This interview and response explores the functionalities of the digital platforms Digital Theatre+ (DT+), Drama Online and Cambridge University Press as represented by the interviewees, with a focus on Robert Delamere's DT+. Delamere discusses the history of DT+, and his vision for it to become a site where students can create 'remixes' of DT+ materials. My response focuses on the disparity between the platform aims and the reality of their use. I identify two reasons for this: wider structural problems in global implementations, and platform producers potentially misunderstanding the diverse modes of engagement with and use of their platforms.