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You Don't Get Points for Paratext: The Precarity of Queer Representation in

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References

  1. Atwood, Emma Katherine (2013), ‘Fashionably late: Queer temporality and the restoration fop’, Comparative Drama, 47, pp. 85–111.
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  2. Baym, Nancy K. (2018), Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection, Postmillennial Pop, New York: New York University Press.
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  19. Gaiman, Neil (@neilhimself) (2021), ‘Wait and See’, Twitter, 29 June, https://twitter.com/neilhimself/status/1410074291442384907. Accessed 2 November 2021 .82
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  30. Neil Gaiman (2019c), ‘halyorke-vampiredisaster asked’, Tumblr, 19 June, https://neil-gaiman.tumblr.com/post/185711520301/relating-to-crowley-and-aziraphale-being-written. Accessed 25 October 2021 .
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References

  1. Atwood, Emma Katherine (2013), ‘Fashionably late: Queer temporality and the restoration fop’, Comparative Drama, 47, pp. 85–111.
     [Google Scholar]
  2. Baym, Nancy K. (2018), Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection, Postmillennial Pop, New York: New York University Press.
     [Google Scholar]
  3. Bennett, Tony and Woollacott, Janet (1987), Bond and Beyond: The Political Career of a Popular Hero, New York: Methuen.
     [Google Scholar]
  4. Brookey, Alan and Westerfelhaus, Robert (2002), ‘Hiding homoeroticism in plain view: The Fight Club DVD as digital closet’, Critical Studies in Media Communication, 19:1, pp. 21–43, https://bibliotheek.ehb.be:2102/10.1080/07393180216555.
     [Google Scholar]
  5. Cavalcante, Andre (2013), ‘Centering transgender identity via the textual periphery: TransAmerica and the “Double Work” of paratexts’, Critical Studies in Media Communication 30:2, pp. 85–101, https://bibliotheek.ehb.be:2102/10.1080/15295036.2012.694077.
     [Google Scholar]
  6. crocki (@mizuhomo_) (2019), ‘Thread: —who shy away from […]’, Twitter, 10 July, https://twitter.com/mizuhomo_/status/1149187463811948550. Accessed 2 November 2021.81
  7. Dommu, Rose (@rosedommu) (2021), ‘Do they hook up in this one?’ Twitter, 29 June, https://twitter.com/rosedommu/status/1409960335742697476?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1410074291442384907%7Ctwgr%5E%7Ctwcon%5Es2_&ref_url=https%3A%2F%2Fwww.radiotimes.com%2Ftv%2Ffantasy%2Fgood-omens-2-crowley-aziraphale-romance-newsupdate%2F. Accessed 2 November 2021 .
  8. Doty, Alexander (1993), Making Things Perfectly Queer: Interpreting Mass Culture, Minneapolis, MN: University of Minnesota Press.
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  9. Fanlore (2019), ‘Headcanon’, https://fanlore.org/wiki/Headcanon. Accessed 26 October 2021 .
  10. Fiske, John (2011), Television Culture, 2nd ed., London and New York: Routledge.
     [Google Scholar]
  11. Franklin, Monique (2019), ‘Queerbaiting, queer readings, and heteronormative viewing practices’, in J. Brennan (ed.), Queerbaiting and Fandom: Teasing Fans Through Homoerotic Possibilities, Iowa, IA: University of Iowa Press, pp. 41–52.
     [Google Scholar]
  12. Fuller, Bryan (@BryanFuller) (2018), ‘Thread: Their love is definitely queer […]’, Twitter, 19 March, https://twitter.com/BryanFuller/status/975781320814092288?s=20&t=b79gauLxffCnDg5R6qP8cg. Accessed 30 January 2022 .
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  13. Gaiman, Neil (@neilhimself) (2019a), ‘Thread: Trans in the sense […]’, Twitter, 8 June, https://twitter.com/neilhimself/status/1137466818707279873?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1137466818707279873%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fcdn.embedly.com%2Fwidgets%2Fmedia.html%3Ftype%3Dtext2Fhtmlkey%3Da19fcc184b971. Accessed 30 January 2022 .
  14. Gaiman, Neil (@neilhimself) (2019b), ‘Thread: According to the book […]’, Twitter, 10 July, https://twitter.com/neilhimself/status/1148960714712846336. Accessed 2 November 2021 .
  15. Gaiman, Neil (@neilhimself) (2019c), ‘Thread: Yes. I have the audacity […]’, Twitter, 10 July, https://twitter.com/neilhimself/status/1148984166811389952?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1148984166811389952%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fcdn.embedly.com%2Fwidgets%2Fmedia.html%3Ftype%3Dtext2Fhtmlkey%3Da19fcc184b9711e1b4764040d3dc5c07schema%3Dtwitterurl%3Dhttps3A%2F%2Ftwitter.com%2Fneilhimself%2Fstatus%2F1148984166811389952image%3Dhttps3A%2F%2Fi.embed.ly%2F1%2Fimage3Furl3Dhttps253A252F252Fpbs.twimg.com252Fprofile_images252F1134100887666941957252Fd2bxMYhc_400x400.jpg26key3Da19fcc184b9711e1b4764040d3dc5c07. Accessed 2 November 2021 .
  16. Gaiman, Neil (@neilhimself) (2019d), ‘Thread: I'm sad you didn't perceive […]’, Twitter, 10 July, https://twitter.com/neilhimself/status/1149005818773278722?lang=en. Accessed 2 November 2021 .
  17. Gaiman, Neil (@neilhimself) (2019e), ‘Thread: Got it. But nobody […]’, Twitter, 10 July, https://twitter.com/neilhimself/status/1149028006205284357. Accessed 2 November 2021 .
  18. Gaiman, Neil (@neilhimself) (2019f), ‘Thread: Yes. People can call themselves […]’, Twitter, 13 July, https://twitter.com/neilhimself/status/1150135364025225216. Accessed 2 November 2021 .
  19. Gaiman, Neil (@neilhimself) (2021), ‘Wait and See’, Twitter, 29 June, https://twitter.com/neilhimself/status/1410074291442384907. Accessed 2 November 2021 .82
  20. Genette, Gerard and Maclean, Marie (1991), ‘Introduction to the paratext’, New Literary History 22:2, pp. 261–72, https://bibliotheek.ehb.be:2102/10.2307/469037.
     [Google Scholar]
  21. Good Omens (2019–present, UK, USA: Narrativia, Amazon MGM Studios, BBC Studios, The Blank Corporation).
  22. Jamison, Anne (2013), fic: Why Fanfiction is Taking Over the World, Dallas, TX: Smart Pop.
     [Google Scholar]
  23. Jeffrey, Morgan (2020), ‘Neil Gaiman: “Good Omens fan response to Crowley and Aziraphale's love story caught me by surprise”’, Radio Times, 4 February, https://www.radiotimes.com/tv/fantasy/good-omens-crowley-aziraphale-romance/. Accessed 23 November 2021 .
     [Google Scholar]
  24. Joyfulldreams (@Joyfulldreams) (2019), ‘Thread: In the same show […]’, Twitter, 10 July, https://mobile.twitter.com/Joyfulldreams/status/1149001071865413632. Accessed 2 November 2021 .
  25. Neil Gaiman (2017a), ‘badxwolfxrising asked’, Tumblr, 29 December, https://neil-gaiman.tumblr.com/post/169084845106/i-am-genuinely-sorry-to-bother-you-with-this-but. Accessed 25 October 2021 .
  26. Neil Gaiman (2017b), ‘Good Omens: A gentle reminder’, Tumblr, 15 August, https://neil-gaiman.tumblr.com/post/164222681376/good-omens-a-gentle-reminder. Accessed 25 October 2021 .
  27. Neil Gaiman (2018), ‘spookside asked’, Tumblr, 3 April, https://neil-gaiman.tumblr.com/post/172565091131/you-mentioned-in-in-an-ask-that-crowley-and. Accessed 25 October 2021 .
  28. Neil Gaiman (2019a), ‘espepspes asked’, Tumblr, 3 June, https://neil-gaiman.tumblr.com/post/185332471341/neil-i-like-to-interpret-the-relationship-between. Accessed 25 October 2021 .
  29. Neil Gaiman (2019b), ‘enderslut asked’, Tumblr, 19 June, https://neil-gaiman.tumblr.com/post/185706893781/regardless-of-how-you-wrote-aziraphale-and-crowley Accessed 25 October 2021 .
  30. Neil Gaiman (2019c), ‘halyorke-vampiredisaster asked’, Tumblr, 19 June, https://neil-gaiman.tumblr.com/post/185711520301/relating-to-crowley-and-aziraphale-being-written. Accessed 25 October 2021 .
  31. Neil Gaiman (2020), ‘This-is-mich-a-goddess asked’, Tumblr, 14 March, https://neil-gaiman.tumblr.com/post/612544211405897728/hello-mr-gaiman-a-friend-of-mine-recently. Accessed 25 October 2021 .
  32. Ng, Eve (2018), ‘Contesting the queer subfield of cultural production: Paratextual framings of Carol and Freeheld’, Journal of Film and Video, 70:3–4, pp. 8–23, https://bibliotheek.ehb.be:2102/10.5406/jfilmvideo.70.3-4.0008.
     [Google Scholar]
  33. Saunders, Tristram Fane (2018), ‘Michael Sheen on Good Omens, sex scenes, and why Brexit led to his break-up’, The Telegraph, 28 November, https://www.telegraph.co.uk/radio/what-to-listen-to/michael-sheen-martians-good-omens-brexit-led-break-up/. Accessed 23 November 2021 .
     [Google Scholar]
  34. Sedgwick, Eve Kosofsky (1990), Epistemology of the Closet, Berkeley, CA: University of California Press.
     [Google Scholar]
  35. Young, Sage (2019), ‘Michael Sheen & David Tennant don't mind you shipping their Good Omens characters’, Bustle, 31 May, https://www.bustle.com/p/crowley-aziraphales-good-omens-friendship-is-meant-to-be-ambiguous-according-to-the-stars-17936453. Accessed 23 November 2021 .83
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