Considering the COVID-19 pandemic, teaching, and learning encounters in higher education have changed. Online teaching has become routine and a variety of virtual learning platforms are being explored. Within this article we, two higher dance education teachers and researchers, reflect on using TikTok in our work. Taking a duoethnographic…

It is my belief that a prevailing colonial mentality in higher education dance spaces, as it relates to jazz dance, is responsible for the lack of serious engagement and appropriate regard. This article makes the argument for the decolonization of higher education spaces, advocating for fuller engagement with the jazz genre and positioning it to…

Scottish Highland Dance (Highland Dance), known for its accompaniment of bagpipe music and traditional wearing of the kilt, has captured the interest of many dancers and spectators worldwide. It requires strength, stamina, coordination, and very controlled movements. Such intricate technique and movements can be difficult to master, especially for…

Zadok Adolu-Otojoka (b. 1932) is one of the prominent music educators and professional performers in the recent history of arts education in East Africa. A Ugandan by nationality, Adolu-Otojoka has served in different professional capacities as music educator, opera singer, folk musician, dancer, composer, and education/culture administrator, at…

Since 2015 many postgraduate dance students from the Beijing Dance Academy China, have completed a one-year Masters in Community Dance at the University of Auckland, New Zealand. This paper reflects on eight student's experience of their year of international study. Data gathered through semi structured interviews were examined through the…

In world music ensembles such as African and African Caribbean percussion ensembles, the Gamelan ensemble, and the Latin marimba ensemble, members may sing a song, play instruments, and dance simultaneously. This practice is known as music multitasking. For musicians in Western art music traditions, music multitasking can be a challenge. This…

Chinese postgraduate dance students can be surprised by epistemological expectations when commencing research degrees outside China. This can result from translations into Mandarin of very dated dance scholarship from Europe. Specifically, Curt Sachs' 1933 book "World History of the Dance" continues as a pervasive representation of…

"Q: "What time is it?" A: "Skin, past flesh, goin' on to bone."" As descendants of stolen Black bodies in the 'New World', many dancing Jamaicans have become living anachronisms, unconsciously embodying retentions of life-renewing cultural movement practices past spirit and bone, into flesh and skin. Jamaican tertiary…

It has been almost twenty years since Namasagali College, a co-educational secondary school in Eastern Uganda, staged its last performance, yet the memory of these musical theater productions are recalled with the nostalgia of a lost renaissance. These transdisciplinary productions that utilized modern dance, acting and mimed songs transformed the…

In an attempt to respond to the calls for dance educators to explore alternatives to harmful authoritarian teaching practices, we propose that one such route forward is an Activist Approach to teaching, which was originally developed in physical education contexts as a student-centered, inquiry-based approach that attends to issues of embodiment…

Choreography classes rooted only in modern/post-modern/contemporary dance (hereafter referred to as contemporary dance ), fail to provide racial equity to today's college students. Dancers with backgrounds in forms other than contemporary dance such as hip-hop, salsa, kathak, etc., must learn a new set of movement principles and aesthetic values…

Although American Roman Catholic priest Father Joseph Maier founded the Mercy Centre in the heart of Bangkok's Khlong Toey slums in the early 1970s, music was not part of the program until around 2010 when Dr. Mick Moloney began raising funds to support the teaching of Thai classical music. With additional donations, the music program has grown…

There are few opportunities for young disabled dancers to develop their talents, and even fewer studies investigating their experiences of such opportunities. The aim of this study was to explore the perspectives and outcomes of an inclusive talent development programme, and how these were facilitated. Semi-structured interviews and focus groups…

In this review, the background to the construct of Emotional Intelligence and its more widely accepted perspectives are presented. The scientific literature on the relationship between dance and Emotional Intelligence was obtained from the Web of Science (58) and Scopus (5) databases, and the results of these investigations were analysed. Dance is…

I argue that personal style in improvisational dance is, amongst other factors, a matter of the dancers' attunement to sets of affordances. We can use the language and theory of affordances and enactive embodied cognition as a teaching tool to improve our students' improvisational practice. Often when a student's improvisational skill has…