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McCoy, Claire, W.; Ellis, Mark C. – Bulletin of the Council for Research in Music Education, 1992
Presents study results of the effects of different teaching methods on the ability of nonmusician, college students to distinguish meter. Explains that one group heard meter defined with examples, another emphasized meter with large muscle movements, and a third heard examples with reinforcing clicks. Reports that all groups differed from the…
Descriptors: Classroom Research, Higher Education, Instructional Effectiveness, Music
Effects of Aural and Visual Conditions on Response to Perceived Artistic Tension in Music and Dance.

Frego, R. J. David – Journal of Research in Music Education, 1999
Examines effects of aural, visual, and combined aural/visual conditions on the emotional response to music and dance of musicians and nonmusicians. Indicates no significant differences in perceived artistic tension based on musical background or on experimental conditions. Responses were similar regardless of prior consideration of the existence…
Descriptors: Auditory Perception, Dance, Dance Education, Emotional Response

Reimer, Bennett – Music Educators Journal, 1997
Contends that only students with performance or composing abilities are given a chance to explore music in their education. Stresses the importance of teaching all students how to listen to music in an active, "minds-on" way instead of only teaching hands-on activities. Challenges the traditional music curriculum by refuting five myths…
Descriptors: Creative Thinking, Elementary Secondary Education, Improvisation, Learning Processes

Kostka, Marilyn J. – Music Educators Journal, 2004
Few teachers, students, or parents would question the importance of practice when learning to sing or play an instrument. And, while most who are involved in music education would probably concur on certain aspects of what constitutes good music teaching and lessons, they would probably also agree that a problem may exist in what takes place in…
Descriptors: Teaching Methods, Instruction, Teacher Student Relationship, Music Appreciation

Allsup, Randall Everett; Baxter Marsha – Music Educators Journal, 2004
The music classroom is the perfect setting for investigative and imaginative inquiry--for teaching students how to talk about music. Because dialogue that is done well is too dynamic to be captured in a one-dimensional model, the ideas and frameworks in this article are merely intended to serve as springboards for eliciting richer discussions in…
Descriptors: Teaching Methods, Thinking Skills, Music Education, Discussion (Teaching Technique)
Dogani, Konstantina – Music Education Research, 2004
This article is taken from doctoral research which sought to discover the nature of teachers' pedagogy in the primary school classroom by looking at their understanding of the teaching of composing, their approach to lesson design and organisation, and the way these are reflected in their practice. Specific examples of six case studies involving…
Descriptors: Teaching Methods, Elementary Education, Foreign Countries, Music Education
Ilari, Beatriz – Early Child Development and Care, 2005
The aim of this study was to investigate maternal beliefs and uses of music with infants. One hundred mothers of infants aged between seven and nine months of age were recruited in Montral, Canada. Mothers were interviewed on musical background, musical preferences, beliefs and uses of music with their infants. The results suggested that, despite…
Descriptors: Foreign Countries, Infants, Music Appreciation, Music Activities

Scott, Britain; Harrassowitz, Christiane – Music Educators Journal, 2004
The typical music history or appreciation class teaches students to analyze musical elements and think generally about the aesthetics of historical periods but rarely encourages them to consider why the overwhelming majority of the composers discussed are white, European, middle- and upper-class men. Courses on popular music often discuss jazz and…
Descriptors: Females, National Standards, Music, Music Education

McGinnis, Pearl Yeadon – Academic Exchange Quarterly, 2003
Describes Southwest Missouri State University's efforts to transform opera from an event that the audience simply watches to an event that stimulates life-long learning and interest in the arts for rural public school children. The project incorporates elements of experiential and interactive learning to benefit both the student performers and the…
Descriptors: Colleges, Experiential Learning, Higher Education, Instruction
Montague, Matthew G. – Teaching Music, 2005
The author discusses techniques on how to establish rapport between the choir and young audiences. According to him, one of the choir's most important assets just might be something he calls access-ability. One of Webster's definitions of "access "is" permission, liberty, or ability to enter, approach, or communicate with." When it comes to…
Descriptors: Audiences, Singing, Music Appreciation, Elementary School Students
Au, Wayne – Journal of Negro Education, 2005
The rap music lyrics were analyzed to flush out the hip-hop culture's perspective on the education of African American (AA) youth. It was found that there is a need for the implementation of more culturally relevant curricula in schools, which benefits the students to understand hip-hop culture.
Descriptors: Music Appreciation, Culturally Relevant Education, African American Culture, African American Students
Crncec, Rudi; Wilson, Sarah J.; Prior, Margot – Educational Psychology, 2006
There is considerable interest in the potential non-musical cognitive and academic benefits of music listening and instruction to children. This report describes three lines of research relevant to this issue, namely, the effects of: (1) focused music listening on subsequent task performance (the Mozart effect); (2) music instruction; and (3)…
Descriptors: Music Education, Music Appreciation, Thinking Skills, Educational Methods
Be a Friend: The Story of African American Music in Song, Words, and Pictures [and] Teacher's Guide.
Stanley, Leotha – 1994
This instructional resource, intended for grades three and up, includes an illustrated children's book and an audiotape. Also included is a teacher's guide written by Michael P. French. This resource tells the story of African American music in six main sections, beginning with its African roots and then describing five of the major styles of…
Descriptors: Black Culture, Elementary Education, Instructional Materials, Interdisciplinary Approach
Ball, Wesley A. – 1991
This paper discusses aspects of the role of music in the preschool setting. The teaching and singing of folk songs are an avenue through which cultural literacy can be explored. A sensory approach to song learning that includes visual, kinesthetic, and aural stimuli increases children's vocabulary. Some theories suggest that musical intelligence…
Descriptors: Intellectual Development, Intelligence, Listening, Multicultural Education
Scott, J. Mark; Dawkins, Barbara R. – 1982
This guide to music appreciation courses was developed for use in senior high schools in Duval County, Jacksonville, Florida. Music Appreciation III A examines the development of music, from the Gothic period through the Classical period. Music Appreciation III B examines the development of music from the Romantic period through the 1970s.…
Descriptors: Behavioral Objectives, Course Descriptions, Curriculum Guides, High Schools