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Bugaj, Katarzyna A.; Mick, James; Darrow, Alice-Ann – String Research Journal, 2019
The purpose of this study was to examine possible relationships between the extent of high-level violin performers' movement during performance and evaluators' perceptions of their musicality. Stimuli were 10 excerpts of solo violin performances from the 2015 "Tadeusz Wronski International Violin Competition for Solo Violin," selected to…
Descriptors: Music Education, Musical Instruments, Correlation, Student Evaluation
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Pacheco-Costa, Alejandra – Music Education Research, 2019
Although playing by ear has important benefits for the development of musicianship, one-to-one instrumental teaching has traditionally overlooked it. The current research describes the strategies applied by three woodwind teachers with their students in a Spanish music school through a multiple-case embedded study. Data were collected through…
Descriptors: Music, Music Education, Music Teachers, Foreign Countries
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Bergee, Martin J.; Rossin, Emily G. – Journal of Research in Music Education, 2019
This study's purposes were to develop a rating scale for midlevel band performance and validate a theoretical structure for the scale. Research questions were (a) What qualities describe excellent seventh- and eighth-grade band performance? (b) What items constitute a Midlevel Band Performance Rating Scale (MBPRS)? (c) How reliable is the MBPRS?…
Descriptors: Music, Musicians, Musical Instruments, Music Education
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Cheng, Lee – Research Studies in Music Education, 2019
The laptop ensemble is a platform that has recently been made possible by computer technology that enables individuals to perform music collaboratively. Research in this area has largely focused on the performance aspects, with very few studies focusing on the development of musical competency through participation in a laptop ensemble. This…
Descriptors: Music, Competence, Laptop Computers, Foreign Countries
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Howard, Karen – General Music Today, 2019
Folkloric music and dance in Bulgaria are performed as has been for generations, but also present are innovative hybrids in text, form, and instrumentation. Historically, traditional musical activities were divided by gender with singing a priority for women and playing instruments for men. This has been rapidly changing as in so many countries,…
Descriptors: Music Education, Dance Education, Folk Culture, Cultural Influences
Luh, Katherine E. – ProQuest LLC, 2019
The purpose of this study is to examine guitar tablature as a strategy to facilitate student-led learning in order to contribute to liberation of music students in the elementary setting. This researcher seeks to understand the effect it has on beginning guitar students in elementary school and what role, if any, it should take in an elementary…
Descriptors: Music Education, Musical Instruments, Elementary School Students, Music Reading
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Chi Wai Jason Chen; Kit Mei Jammie Lo – Journal for STEM Education Research, 2019
The purpose of this study was to examine creative thinking and learning in arts-infused education by using the invention kit "Makey Makey" as a platform for Human-Centred Design Instrument (HCDI). Data were collected from 249 adolescents (n = 249) from a Hong Kong secondary school in a participatory design format. They were selected for…
Descriptors: STEM Education, Art Education, Intellectual Property, Adolescents
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Hash, Phillip M. – Journal of Historical Research in Music Education, 2016
The purpose of this study was to document the history of the Conn Conservatory of Music operated by the C. G. Conn musical instrument company of Elkhart, Indiana. Research questions focused on the school's origin, curriculum, pedagogy, faculty, and students. Instrument manufacturer Charles G. Conn opened The Conn Conservatory in 1896 to boost the…
Descriptors: Music, Music Education, Musical Instruments, Educational History
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Chitalkina, Natalia; Puurtinen, Marjaana; Gruber, Hans; Bednarik, Roman – International Journal of Music Education, 2021
During music reading, performers create expectations of the upcoming music. When these expectations are violated due to changes in the notation, performers have to adjust their reading and adapt their motor responses to match this new information. In this study, we examine how selected background, outcome, and process measures reflect the…
Descriptors: Music Reading, Music Education, Psychomotor Skills, Singing
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Ruokonen, Inkeri; Tervaniemi, Mari; Reunamo, Jyrki – Music Education Research, 2021
The present study investigated the role of music education in early childhood education and care (ECEC) in relation to the daily activities of children ages one to three, i.e. "toddlers" (N = 918) in Finnish ECEC units (N = 327). A total of 23,142 random observations were conducted. The observations focused on children's involvement,…
Descriptors: Music Education, Foreign Countries, Preschool Education, Infants
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Çevik Kiliç, Deniz Beste; Baltacilar Bayoglu, Talia Özlem; Güner Canbey, Ebru – International Education Studies, 2018
An expectation is the belief that a certain action will lead to a given outcome. It is noteworthy to reveal individuals' expectations from their future occupations. The quality and success of education are undoubtedly related to meeting their occupational expectations in the future. In this regard, it is of critical importance to investigate the…
Descriptors: Music Education, Undergraduate Students, Majors (Students), Occupational Aspiration
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Konz, Nicholas; Ruiz, Michael J. – Physics Education, 2018
The French horn is used to introduce the three basic properties of periodic waves: amplitude, frequency, and waveform. These features relate to the perceptual characteristics of loudness, pitch, and timbre encountered in everyday language. Visualizations are provided in the form of oscilloscope screenshots, spectrograms, and Fourier spectra to…
Descriptors: Physics, Science Instruction, Musical Instruments, Video Technology
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Wall, Michael Patrick – Research Studies in Music Education, 2018
This study explored how and what a group of six fifth-grade instrumental music students learned during group improvisation activities over eight sessions together with the researcher as participant observer. Students' learning was investigated through the lenses of musical fluency and collaborative emergence. Findings related to multiple…
Descriptors: Music Activities, Music Education, Musical Instruments, Participant Observation
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MacRitchie, Jennifer; Zicari, Massimo; Blom, Diana – British Journal of Music Education, 2018
Limited consideration has been given to the challenges young composers and performers face when learning to communicate through notation in contemporary classical music, and the specific opportunities presented for peer learning. This article describes a project at a Swiss music conservatory in which two student composers wrote pieces for solo…
Descriptors: Musical Composition, Classical Music, Music Education, Foreign Countries
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Trinick, Robyn; Pohio, Lesley – Music Educators Journal, 2018
Children have a natural curiosity about sound. This is particularly evident in the context of musical play. The potential of play for music learning may be overshadowed by a teacher-led and performance-focused approach to music education rather than an organic, self-initiated approach. By bringing together the child's natural curiosity about…
Descriptors: Music, Play, Early Childhood Education, Music Education
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