Although academic discussions of whiteness in music education have been prevalent for over a decade, critical examinations of whiteness in world music education have been disproportionately lacking. One specific world music ensemble that warrants examination is the steelband within American schools. The steelpan was introduced in the United States in the 1940s-1950s, and currently there are over 750 known school steelbands in the US. Many of these school ensembles have unintentionally distanced themselves from West Indian community ensembles and AfroTrinidadian traditions. In this paper, I explore the "whitening" of American steelband through ethnographic research conducted as a participant-observer. Through analysis of fieldnotes, interviews with participants, and current steelband resources, I examine approaches to pedagogy, membership, and performance. The article concludes with implications and recommendations for US-based steelpan ensemble directors and other world music ensemble directors.