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Mitchell, Siobhan B.; Haase, Anne M.; Cumming, Sean P.; Malina, Robert M. – Research in Dance Education, 2017
The pubertal transition can present an interesting paradox for the young dancer, with growth and maturation leading to improvements in some areas such as strength and power and detriment to others, such as flexibility and co-ordination. These challenges highlight the need to consider the interactions among biological, psychological and…
Descriptors: Dance, Transitional Programs, Puberty, Maturity (Individuals)
Casey, Ryan P. – Journal of Dance Education, 2017
As a longtime student and aficionado of both poetry and percussive dance, Ryan Casey presents ways in which poetry--both written and spoken word--can be used in a dance class to develop rhythmic proficiency in percussive dancers of varying ages and skill levels, and explains why he believes this practice is accessible and educational. Although the…
Descriptors: Dance Education, Poetry, Teaching Methods, Written Language
Lim, Jae Hoon; Galantino, Mary Lou; Bahring, Stasia; Woolverton, Kahra – Journal of Dance Education, 2018
The purpose of this interdisciplinary educational experience was to explore dynamic interaction between student dancers and graduate physical therapy students in a structured learning environment regarding prevention of dance injuries. A second aim was to determine the utility of a self-report outcome measure and the Functional Movement Screen…
Descriptors: Dance, Physical Therapy, Mixed Methods Research, Interdisciplinary Approach
Calvano, Jenn Ariadne – Journal of Dance Education, 2018
"Fin de siècle" cancan dancers Jane Avril and Louise Weber ("La Goulue") examined alongside the musical dance and song number "Big Spender" from Sweet Charity serve as examples of how decontextualization of images leads to essentializing the subject of the image that gives precedence to a male gaze focus. In analyzing…
Descriptors: Dance, Dance Education, Music, Artists
Wu, Chien-Chih; Chao, Hsiao-Wen; Tsai, Chia-Wen – International Journal of Mobile and Blended Learning, 2021
The purpose of this study is to enhance the effect of dance skill learning, learning motivation, and physical activity class satisfaction. Moreover, the outcome of these quasi-experiments illustrate the effects of Facebook Live-stream teaching, co-regulated learning (CRL), and experience-based learning (ExBL) on improving students' learning…
Descriptors: Dance Education, Learning Motivation, Physical Activities, Social Media
Mandala, Sumana Sen – Journal of Dance Education, 2021
This article explores the expanded possibilities of Bharata-Natyam education in the United States (US) based on a reflective practice in my dance over the past thirty years. This has given rise to an epistemological investigation into the seeming dichotomy of tradition and agency and has percolated into a set of questions, especially salient in my…
Descriptors: Phenomenology, Dance Education, Feminism, Indians
Elpus, Kenneth – Arts Education Policy Review, 2022
The purpose of this study was to understand the contextual, school-level factors associated with the availability of arts education courses in the high schools of the United States. In the study, course offerings for a nationally representative sample of N = 940 high schools that were part of the National Center for Education Statistics High…
Descriptors: Art Education, Visual Arts, Music Education, Dance Education
Leanne Fried; Christine Lovering; Sarah Falconer; Jacinta Francis; Robyn Johnston; Karen Lombardi; Kevin Runions; Karen Forde; Naomi Crosby; Lilly Blue – International Journal of Education & the Arts, 2023
Background: Mental health concerns prevent positive well-being and are key challenges for Australian children and young people. Arts organisations play a role in enhancing the positive mental health of children and young people. This paper describes the involvement of young people and their parents in the development of a resource for arts…
Descriptors: Art Education, Educational Resources, Well Being, Mental Health
Falkembach, Maria Fonseca; Icle, Gilberto – Research in Dance Education, 2020
The following paper seeks to show how Somatic Education is a usual practice in the classes researched and, at the same time, how it places the body in places of dispute at schools. Notions present in the classes studied such as, for example, the relationship between surveillance and silence and between the latter and listening are thus analysed,…
Descriptors: Dance Education, Dance, Ethnography, Teaching Methods
Lidbury, Clare – Research in Dance Education, 2020
Using practice as research as my methodology I examine whether it is possible to choreograph "Hairspray - the Musical" while staying true to the movement principles developed by Kurt Jooss and Sigurd Leeder in the Jooss-Leeder Method. In discussing the process and the product I explore also the difficulties in choreographing for, and…
Descriptors: Dance, Dance Education, Secondary School Students, Teaching Methods
Cassandra Lee Vander Well – ProQuest LLC, 2020
Enactment of the "Rehabilitation Act of 1973" and the "Americans with Disabilities Act (ADA) of 1990" expanded and clarified the rights of students with disabilities in higher education (Connor, 2011; Pena, 2014; Troiano, 2003). In the past three decades, the enrollment rate of students with learning disabilities (LD) in higher…
Descriptors: Learning Disabilities, Higher Education, Dance Education, Disabilities
Ehrenberg, Shantel – Research in Dance Education, 2019
Choreographic practice still competes for the same level of value as language-based study in higher education and therefore choreographic practice and pedagogy can be a means through which to address issues of precarity for dance and dance studies in the university economy today. This article addresses this problem by sharing a UK-based…
Descriptors: Dance, Dance Education, College Students, Majors (Students)
Salfran, Lindsey – Journal of Dance Education, 2019
Jazz dance training in college and university dance programs offers a platform for students to develop a holistic understanding of dance. Three unique qualities of jazz dance are discussed: vernacular expression, improvisation and sense of play, and rhythmic dynamism. Accessing the vernacular nature of jazz dance provides historical context for…
Descriptors: Dance Education, Higher Education, College Students, Folk Culture
Gibbs, Lisa E. – Journal of Dance Education, 2019
The 2001 reauthorization of the Elementary and Secondary Education Act defined dance as an art form, designated the arts as core academic subjects, and called for highly qualified instructors in every classroom. These developments provided new opportunities for dance faculty in higher education preparing their students for life after college.…
Descriptors: Dance Education, Undergraduate Students, Educational Change, Educational Policy
Howard, Karen – General Music Today, 2019
Folkloric music and dance in Bulgaria are performed as has been for generations, but also present are innovative hybrids in text, form, and instrumentation. Historically, traditional musical activities were divided by gender with singing a priority for women and playing instruments for men. This has been rapidly changing as in so many countries,…
Descriptors: Music Education, Dance Education, Folk Culture, Cultural Influences