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Trayes, Jan; Harre, Niki; Overall, Nickola C. – Journal of Adolescent Research, 2012
Stage Challenge is a performing arts competition for New Zealand secondary schools. This longitudinal study used observations, repeated questionnaires, informal conversations, and a graffiti board to follow the 5-month experience of a student-led girls' team aged 10 to 17 years (n = 103). The focus was on the quality of their experience and what…
Descriptors: Theater Arts, Integrity, Foreign Countries, Secondary School Students
Lenning, Emily – International Journal of Teaching and Learning in Higher Education, 2012
This paper introduces creative pedagogical techniques for exploring theory in the undergraduate classroom. Using criminal justice and criminological theories as a primary example, it describes a technique that professors from any theory-driven discipline can use to engage students through popular music, from hip-hop to musical theater in order to…
Descriptors: Curriculum Development, Music, Popular Culture, Criminals
Mota, Graça; Abreu, Liliana – International Journal of Music Education, 2014
In this paper we give an overview of relevant findings of a three years long case study that was carried out in the Madeira Island, Portugal. It addresses a thirty years old project in music and drama education in primary schools, which involves all children within the school curriculum, but also in extra-curriculum activities. The study used…
Descriptors: Foreign Countries, Music, Music Education, Drama
McKamey, Corinne – in education, 2013
I begin this paper with a reader's theatre text that represents the multiple perspectives of a student, teacher, student teacher, and administrator about a high school class schedule change. In presenting a text that portrays multiple points of view upon what would seem to be an everyday experience in an urban high school, I aim to show the…
Descriptors: High School Students, Scheduling, Educational Change, Educational Policy
Francis, Dennis – South African Journal of Education, 2013
Forum Theatre (FT), a participatory improvised theatre form, raises consciousness, enables debate and critical reflection, and encourages a democratic form of knowledge production that engages the audience in their own learning and unlearning. I used FT as a platform to understand how 15- to 18-year-old learners, in a co-educational school in the…
Descriptors: Foreign Countries, Drama, Theater Arts, Teaching Methods
Gallagher, Kathleen; Wessels, Anne; Ntelioglou, Burcu Yaman – Ethnography and Education, 2013
The following article describes a research context that has privileged both virtual and placed-based ethnographic fieldwork, using a hybrid methodology of live and digital communications across school sites in Toronto, Canada; Lucknow, India; Taipei, Taiwan; and Boston, USA. The multi-site ethnographic study is concerned with questions of school…
Descriptors: Ethnography, Information Technology, Foreign Countries, Cross Cultural Studies
Stevens, David Todd – ProQuest LLC, 2010
The University Interscholastic League (UIL) One-Act Play Contest is a competition where similarly sized Texas schools present an 18-40 minute play usually adjudicated by a single judge. At each level of competition the judge awards individual acting awards as well as selecting two productions to advance to the next level of competition. After the…
Descriptors: Competition, Intercollegiate Cooperation, Theater Arts, Change
Hammer, Rachel R.; Jones, Trahern W.; Hussain, Fareeda Taher Nazer; Bringe, Kariline; Harvey, Ronee E.; Person-Rennell, Nicole H.; Newman, James S. – Anatomical Sciences Education, 2010
Because medical students have many different learning styles, the authors, medical students at Mayo Clinic, College of Medicine researched the history of anatomical specimen procurement, reviewing topic-related film, academic literature, and novels, to write, direct, and perform a dramatization based on Robert Louis Stevenson's "The…
Descriptors: Anatomy, Ethics, Medical Education, Humanities
Jennings, Matt – Research in Drama Education, 2010
In July 1999, the Wedding Community Play was performed in Belfast. A much-celebrated event at the time, the Wedding Play took audiences into private houses inside Loyalist and Republican estates, then on to a public venue for the performance of a cross-community wedding. Gerri Moriarty has already written about some of the difficulties encountered…
Descriptors: Dramatic Play, Theater Arts, Audiences, Foreign Countries
Cooper, Ruth – Research in Drama Education, 2010
The Theatre Company Blah Blah Blah (the Blahs) have been working in youth centres since 1985 and over that time the Blahs have experimented with ways to make theatre for young people in this environment. A youth centre can be a hostile place to take a piece of theatre. Many of the youth centres the Blahs have visited have been in areas of social…
Descriptors: Theater Arts, Mythology, Youth, Drama
Parry, Simon – Research in Drama Education, 2010
How do you stage the world? This article reviews how a series of performance installations by the theatre company Stan's Cafe have approached global space. It examines the way "Plague Nation" and "Of All the People in All the World" tackle national and global scale through the representation of populations. Drawing on a…
Descriptors: Theater Arts, Global Approach, Citizenship, Public Health
Aita, Sean – Research in Drama Education, 2010
This paper explores the cultural implications of the use of the "Theatre in Language Learning", or TILL, model of applied theatre in the second language (L2) classroom. Using a dramaturgical taxonomy the author explores the changes in dramaturgical focus undertaken by Vienna's English Theatre over a 25-year period, and interrogates their…
Descriptors: Foreign Countries, Second Language Learning, Second Language Instruction, Theater Arts
Schinina, Guglielmo; Voltaire, Justin; Ataya, Amal; Salem, Marie-Adele – Research in Drama Education, 2011
The earthquake that thumped the Haitian coast in January 2010, wiping off entire suburbs of Port au Prince and other cities, left 222,570 casualties with an estimated 80,000 corpses still missing. One and a half million people were displaced and the majority is still living in 1000 improvised camps, in tents or self-made shelters. The national and…
Descriptors: Foreign Countries, Natural Disasters, Theater Arts, Dance
Wooten, Jennifer; Cahnmann-Taylor, Melisa – Pedagogies: An International Journal, 2014
This article examines how Boalian Theatre of the Oppressed exercises helped instructors and pre-service teachers navigate the consequences of ventriloquized, racialized discourses in a pre-service world language teacher education classroom. Applying a critical and performative approach, we analyse the mostly White student-actors' varying…
Descriptors: Preservice Teachers, Preservice Teacher Education, Theater Arts, Audience Participation
Koerner, Morgan – Unterrichtspraxis/Teaching German, 2012
This article proposes a theatrically oriented, thematically structured course model for the upper level undergraduate German curriculum. The traditional focus on staging a single play in the German foreign language theater practicum neglects theater's potential to explore other literary genres and cultural texts and runs the danger of…
Descriptors: German, Second Language Learning, Second Language Instruction, Undergraduate Students