cambridge University Press;, pp. 81–96.
    [Google Scholar]
26. Makinen, M.. ( 2006), Agatha Christie: Investigating Femininity, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
27. Nudelman, E., and Smith, J. W.. ( [1914] 1991), The Jessie Willcox Smith Mother Goose, New Orleans, LA:: Pelican Publishing;.
    [Google Scholar]
28. Porter, J. D.. ( 2018;), ‘ The “illustrious and the vulgar”: Christie, culture and commerce in the golden age of detective fiction. ’, The Journal of Publishing Culture, 8, pp. 1–12, https://journalpublishingculture.weebly.com/vol-8.html. Accessed 12 July 2020.
    [Google Scholar]
29. Ricker-Wilson, C.. ( 1999;), ‘ Busting textual bodices: Gender, reading, and the popular romance. ’, The English Journal, 88:3, pp. 57–64.
    [Google Scholar]
30. Roach, C. M.. ( 2016), Happily Ever After: The Romance Story in Popular Culture, Bloomington, IN:: Indiana University Press;.
    [Google Scholar]
31. Schaub, M.. ( 2013), Middlebrow Feminism in Classic British Detective Fiction: The Female Gentleman, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
32. Shaw, V.. ( 2014), The Short Story: A Critical Introduction, London:: Routledge;.
    [Google Scholar]
33. Simkin, S.. ( 2014), Cultural Constructions of the Femme Fatale: From Pandora’s Box to Amanda Knox, Basingstoke:: Palgrave Macmillan;.
    [Google Scholar]
34. Walton, S.. ( 2015), Guilty but Insane: Mind and Law in Golden Age Detective Fiction, Oxford:: Oxford University Press;.
    [Google Scholar]
35. Woolf, V.. ( 1932;), ‘ Middlebrow. ’, in The Death of the Moth and Other Essays, http://gutenberg.net.au/ebooks12/1203811h.html#ch-23. Accessed 19 July 2020.
    [Google Scholar]
36. Zemboy, J.. ( 2016), The Detective Novels of Agatha Christie: A Reader’s Guide, Jefferson, NC:: McFarland;.
    [Google Scholar]
37. Beyer, Charlotte. ( 2020;), ‘ “What are words?”: Symbolism and romance in Agatha Christie’s short stories “Within a Wall”, “The House of Dreams” and “The Lonely God”. ’, Short Fiction in Theory & Practice, 10:1, pp. 27–42, doi: https://bibliotheek.ehb.be:2102/10.1386/fict_00012_1
    [Google Scholar]