Points out that issues in performance studies (oral interpretation) such as natural and literary language, performing ideology, and marginalized voices are not only not revolutionary but an extension or a return to traditional concerns of a 300-year tradition. (SR)

Argues that reading literature and poetry aloud dramatically is one way to catch youngsters' attention, turning them into lifelong lovers of the written and spoken word. Offers tips to prepare for an effective oral reading, including warming up the voice, and getting to know the text by breaking it into the three critical elements of any story:…

These dynamic literature-based activities will help teachers energize the entire social studies curriculum and implement national (and state) standards. The author presents hundreds of "hands-on, minds-on" projects that actively engage students in positive learning experiences. Each of the 62 units offers book summaries, social studies…

The recent growth in popularity among college students of dramatic interpretation in forensic competition justifies an examination of textual considerations and resultant criteria important to the evaluation of dramatic literature. The first considerations of the student contemplating the dramatic interpretation event are the selection of material…

Affectionately remembers a college professor and his particular approach to poetry reading and discourse. Refers to a Sufi tale regarding teaching and learning to demystify previous philosophical and pedagogical confusion. (JK)

From the director's point of view, a "memorable monologue" is one in which the actor exhibits imagination and invention in role-playing. Memorable audition monologues require a measured degree of "risk taking" and uninhibited abandon--the first task is to select monologues that suit the type of script and the role being cast.…

Describes six inadequate approaches used in teaching, analyzing, and interpreting poetry, and suggests a useful key" for the interpretation of poems. (SW)

Describes an exercise that introduces students to the unique characteristics of the third-person narrator and also improves skills in observation, story telling, and analysis. (PD)

Presents the script of a Readers Theater production to complement a previous article on Bertholt Brecht in theory and practice (EJ 225 131). (JMF)

Discusses the characteristics of audio books as a prototype of electronic books. Topics include vocal interpretation; the demands that audio books place on listeners; the advantages of listening over reading; and a vision of the electronic book of the future. (KRN)

Physical aspects of listening skills are described, including speech rate, syllable tone, word-word separation vs. joining, listening for "focus," word clues per message, and intonation. (LB)

Presents a discussion on the interpretations of museums and zoos. Introduces the applications of living history, museum theater and explains the terms interactors, explainers, and curators; keepers; and technicians. Lists the locations having the explained applications. Includes 29 references. (YDS)

A number of interaction researchers have claimed that recasts might be ambiguous to learners; that is, instead of perceiving recasts as containing corrective feedback, learners might see them simply as literal or semantic repetitions without any corrective element (Long, in press; Lyster & Ranta, 1997). This study investigates learners'…

Understanding communication (of which individual events is a part) requires a triangle among theory-practice-criticism, and any missing component dramatically hinders understanding and ability. Students compete in, and judges judge, forensics to better enhance communication understanding and abilities. The process of oral interpretation requires a…