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In this chapter, Vanessa Toulmin reflects on meeting Marisa Carnesky for the first time and how Carnesky influenced her work and life. The author discusses working on Carnesky's Ghost Train together, Toulmin as the researcher and Carnesky as the artist. She also looks back at her other research projects and how Carnesky encouraged her to become a producer.
Keywords: burlesque ; Carnesky's Ghost Train ; Carnivals, Freaks and the Grotesque ; circus ; contemporary performance ; Dr Malcolm Jones ; entertainment history ; National Fairground and Circus Archive ; performance history ; political art ; showground ; sideshow ; Victorian entertainment ; victorian history ; working-class recreation
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