Intangible cultural heritage is an important part of Chinese excellent traditional culture, and college dance teaching is paid more attention by researchers of physical education and computer technology. In order to help the inheritance and development of non-legacy culture in college dance teaching, this paper analyzes the influencing factors of…

This study investigates opportunities for and challenges faced by Chinese dance and movement educators at the higher education level in the United States, drawing from interviews with seven influential Chinese dance and movement academics. The article probes the boundaries of what is considered Chinese dance in the US context, including Chinese…

Rhythmic virtuosity or moving with "percussive attack" is an ultimate performance quality for Black/African dance. The practice of musicality is a window into a dynamic system of intersubjective communal creativity. Drumming, for example, provides percussive sensorial information that directs a dancer's somatic and choreographic…

Ten female dancers ages 18-22 participated in a study measuring heart rate variability (HRV) over the course of one term in a collegiate dance department. HRV was measured at the same time in the morning once per week over 14 weeks. Additionally, dancer participants completed a weekly Recovery-Stress Questionnaire for Athletes (RESTQ-Sport) survey…

This book is cast in a Singaporean context in which Chinese Language is taught as a second language with an emphasis on communicational skills. It showcases ideas on including cultural teaching to enhance second language learning for more effective outcomes. As a collection of chapters relevant to cultural teaching, the book seeks to enthuse…

Undoubtedly, every young dancer aspires to be an expert technician and artistically dazzling. Working toward that end, a dancer is aware that he or she needs to spend many hours of practice in technique classes and on the stage. However, a dancer might not consider the fact that to become the best dancer possible, he or she needs equal abilities…

Research on the choreographic combination of jazz dance movement vocabularies with minimalist choreographic constructs has led to many pedagogical advances in undergraduate-level jazz dance classroom. Perhaps the most important of those developments is the identification of a construct for teaching a practice of performance. Although it might be…

Dance can be found anywhere from commercial entertainment to online, digital platforms. Yet, dance (as creative expression, performance, choreography, learning strategy, representation of knowledge) still maintains a marginalized profile in schools. Dance as artistic representation has immense power and potential for communicating and responding…

In this article, utilizing the Graham Technique as a tool, I discuss strategies I use in my class to support dance as a way to challenge or transcend sanctioned female identities by shifting the focus from presentation to self-discovery, encouraging ownership of the movement, and exploring a range of physicalities that embody different aspects of…

This study draws on ethnographic research from three co-ethnic community-based, arts programs serving immigrant youth to examine the ways in which immigrant educators serve as "curriculum texts" for youth. It illustrates the curricular nature of the experiences, being and interactions of immigrant educators who share with youth the same…

This study employed a research and development method to design courses that enhance creative dance skills for students in Mathayomsuksa 1 (typically aged 12-13 years). Divided into four phases, the study used background information and input from students and teachers to design a dance course that addressed the neglect of Thai culture in the…

This paper illuminates kinesthesia's role in ballet training by revealing findings of a study regarding non-tactile corporeal communication termed kinesthetic dialogue. Even before the novel Coronavirus disease (COVID-19) heightened awareness of physical distancing, physical interaction between teacher and student was already increasingly…

This year, the National Dance Education Organization (NDEO) is taking a special look at the questions of equity and access in the field of dance education. The Decade of Dance Education (2015-2025), NDEO's ten-year campaign designed to raise the profile of dance education in the arts, provides a unique opportunity to examine their commitment to…

Arts education--including dance, media arts, music, theatre, and visual arts--is key to equitable access to a well-rounded education and central to the shared commitment to ensure that every student receives high-quality instruction that prepares them to be active, engaged, and lifelong learners. This letter describes expanding access to the arts…

The highly contagious coronavirus disease 2019 (COVID-19) pandemic that began in late 2019 has greatly affected education globally, especially for learning skills that require human contact and constant practice in order to achieve competency. Similar to the rest of the world, the closure of theaters and suspension of school activities in…