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Carter, Marcia Jean; And Others – Journal of Physical Education, Recreation and Dance, 1990
This article identifies five elements which are incorporated into the developmental sequence that occurs when a job role progresses from occupation to profession. A self-assessment form is presented to enable each HPERD (health, physical education, recreation, dance) field to assess its progress toward becoming a profession. (IAH)
Descriptors: Certification, Credentials, Dance Education, Health Education

Berube, Maurice R. – Clearing House, 1999
Describes the American public's growing interest in art after World War II. Discusses the problematic history of arts in the public school curricula, in which arts programs are seen as a last priority in school reform and are the first to be eliminated in school districts facing financial retrenchment. (SR)
Descriptors: Aesthetic Education, Art Education, Cultural Enrichment, Curriculum
Mitchell, Sally E. – Journal of Aesthetic Education, 2001
There is often a resistance to verbal language in the nonverbal arts. Within educational establishments, language does not simply serve the art work or its making; it serves other extraneous goals of legitimation. The link between language and legitimation is striking. Dance education in Great Britain, for example, has recently moved from…
Descriptors: Language Usage, Higher Education, Dance Education, Foreign Countries
Maloney, Betsy – Journal of Dance Education, 2004
Simultaneously promoting a safe learning environment that encourages students to express their creative voices while exploring the rudiments of dance technique can be difficult. This article discusses how the author has learned to do it effectively by employing a few simple classroom strategies. To prevent injuries during class, the author offers…
Descriptors: Classroom Techniques, Injuries, Dance Education, Accident Prevention
Sofras, Pamela Anderson; Emory-Maier, Ambre – Journal of Dance Education, 2005
In 2001, North Carolina Dance Theatre, The University of North Carolina at Charlotte, and the Charlotte-Mecklenburg School system joined forces to create a multidimensional, professional development program for dance professionals (teachers and artists) in the public schools called, The Dance Educator Enrichment Program (DEEP). DEEP was designed…
Descriptors: Creativity, Enrichment Activities, Dance Education, Artists
Considering the Issue of Sexploitation of Young Women in Dance: K-12 Perspectives in Dance Education
Clark, Dawn – Journal of Dance Education, 2004
Young dancers, girls most particularly, are subject to subtle and not-so-subtle messages of exploitation based on sex. What are the implications for dance educators who are trying hard to advocate for dance and who are trying to encourage appropriate pedagogical practices? Due to the hegemonic pervasiveness of "objectifying" dancers for…
Descriptors: Elementary Secondary Education, Females, Dance Education, Teacher Role
Street, Susan – Research in Dance Education, 2002
Three key publications from September 2000 point to rapid changes in the educational and arts environment in Hong Kong that will impact on the development of dance education. This paper provides some contextual details on the current state of dance education in Hong Kong and also examines the influence and possible ramifications implicit within…
Descriptors: Dance Education, Foreign Countries, Educational Change, Faculty Development
Delamont, Sara – Sport, Education and Society, 2005
"Capoeira," the Brazilian dance and martial art, is now taught in many countries outside Brazil. Reflections on a year's fieldwork on capoeira teaching in the UK are used to make educational ethnography anthropologically strange. Issues of locality, noise, uncertainty and bodily contact are explored in a reflexive way. (Contains 7 notes.)
Descriptors: Ethnography, Foreign Countries, Educational Anthropology, Art Activities
Best, David – Research in Dance Education, 2004
In this essay, the author notes a danger concerning the general approach to teaching about the arts through improper use of the concepts "aesthetic" and "artistic." Observing that both concepts are often used interchangeably, with "aesthetic" being seen as the more generic term, the author argues that these concepts are separate and should be…
Descriptors: Visual Arts, Educational Objectives, Art Education, Aesthetic Education
Consortium of National Arts Education Associations. – 1995
These arts standards represent a consensus concerning what every young student should know and be able to do in the arts. The Consortium of National Arts Education Associations believes that every student at every level, pre-kindergarten through grade 12, should have access to a balanced, comprehensive, and sequential program of instruction in the…
Descriptors: Academic Standards, Aesthetic Education, Art, Art Expression
Levy, Fran J. – 1992
The concern of this text is the need that many individuals have for nonverbal, primarily physical forms of expression, and how this need has fueled the development of a new psychomotor discipline. The book treats the theory and practice of dance therapy, and examines the entire field from its inception through the present. Dance therapy, the use…
Descriptors: Dance Education, Dance Therapy, Health Promotion, History
South Carolina State Dept. of Education, Columbia. – 1990
The materials in this dance curriculum framework are detailed and sequentially organized by age groups in order to provide a maximum amount of assistance for teachers in building dance lessons. There are four major components: Aesthetic Perception, Creative Process, Dance Heritage, and Aesthetic Valuing. The interrelatedness of the four components…
Descriptors: Aesthetic Values, Affective Objectives, Cognitive Objectives, Creative Development
Wyoming Council of the Arts, Cheyenne. – 1990
An arts education survey was undertaken in 1989 to establish comprehensive, baseline information regarding arts education in Wyoming schools. The findings serve as a standard against which to measure future changes in the quality of arts education in the state. This report is designed to highlight the initial findings of the survey. Arts education…
Descriptors: Art Education, Comparative Analysis, Dance Education, Educational Objectives
Iowa State Dept. of Public Instruction, Des Moines. – 1986
The purpose of this guide is to present dance education as a discipline and to encourage student participation in a wide range of dance activities. The unit, "Rationale/Philosophy/Goals," contains an introduction to the program, a rationale, and overall goals. "Scope/Sequence/Strategies," presents a chart which lists basic…
Descriptors: Body Image, Course Evaluation, Curriculum Development, Dance
New York City Board of Education, Brooklyn, NY. Div. of Curriculum and Instruction. – 1985
Intended for elementary school teachers who wish to implement a lesson on dance theater and dance as an art form to be used in conjunction with live performance, this guide offers classroom and extracurricular activities to teach children about various aspects of dance. Part 1 of the guide includes an introduction to Manhattan's City Center, a…
Descriptors: Class Activities, Curriculum Development, Curriculum Guides, Dance