In this article, I move forward the tradition of visuality, or visual studies, in art education in the following ways: I examine, criticize, and expand concepts that are fundamental to the largely ignored subgroup--early childhood art education. I extend the study of images and visuality to unpack current political apparatuses and affects experienced by the public nationwide. Finally, I grapple with competing notions of care and agency to rethink relationality as a pedagogical possibility.