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Two- to three-channel audio upmix can be useful in a number of contexts. Adding a front center loudspeaker provides a more stable center image and an increase in dialogue clarity. Even in the absence of a physical center speaker, the ability to derive a center channel can facilitate speech enhancement by making it possible to boost or filter the dialogue, which is usually panned to the center. Two- to three-channel upmix can also be a first step in upmixing from two to five channels. We propose a frequency-domain upmix process using a vector-based signal decomposition, including methods for improving the selectivity of the center channel extraction. A geometric interpretation of the algorithm is provided. Unlike most existing frequency-domain upmix methods, the current algorithm does not perform an explicit primary/ambient decomposition. This reduces the complexity and improves the quality of the center channel derivation.
Author (s): Vickers, Earl
Affiliation:
STMicroelectronics, Santa Clara, CA, USA
(See document for exact affiliation information.)
AES Convention: 127
Paper Number:7917
Publication Date:
2009-10-06
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Session subject:
Spatial Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=15112
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Vickers, Earl; 2009; Frequency-Domain Two- To Three-Channel Upmix for Center Channel Derivation and Speech Enhancement [PDF]; STMicroelectronics, Santa Clara, CA, USA; Paper 7917; Available from: https://aes2.org/publications/elibrary-page/?id=15112
Vickers, Earl; Frequency-Domain Two- To Three-Channel Upmix for Center Channel Derivation and Speech Enhancement [PDF]; STMicroelectronics, Santa Clara, CA, USA; Paper 7917; 2009 Available: https://aes2.org/publications/elibrary-page/?id=15112