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Soulmates and Brotherhood: Homosociality and Homosexuality in the Chinese Web Series,

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References

  1. Bao, Hongwei (2018), ‘Homosexuality, social media activism and the future of a queer China’, Asia Dialogue, 27 April, https://theasiadialogue.com/2018/04/27/homosexuality-social-media-activism-and-the-future-of-a-queer-china/. Accessed 27 April 2018 .
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  10. Huang, Martin W. (2013), ‘Male-male sexual bonding and male friendship in late imperial China’, Journal of the History of Sexuality, 22:2, pp. 31231.
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  11. Huss, Ann and Liu, Jianmei (2007), The Jin Yong Phenomenon: Chinese Martial Arts Fiction and Modern Chinese Literary History, Honolulu, HI: Cambria Press.
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  12. Jing, Yujuan (2021), ‘Reconstructing ancient Chinese cultural memory in the context of Xianxia TV drama’, Master's thesis, Uppsala Universitet, http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446181. Accessed 18 July 2021 .
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  13. Lee, Claire Seungeun (2018), Soft Power Made in China: The Dilemmas of Online and Offline Media and Transnational Audiences, Cham: Springer.98
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  14. Liao, Wenfang (2013), ‘“Wangluo danmei xiaoshuo de shenmei texing” (Characteristics of webnovel danmei aesthetics)’, Journal of Binzhou University, 29:4, pp. 9194.
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  15. Liu, James J. Y. (1967), The Chinese Knight-Errant, Chicago, IL: University of Chicago Press.
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  16. Louie, Kam (1999), ‘Sexuality, masculinity and politics in Chinese culture: The case of the “Sanguo” hero Guan Yu’, Modern Asian Studies, 33:4, pp. 83559.
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  17. Louie, Kam (2012), ‘Popular culture and masculinity ideals in East Asia, with special reference to China’, The Journal of Asian Studies, 71:4, pp. 92943.
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  18. Nahm, Kee-Yoon (2021), ‘Introduction: Mapping translation and performance’, Situations, 14:2, pp. 122.
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  19. National Radio and Television Administration (2021) ‘Wangluo Youxi Neirong Guanli Peixunban Kaiban Dongyuan Jianghua Neirong Zhengli’ [Summarised Notes for the Training Conference Talk on the Regulation of Online Gaming Content] (author's translation).
  20. Neville, Lucy (2018), Girls Who Like Boys Who Like Boys: Women and Gay Male Pornography and Erotica, Cham: Palgrave Macmillan.
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  21. Osburg, John ([2016] 2016), ‘Corruption, masculinity and jianghu ideology in the PRC’, in L. Kam (ed.) Changing Chinese Masculinities: From Imperial Pillars of State to Global Real Men, Hong Kong: Hong Kong University Press, pp. 15772.
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  23. Sedgwick, Eve Kosofsky (1992), Between Men: English Literature and Male Homosocial Desire, New York: Columbia University Press.
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  24. Shields, Anna (2020), One Who Knows Me: Friendship and Literary Culture in Mid-Tang China, Leiden: Brill.
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  25. Song, Geng (2004), The Fragile Scholar: Power and Masculinity in Chinese Culture, Hong Kong: Hong Kong University Press.
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  26. Song, Geng (2021), ‘“Little Fresh Meat”: The politics of sissiness and sissyphobia in contemporary China’, Men and Masculinities, 25, pp. 6886, https://bibliotheek.ehb.be:2102/1097184X211014939.
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  27. Stevenson, Mark and Wu, Cuncun (2013), Homoeroticism in Imperial Chin: A Sourcebook, London: Routledge.
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  28. Teo, Stephen (2009), Chinese Martial Arts Cinema: The Wuxia Tradition, Edinburgh: Edinburgh University Press.
    [Google Scholar]
  29. The Untamed (2019), China: Tencent Penguin Pictures and NSMG (NewStyle Media Group).
  30. Vitiello, Giovanni (2011), The Libertine's Friend: Homosexuality and Masculinity in Late Imperial China, Chicago, IL: University of Chicago Press.
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  31. Wang, Aiqing (2021), ‘Nonnormative masculinity in danmei literature: “maiden seme” and sajiao, Moment Dergi, 8:1, pp. 106–23, https://bibliotheek.ehb.be:2102/10.17572/mj2021.1.106123. Accessed 18 July 2021 .
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  32. Wang, Cathy Yue (2019), ‘Officially sanctioned adaptation and affective fan resistance: The transmedia convergence of the online drama guardian in China’, Series – International Journal of TV Serial Narratives, 5:2, pp. 4558.99
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  33. WeTV English (2020) ‘The Untamed Exclusive Behind the Scenes Playlist’, WeTV, https://tinyurl.com/ztk2k3j7. Accessed 23 July 2024.
  34. Wu, Cuncun (2004), Homoerotic Sensibilities in Late Imperial China, Hove: Psychology Press.
    [Google Scholar]
  35. Yau, Elaine (2021), ‘Word of Honor star Gong Jun on how popular wuxia series was his “big breakthrough”, and the work he put into his challenging role’, South China Morning Post, 26 May, https://www.scmp.com/lifestyle/entertainment/article/3134862/word-honor-star-gong-jun-how-popular-wuxia-series-was-his. Accessed 26 May 2021 .

References

  1. Bao, Hongwei (2018), ‘Homosexuality, social media activism and the future of a queer China’, Asia Dialogue, 27 April, https://theasiadialogue.com/2018/04/27/homosexuality-social-media-activism-and-the-future-of-a-queer-china/. Accessed 27 April 2018 .
    [Google Scholar]
  2. Chiang, Howard (2018), Sexuality in China: Histories of Power and Pleasure, Seattle, WA: University of Washington Press.
    [Google Scholar]
  3. Du, Mou (2019), The Untamed: The “return” of the New Wuxia (《陈情令》:新武侠“归来”_湃客_澎湃新闻) The Paper’, The Paper, https://www.thepaper.cn/newsDetail_forward_3868021. Accessed 13 February 2019 .
    [Google Scholar]
  4. Edwards, Louise and Louie, Kam (1994), ‘Chinese masculinity: Theorizing wen and wu , East Asian History, 8, pp. 13548.
    [Google Scholar]
  5. Feng, Jin (2013), Addicted to Beauty, Leiden: Brill, pp. 5383.
    [Google Scholar]
  6. Ge, Liang (2022) ‘Dual ambivalence: The Untamed Girls as a counterpublic’, Media, Culture & Society, 44:5, 1021–1033.
    [Google Scholar]
  7. Hinsch, Bret (2013), Masculinities in Chinese History, Lanham, MD: Rowman & Littlefield Publishers.
    [Google Scholar]
  8. Hu, Tingting and Wang, Cathy Yue (2021), ‘Who is the counterpublic? Bromance-as-masquerade in Chinese online drama – S.C.I. Mystery, Television & New Media, 22:6, pp. 67186.
    [Google Scholar]
  9. Huang, Martin W. (2006), Negotiating Masculinities in Late Imperial China, Honolulu, HI: University of Hawaii Press.
    [Google Scholar]
  10. Huang, Martin W. (2013), ‘Male-male sexual bonding and male friendship in late imperial China’, Journal of the History of Sexuality, 22:2, pp. 31231.
    [Google Scholar]
  11. Huss, Ann and Liu, Jianmei (2007), The Jin Yong Phenomenon: Chinese Martial Arts Fiction and Modern Chinese Literary History, Honolulu, HI: Cambria Press.
    [Google Scholar]
  12. Jing, Yujuan (2021), ‘Reconstructing ancient Chinese cultural memory in the context of Xianxia TV drama’, Master's thesis, Uppsala Universitet, http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446181. Accessed 18 July 2021 .
    [Google Scholar]
  13. Lee, Claire Seungeun (2018), Soft Power Made in China: The Dilemmas of Online and Offline Media and Transnational Audiences, Cham: Springer.98
    [Google Scholar]
  14. Liao, Wenfang (2013), ‘“Wangluo danmei xiaoshuo de shenmei texing” (Characteristics of webnovel danmei aesthetics)’, Journal of Binzhou University, 29:4, pp. 9194.
    [Google Scholar]
  15. Liu, James J. Y. (1967), The Chinese Knight-Errant, Chicago, IL: University of Chicago Press.
    [Google Scholar]
  16. Louie, Kam (1999), ‘Sexuality, masculinity and politics in Chinese culture: The case of the “Sanguo” hero Guan Yu’, Modern Asian Studies, 33:4, pp. 83559.
    [Google Scholar]
  17. Louie, Kam (2012), ‘Popular culture and masculinity ideals in East Asia, with special reference to China’, The Journal of Asian Studies, 71:4, pp. 92943.
    [Google Scholar]
  18. Nahm, Kee-Yoon (2021), ‘Introduction: Mapping translation and performance’, Situations, 14:2, pp. 122.
    [Google Scholar]
  19. National Radio and Television Administration (2021) ‘Wangluo Youxi Neirong Guanli Peixunban Kaiban Dongyuan Jianghua Neirong Zhengli’ [Summarised Notes for the Training Conference Talk on the Regulation of Online Gaming Content] (author's translation).
  20. Neville, Lucy (2018), Girls Who Like Boys Who Like Boys: Women and Gay Male Pornography and Erotica, Cham: Palgrave Macmillan.
    [Google Scholar]
  21. Osburg, John ([2016] 2016), ‘Corruption, masculinity and jianghu ideology in the PRC’, in L. Kam (ed.) Changing Chinese Masculinities: From Imperial Pillars of State to Global Real Men, Hong Kong: Hong Kong University Press, pp. 15772.
  22. Park, Sowon S. (2021), ‘Minoritization: Why this is an issue’, Situations, 14:2, pp. 2345.
    [Google Scholar]
  23. Sedgwick, Eve Kosofsky (1992), Between Men: English Literature and Male Homosocial Desire, New York: Columbia University Press.
    [Google Scholar]
  24. Shields, Anna (2020), One Who Knows Me: Friendship and Literary Culture in Mid-Tang China, Leiden: Brill.
    [Google Scholar]
  25. Song, Geng (2004), The Fragile Scholar: Power and Masculinity in Chinese Culture, Hong Kong: Hong Kong University Press.
    [Google Scholar]
  26. Song, Geng (2021), ‘“Little Fresh Meat”: The politics of sissiness and sissyphobia in contemporary China’, Men and Masculinities, 25, pp. 6886, https://bibliotheek.ehb.be:2102/1097184X211014939.
    [Google Scholar]
  27. Stevenson, Mark and Wu, Cuncun (2013), Homoeroticism in Imperial Chin: A Sourcebook, London: Routledge.
    [Google Scholar]
  28. Teo, Stephen (2009), Chinese Martial Arts Cinema: The Wuxia Tradition, Edinburgh: Edinburgh University Press.
    [Google Scholar]
  29. The Untamed (2019), China: Tencent Penguin Pictures and NSMG (NewStyle Media Group).
  30. Vitiello, Giovanni (2011), The Libertine's Friend: Homosexuality and Masculinity in Late Imperial China, Chicago, IL: University of Chicago Press.
    [Google Scholar]
  31. Wang, Aiqing (2021), ‘Nonnormative masculinity in danmei literature: “maiden seme” and sajiao, Moment Dergi, 8:1, pp. 106–23, https://bibliotheek.ehb.be:2102/10.17572/mj2021.1.106123. Accessed 18 July 2021 .
    [Google Scholar]
  32. Wang, Cathy Yue (2019), ‘Officially sanctioned adaptation and affective fan resistance: The transmedia convergence of the online drama guardian in China’, Series – International Journal of TV Serial Narratives, 5:2, pp. 4558.99
    [Google Scholar]
  33. WeTV English (2020) ‘The Untamed Exclusive Behind the Scenes Playlist’, WeTV, https://tinyurl.com/ztk2k3j7. Accessed 23 July 2024.
  34. Wu, Cuncun (2004), Homoerotic Sensibilities in Late Imperial China, Hove: Psychology Press.
    [Google Scholar]
  35. Yau, Elaine (2021), ‘Word of Honor star Gong Jun on how popular wuxia series was his “big breakthrough”, and the work he put into his challenging role’, South China Morning Post, 26 May, https://www.scmp.com/lifestyle/entertainment/article/3134862/word-honor-star-gong-jun-how-popular-wuxia-series-was-his. Accessed 26 May 2021 .
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