The purpose of this article is to present a few of the innovative techniques used in the execution of Morgan Chivers' sculptural work, not on the content of the work itself. The author's interest has been in merging the methodologies and precise output control of 3D printing with finished objects in nonprintable materials as required by the conceptual structure of his sculpture. Without devoting the requisite space to fully explain the ideation of the work, he provides the reader with enough of the idea that the object is not an enigma.