Presents Efland's reply to Charles Dorn's article (November 1981) in which Dorn argues that the goal of an art curriculum incorporating studio work, art history, and criticism has not been realized and is undesirable. Efland supports school art curricula which integrates history and criticism with real-world applications. (AM)

Presents an art history class that incorporates writing (primarily poetry) to complement the study of art as expression. (HTH)

In the works of the playwright Pierre Corneille, the core dilemma of love versus duty, which underlay the artist's endeavors, evolved from the stage of articulation or problem finding in early adulthood, to dilemma resolution at midlife, and finally to dilemma fragmentation in old age. Argues that the dialectical tensions underlying creativity are…

Argues that Cohen-Shalev, in the previous article, has not adequately proven the claim that the dilemma Corneille focused on, that of love versus duty, was Corneille's own inner conflict, rather than simply the dilemma that Corneille wrote about. Takes issue with the view that a rich, creative artistic career must be influenced by one dominant…

Recounts when the Fluxus community first became self-consciously aware of itself during early European concert tours. Provides insights into criteria that delineate European and American Fluxus performances. Discusses use of chance procedure by members of the group, their debts to John Cage, and the relationship between the audience and the…

Argues that Rene Magritte's experiments with words and images are preceded by other experiments with his surrealist friends in Brussels. States that the surrealists' failure to adequately represent women causes Magritte to treat both images and words as mere representations, subject to an equally radical splitting from the "real" thing…

States that the painted words in Jasper Johns' art act in two different capacities: concealed words partake in the artist's interrogation of visual perception; and visible painted words question classical representation. Argues that words are Johns' means of critiquing modernism. (RS)

An art historian discusses the importance of developing a more inclusive globalized curriculum that includes perspectives of multiple cultures and develops a respect for the intricacies of human knowledge. Examples are from the author's art history classes at the University of the District of Columbia. (DB)

Since it is largely the concepts related to works of art that interest art historians, it is these concepts that need to be reflected in indexing terminology. As these concepts have changed over time, a sizeable verbal infrastructure is needed to support the indexing of large image databases to achieve maximum use by art historians. (Author/AEF)

The author of this article is an art specialist at Whiteford Elementary School in Sylvania, Ohio. Following a visit to a Paul Klee exhibition, she cut out all the miniature examples from the exhibition flyer in order to make six art pins. She then wore a different pin each day at both her elementary and high school assignments with amazing…

Matisse's use of bright colors and strong pattern is an instant motivator for elementary students. He effectively balances colors and simple shapes. This lesson, designed for 3rd graders, is an example of how art studio experiences for young students can draw upon art history. Sections include: (1) Discovering Patterns; (2) Planning Special…

The Fon live in the southern part of the People's Republic of Benin. They inhabit an area about the size of Connecticut. To this day, many Fon are farmers. They plant yams, corn, and cotton, and cultivate palm trees that produce palm oil. Ancient beliefs in spirits and natural powers (called vodun) that govern the world and provide a spiritual…

In this article, the author takes a look back at several scholars of the 1960s (Vincent Lanier, June King McFee, and Corita Kent) and their contributions to the discussion of visual culture in art education. He asserts that, though these scholars were not successful in implementing changes within their own time, their ideas provide powerful…

Almazan, a pioneering painter and graphic artist, played a major role in the development of Chicano art in San Antonio. He was admitted into the Men of Art Guild, the preeminent Texas art group, when he was nineteen years old.

Current discussions regarding the notion of visual culture in art educational practice center the actions of the viewer as participant within the networks of visuality common in many contemporary societies. Surveillance technologies and techniques shift this notion of participation from active to passive, from seeing to being seen. This article…