In contexts where dancing proves a relevant daily practice, dancing with children may provide an extremely interesting strategic option for education ethnographers. Drawing from my empirical material, I describe how dancing was accidentally introduced as a role in the field (dance teacher) before later becoming an unexpectedly great ethnographic…

Relationships between choreographers and dancers are sometimes defined by a particular hierarchy in which choreographers hold more power than dancers do throughout dance making processes. There is very little room for dancer input, interpretation, or feedback in traditional choreographic process models. Though these power dynamics have been…

This qualitative embedded single-case study sought to describe a dance intervention designed for people in stroke rehabilitation. Recommendations from rehabilitation therapists, and the researcher-dance educator's observations of the therapists' work and of patient participation during the intervention were captured and analyzed, from design to…

The focus of this paper is on the WhoLoDancE EU Horizon 2020 project and the tensions between the technology and the potential impact on dancer education -- the aspirations versus the realities. We explore how neuroscientific concepts can help to understand the embodied experience of working with digital tools in a mediated learning environment.…

The aim of this study was to investigate the effects of education programs on dance performance in youth sports dancers. Fifty-four subjects (aged 9-11 years) volunteered to participate in a 12 wk education program and were randomly assigned to three groups. The experimental group one (EG-1) trained in Dance sport 2 d.wk[superscript -1] and…

The basic aim of this study is to specify mental well-being levels and investigate some various conservatory students. Conservatory students studying at Dicle University and Gaziantep University State Conservatory in the 2020-2021 academic year participated in the research. Purposeful sampling was used in this study, which was carried out with a…

Previous studies have shown that there is a positive correlation between attending music classes regularly and the development of executive functions. This paper discusses the results of a pilot study dedicated to determining the difference in the level of development of the components of executive functions (inhibitory control, cognitive…

Salsa is a popular form of partnered social dance with a distinct Latinx identity. In the qualitative literature, the experience of involvement in Salsa has been explored within a community-based setting in a cultural and health promotion context. How students experience engaging with Salsa, as a social dance when instruction is provided within a…

Due to the COVID-19 pandemic, students everywhere are exhibiting gaps in their social-emotional development. Dance advocates propose the prioritization of dance classes as a way to facilitate social-emotional learning. This essay examines the logic behind these advocacy efforts, but also cautions readers that social-emotional learning, even in the…

Dance is important for all students, but it is especially important for deaf and hard of hearing students. Dance is visual, and students can learn to dance without barriers. Teaching dance to deaf and hard of hearing children allows them to have the same kind of experiences as those of hearing children. It allows them to be open to taking risks,…

Dance Education and Music Education are not the same, but are often considered together as Arts Education along with Theatre Education and Art Education. The history of Dance Education as a discipline is much shorter than Music Education, so Dance Education often looks to music education for leadership as well as scholarship. Remixing the…

This study explores how Pacific cultural values can be of critical significance in the completion of a tertiary learning journey, particularly as students navigate neoliberal mind-sets of individuated learning. As a case study, the paper draws on the "talanoa" (conversation) with a Niuean graduate, as he shares reflections on the…

A central key-component in children's dance education is the promotion of creativity. This involves movement exploration, experimenting, and improvising with movement material, composing, and choreographing. These are necessary prerequisites for aesthetic and artistic development. Valid domain-specific test instruments are needed for the…

This study aims to understand teacher experiences during the 2020-2021 school year and the impacts of COVID-19 protocols, which forced dance educators to use virtual platforms to teach a movement-dominated art form changing the dance education landscape. The study follows six educators' experiences through phenomenological research describing key…

Background: Despite the value dance can bring to people's lives, many physical educators find dance intimidating (Goodwin [2010]. "Dance is Not a Dirty Word." "Strategies" 24 (1): 10-12.). Teachers' self-consciousness becomes problematic if they negotiate this discomfort by omitting dance as a movement option (MacLean [2018].…