This phenomenological study examined how students at a large, urban community college experienced being an artist, before and during the COVID-19 pandemic. It also investigated the ways these students made meaning of their arts experiences. The research design was based upon the model outlined in "Interpretative Phenomenological Analysis" (J.A. Smith et al., 2009). Data were drawn from interviews with a purposively selected sample of five students who had public performance or exhibiting experience in visual art, dance, music, or theater. The participants experienced emotions of happiness and joy in their arts practices, as well as a strong sense of satisfaction in their creative work. All of the students described elements of the psychological state of flow as a part of their artmaking. The participants' arts experiences during the pandemic were varied, and were influenced by the unique circumstances of their lives. They made various practical adaptations to continue their creative practices. The pandemic provided a reflective space, in which the participants considered their personal and artistic priorities. They reported a keen sense of loss over their isolation from others during the pandemic. However, fundamental aspects of their arts experiences remained unchanged during this time. The participants found meaning in their art as a form of expression, in its capacity to connect them with others, and in their love for their creative work. These findings yield implications for strengthening connections between two- and four-year arts programs, utilizing the arts' capacity for building community, and considering new approaches to collegiate arts education. [The dissertation citations contained here are published with the permission of ProQuest LLC. Further reproduction is prohibited without permission. Copies of dissertations may be obtained by Telephone (800) 1-800-521-0600. Web page: http://bibliotheek.ehb.be:2222/en-US/products/dissertations/individuals.shtml.]