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: Lowriders, Chicanismo and Bobby Tribal

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La Locura Cura: Lowriders, Chicanismo and Bobby Tribal
Intellect , 170 (2024); https://bibliotheek.ehb.be:2102/10.1386/9781789388084_11
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References

  1. Acuña, R. F. (2000). Occupied America: A history of Chicanos (4th ed.). Longman.
     [Google Scholar]
  2. Alvarez, L. (2008). The power of the zoot: Youth culture and resistance during World War II. University of California Press.
     [Google Scholar]
  3. Blackwell, M. (2016). ¡Chicana Power! Contested histories of feminism in the Chicano movement. University of Texas Press.
     [Google Scholar]
  4. Bright, B. J. (1995). Remappings: Los Angeles low riders. In B. J. Bright & L. Bakewell (Eds.), Looking high and low: Art and cultural identity (pp. 89–123). University of Arizona Press.
     [Google Scholar]
  5. Calvo, W. (2011). Lowriders: Cruising the color line [Ph.D. dissertation, Arizona State University]. Research Gate. https://www.researchgate.net/publication/34252779_Lowriders_Cruising_the_Color_Line
     [Google Scholar]
  6. Chappell, B. (2012). Lowrider space: Aesthetics and politics of Mexican American custom cars. University of Texas Press.
     [Google Scholar]
  7. Chávez, E. (2002). “Mi Raza Primero!” (My People First!): Nationalism, identity, and insurgency in the Chicano Movement in Los Angeles, 1966–1978. University of California Press.
     [Google Scholar]
  8. Diaz, E. M. (2017). Flying under the radar with the royal Chicano air force: Mapping a Chicano/a art history. University of Texas Press.
     [Google Scholar]
  9. Donnelly, N. (Ed.). (2002). Customized: Art inspired by hot rods, low riders, and American car culture. Abrams.
  10. Galan, H. (prod.). (1996). Chicano!: The history of the Mexican American civil rights movement [TV series/Video], Episodes 1–4. National Latino Communications Center. http://www.guadalupecardona.com/chicano-documentary-series-by-pbs.html
  11. Garcia, I. (1997). Chicanismo: The forging of a militant ethos among Mexican Americans. University of Arizona Press.
     [Google Scholar]
  12. Garcia, M. T. (2015). The Chicano generation: Testimonios of the movement. University of California Press.
     [Google Scholar]
  13. Gradante, W. (1982, April). Low and slow, mean and clean. Natural history, 91(4), 28–39.
     [Google Scholar]
  14. La Bloga. (2014, January 6). Remembering José Montoya. https://labloga.blogspot.com/2014/01/remembering-jose-montoya.html
     [Google Scholar]
  15. La Rosa, S. (Director). (1994). Pilots of Aztlán: Flights of the Chicano Airforce. 53 mins. KVIE, Inc.
  16. Latorre, G. (2008). Walls of empowerment: Chicana/o indigenist murals of California. University of Texas Press.
     [Google Scholar]
  17. Lipsitz, G. (1990). Time passages: Collective memory and American popular culture. University of Minnesota Press.
     [Google Scholar]
  18. Los Alacranes Mojados. (1979). “Chicano Park.” Rolas De Aztlan. Vinyl. Alacran Productions.
  19. Marin, M. V. (1991). Social protest in an urban barrio: A study of the Chicano movement, 1966–1974. University Press of America.
     [Google Scholar]
  20. Mazon, M. (1984). The zoot suit riots: The psychology of symbolic annihilation. University of Texas Press.
     [Google Scholar]
  21. Mendoza, R. (2000). Cruising art and culture in Aztlán: Lowriding in the Mexican American Southwest. In F. A. Lomelí & K. Ikas (Eds.), US Latino literatures and cultures: Transnational perspectives (pp. 3–35). Anglistische Forschungen 290. Duncker & Humblot GmbH.192
     [Google Scholar]
  22. Montoya, R., & Preciado, S. (Eds.). (2016). José Montoya's abundant harvest: Works on paper works on life. Fowler Museum of UCLA and Regents of University of California.
     [Google Scholar]
  23. Mulford, M. (Director). (1988). Chicano Park [Film]. 58 mins. Redbird Films.
  24. Munoz, C. Jr. (1989/1991). Youth, identity, power in the Chicano movement. Verso.
     [Google Scholar]
  25. Obregon Pagan, E. (2003). Murder at the Sleepy Lagoon: Zoot suits, race, and riot in wartime. The University of North Carolina Press.
     [Google Scholar]
  26. Ortiz Torres, R. (1998). Cathedrals on wheels. Art Issues, 54 (September/October), 26–31.
     [Google Scholar]
  27. Penland, P. R. (2003). Lowrider: History, pride, culture. Motorbooks.
     [Google Scholar]
  28. Plascencia, L. F. B. (1983). Low riding in the Southwest: Cultural symbols in the Mexican community. In M. T. García & B. N. Corona (Eds.), History, culture, and society: Chicano studies in the 1980s (pp. 141–175). Bilingual Press.
     [Google Scholar]
  29. Pulido, A. L., & Reyes R. “Rigo.” (2017). San Diego lowriders: A history of cars and cruising (American Heritage). UNK edition. The History Press.
     [Google Scholar]
  30. Ramírez, C. S.. (2009). The woman in the zoot suit: Gender, nationalism, and the cultural politics of memory. Duke University Press.
     [Google Scholar]
  31. Rosalez, F. A. (1997). Chicano! The history of the Mexican American Civil Rights Movement. Arte Publico Press.
     [Google Scholar]
  32. Sanchez-Tranquilino, M. (1993). Chicano murals and the discourses of art and Americanization. In E. S. Cockcroft & H. Barnet-Sánchez (Eds.), Signs from the heart: California Chicano murals (pp. 84–101). Social and Public Art Resource Center.
     [Google Scholar]
  33. Sandoval, D. M. (2003). Cruising through low rider culture: Chicana/o identity in the marketing of Low Rider magazine. In A. Gaspar de Alba (Ed.), Velvet Barrios: Popular culture and Chicana/o sexualities (pp. 179–196). New Directions in Latino American Cultures. Palgrave Macmillan.
     [Google Scholar]
  34. Sandoval, D. M. (2013). The politics of low and slow/Bajito y Suavecito. In J. Kun & L. Pulido (Eds.), Black and Brown in Los Angeles: Beyond conflict and coalition (pp. 176–200). University of California Press.
     [Google Scholar]
  35. Sperling Cockcroft, E. & Barnet-Sánchez, H. (1993). Signs from the heart: California Chicano murals. Social and Public Art Resource Center.
     [Google Scholar]
  36. Stone, M. C. (1990). ‘”Bajito y Suavecito”: Low riding and the “Class” of Class. Studies in Latin American Popular Culture, 9, 85–126.
     [Google Scholar]
  37. Tatum, C. M. (2011). Lowriders in Chicano culture: From low to slow to show. ABC-CLIO.
     [Google Scholar]
  38. Trillin, C. & Koren, E. (1978, July). Low and slow, mean and clean. New Yorker, 10, 70–74.
     [Google Scholar]
  39. Vigil, J. D. (1991). Car Charros: Cruising and lowriding in the barrios of East Los Angeles. Latino Studies Journal, 2(2), 71–79.
     [Google Scholar]
  40. Villa, R. H. (2000). Barrio Logos: Space and place in Urban Chicano literature and culture. University of Texas Press.
     [Google Scholar]
  41. Wolfe, T. (1965). The kandy-kolored tangerine-flake streamline baby. Farrar, Straus and Giroux.
     [Google Scholar]
  42. Ybarra-Frausto, T. ([1990] 1993). Arte Chicano: Images of a community. In E. S. Cockcroft & H. Barnet-Sánchez (Eds.), Signs from the heart: California Chicano murals (pp. 54–67). Social and Public Art Resource Center.193
     [Google Scholar]

References

  1. Acuña, R. F. (2000). Occupied America: A history of Chicanos (4th ed.). Longman.
     [Google Scholar]
  2. Alvarez, L. (2008). The power of the zoot: Youth culture and resistance during World War II. University of California Press.
     [Google Scholar]
  3. Blackwell, M. (2016). ¡Chicana Power! Contested histories of feminism in the Chicano movement. University of Texas Press.
     [Google Scholar]
  4. Bright, B. J. (1995). Remappings: Los Angeles low riders. In B. J. Bright & L. Bakewell (Eds.), Looking high and low: Art and cultural identity (pp. 89–123). University of Arizona Press.
     [Google Scholar]
  5. Calvo, W. (2011). Lowriders: Cruising the color line [Ph.D. dissertation, Arizona State University]. Research Gate. https://www.researchgate.net/publication/34252779_Lowriders_Cruising_the_Color_Line
     [Google Scholar]
  6. Chappell, B. (2012). Lowrider space: Aesthetics and politics of Mexican American custom cars. University of Texas Press.
     [Google Scholar]
  7. Chávez, E. (2002). “Mi Raza Primero!” (My People First!): Nationalism, identity, and insurgency in the Chicano Movement in Los Angeles, 1966–1978. University of California Press.
     [Google Scholar]
  8. Diaz, E. M. (2017). Flying under the radar with the royal Chicano air force: Mapping a Chicano/a art history. University of Texas Press.
     [Google Scholar]
  9. Donnelly, N. (Ed.). (2002). Customized: Art inspired by hot rods, low riders, and American car culture. Abrams.
  10. Galan, H. (prod.). (1996). Chicano!: The history of the Mexican American civil rights movement [TV series/Video], Episodes 1–4. National Latino Communications Center. http://www.guadalupecardona.com/chicano-documentary-series-by-pbs.html
  11. Garcia, I. (1997). Chicanismo: The forging of a militant ethos among Mexican Americans. University of Arizona Press.
     [Google Scholar]
  12. Garcia, M. T. (2015). The Chicano generation: Testimonios of the movement. University of California Press.
     [Google Scholar]
  13. Gradante, W. (1982, April). Low and slow, mean and clean. Natural history, 91(4), 28–39.
     [Google Scholar]
  14. La Bloga. (2014, January 6). Remembering José Montoya. https://labloga.blogspot.com/2014/01/remembering-jose-montoya.html
     [Google Scholar]
  15. La Rosa, S. (Director). (1994). Pilots of Aztlán: Flights of the Chicano Airforce. 53 mins. KVIE, Inc.
  16. Latorre, G. (2008). Walls of empowerment: Chicana/o indigenist murals of California. University of Texas Press.
     [Google Scholar]
  17. Lipsitz, G. (1990). Time passages: Collective memory and American popular culture. University of Minnesota Press.
     [Google Scholar]
  18. Los Alacranes Mojados. (1979). “Chicano Park.” Rolas De Aztlan. Vinyl. Alacran Productions.
  19. Marin, M. V. (1991). Social protest in an urban barrio: A study of the Chicano movement, 1966–1974. University Press of America.
     [Google Scholar]
  20. Mazon, M. (1984). The zoot suit riots: The psychology of symbolic annihilation. University of Texas Press.
     [Google Scholar]
  21. Mendoza, R. (2000). Cruising art and culture in Aztlán: Lowriding in the Mexican American Southwest. In F. A. Lomelí & K. Ikas (Eds.), US Latino literatures and cultures: Transnational perspectives (pp. 3–35). Anglistische Forschungen 290. Duncker & Humblot GmbH.192
     [Google Scholar]
  22. Montoya, R., & Preciado, S. (Eds.). (2016). José Montoya's abundant harvest: Works on paper works on life. Fowler Museum of UCLA and Regents of University of California.
     [Google Scholar]
  23. Mulford, M. (Director). (1988). Chicano Park [Film]. 58 mins. Redbird Films.
  24. Munoz, C. Jr. (1989/1991). Youth, identity, power in the Chicano movement. Verso.
     [Google Scholar]
  25. Obregon Pagan, E. (2003). Murder at the Sleepy Lagoon: Zoot suits, race, and riot in wartime. The University of North Carolina Press.
     [Google Scholar]
  26. Ortiz Torres, R. (1998). Cathedrals on wheels. Art Issues, 54 (September/October), 26–31.
     [Google Scholar]
  27. Penland, P. R. (2003). Lowrider: History, pride, culture. Motorbooks.
     [Google Scholar]
  28. Plascencia, L. F. B. (1983). Low riding in the Southwest: Cultural symbols in the Mexican community. In M. T. García & B. N. Corona (Eds.), History, culture, and society: Chicano studies in the 1980s (pp. 141–175). Bilingual Press.
     [Google Scholar]
  29. Pulido, A. L., & Reyes R. “Rigo.” (2017). San Diego lowriders: A history of cars and cruising (American Heritage). UNK edition. The History Press.
     [Google Scholar]
  30. Ramírez, C. S.. (2009). The woman in the zoot suit: Gender, nationalism, and the cultural politics of memory. Duke University Press.
     [Google Scholar]
  31. Rosalez, F. A. (1997). Chicano! The history of the Mexican American Civil Rights Movement. Arte Publico Press.
     [Google Scholar]
  32. Sanchez-Tranquilino, M. (1993). Chicano murals and the discourses of art and Americanization. In E. S. Cockcroft & H. Barnet-Sánchez (Eds.), Signs from the heart: California Chicano murals (pp. 84–101). Social and Public Art Resource Center.
     [Google Scholar]
  33. Sandoval, D. M. (2003). Cruising through low rider culture: Chicana/o identity in the marketing of Low Rider magazine. In A. Gaspar de Alba (Ed.), Velvet Barrios: Popular culture and Chicana/o sexualities (pp. 179–196). New Directions in Latino American Cultures. Palgrave Macmillan.
     [Google Scholar]
  34. Sandoval, D. M. (2013). The politics of low and slow/Bajito y Suavecito. In J. Kun & L. Pulido (Eds.), Black and Brown in Los Angeles: Beyond conflict and coalition (pp. 176–200). University of California Press.
     [Google Scholar]
  35. Sperling Cockcroft, E. & Barnet-Sánchez, H. (1993). Signs from the heart: California Chicano murals. Social and Public Art Resource Center.
     [Google Scholar]
  36. Stone, M. C. (1990). ‘”Bajito y Suavecito”: Low riding and the “Class” of Class. Studies in Latin American Popular Culture, 9, 85–126.
     [Google Scholar]
  37. Tatum, C. M. (2011). Lowriders in Chicano culture: From low to slow to show. ABC-CLIO.
     [Google Scholar]
  38. Trillin, C. & Koren, E. (1978, July). Low and slow, mean and clean. New Yorker, 10, 70–74.
     [Google Scholar]
  39. Vigil, J. D. (1991). Car Charros: Cruising and lowriding in the barrios of East Los Angeles. Latino Studies Journal, 2(2), 71–79.
     [Google Scholar]
  40. Villa, R. H. (2000). Barrio Logos: Space and place in Urban Chicano literature and culture. University of Texas Press.
     [Google Scholar]
  41. Wolfe, T. (1965). The kandy-kolored tangerine-flake streamline baby. Farrar, Straus and Giroux.
     [Google Scholar]
  42. Ybarra-Frausto, T. ([1990] 1993). Arte Chicano: Images of a community. In E. S. Cockcroft & H. Barnet-Sánchez (Eds.), Signs from the heart: California Chicano murals (pp. 54–67). Social and Public Art Resource Center.193
     [Google Scholar]

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