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This chapter examines the use of flower and garden imagery as indicators of spaces for homoerotic and same-sex encounters. Creating links between contemporary artistic production in the SWANA region and aesthetic traditions of the Islamic world, it allows us to situate contemporary queer subjectivities within the cultural fabric of Muslim society and history.
Keywords: Aesthetic traditions ; al Buraq ; Gender fluidity ; Homosociality ; Miniature painting ; Pahlavan ; Paradise ; Persian poetry ; Rustam ; Shahnama ; Zurkhana
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