Teaching Odissi in the university space is not new to me. However, as a dancer-scholar located in India, teaching this dance form in a university in the United States expanded and deepened my understanding of this dance form and the ways it can be taught. This encounter, a collision of cultures, beliefs, and movement practices in the dance studio, engendered a pedagogical process that revealed itself as I taught this class over two semesters. The design of the class discussed in this article emerged from an intersection of my own training in Odissi with my guru and the institutional requirements of the program. This paper unpacks my pedagogical process of creating a syllabus, adopting teaching strategies, and assessing student work for negotiating the cultural chasm between me and my students, hoping to generate a sense of critical questioning, mutual curiosity, and respect.