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Kartsaki introduces Marisa Carnesky to the reader as an indomitable sorceress, an eccentric magicienne, and a Showwoman. The introduction reflects on the ways in which Carnesky's trajectory of performance practice, merging genres and creating community, as well as her significant work as an educator.
Keywords: activist ; alternative cabaret ; illusions ; live art ; magicienne ; marginalized experiences of women artists ; menstrual rituals ; mezuzahs ; performance experiments ; Radical School Mistress ; showwomanry ; showwomen of the past ; sorceress ; The Dragon Ladies ; transformation
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