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Cahill, Alex; Warwick, Paul – Research in Drama Education, 2019
This case study tells the story of two educators at the University of Plymouth (United Kingdom) who reconsidered the fundamental purpose of their curriculum in light of the United Nations Sustainable Development agenda. This resulted in the development of a new community-engaged applied practice module during the final year of the Theatre and…
Descriptors: Sustainable Development, College Faculty, Foreign Countries, Theater Arts
Gunnels, Bridgette W. – Hispania, 2019
This short-form article introduces the Pre-Texts protocol (Harvard Cultural Agents Initiative) as a way to introduce new texts in class by using creation as a catalyst for reflection and dialogue. This current article briefly describes the benefits of this technique for the present generation of learners and teachers, as well as outlines clearly…
Descriptors: Literacy, Second Language Learning, Second Language Instruction, Spanish
Sanchez, Sergio L.; Athanases, Steven Z. – International Multilingual Research Journal, 2022
All disciplines have particular ways of knowing, common practices, and means of using language that mediate and potentially support engagement with the discipline. For multilingual learners, language demands of a discipline can be a closed door or a facilitated entryway. Drama and theater arts, the focus of our article, are often marginalized in…
Descriptors: Multilingualism, Drama, Theater Arts, Teaching Methods
Sally J. Robertson – ProQuest LLC, 2022
The purpose of this qualitative study was to explore, understand, and document former students' perceptions of the vocationally focused theater training they received at a 2-year community college and to discover how that training helped them meet their goals and expectations for careers in the theater. Listening to individual stories of theater…
Descriptors: Vocational Education, Student Attitudes, Theater Arts, Drama Education
McKay, Loraine; Sappa, Viviana – Journal of Adult and Continuing Education, 2020
Although prevalently focused on research-based outcomes (i.e. better understanding of a particular phenomenon, process or experience), arts-based researchers have widely emphasised the transformational potentialities of arts for individuals. In particular, the arts create space for thinking differently and provide opportunities to explore…
Descriptors: Creativity, Art, Researchers, Transformative Learning
Opfermann, Lena S. – International Journal of Social Research Methodology, 2020
This article explores the challenges and benefits of using theatre as a research method. It questions certain claims and assumptions underlying Augusto Boal's Theatre of the Oppressed and more recent literature on theatre-based research. In particular, it investigates the notion that theatre enables participants to address issues of oppression and…
Descriptors: Theater Arts, Research Methodology, Migrants, Migrant Education
Roy, David – Journal for Learning through the Arts, 2016
In Drama Education mask work is undertaken and presented as both a methodology and knowledge base. There are numerous workshops and journal articles available for teachers that offer knowledge or implementation of mask work. However, empirical examination of the context or potential implementation of masks as a pedagogical tool remains…
Descriptors: Drama, Teaching Methods, Visual Stimuli, Workshops
Shem-Tov, Naphtaly – Research in Drama Education, 2018
This article focuses on a teaching case, Rona, a student in the educational dance-theatre programme that adopted improvisational teaching to deal with her lack of self-confidence. This lack had denied her feeling free and teaching without inhibitions in the classroom. Rona found a way to release her lack of self-confidence by spontaneously acting…
Descriptors: Creative Teaching, Teaching Methods, Dance Education, Creative Activities
Bell, Henry; McCormack, Bryan – Research in Drama Education, 2018
This paper documents the drawings, installations, video works, and performances that were produced as part of Bryan McCormack's "Yesterday/Today/Tomorrow" ("Traceability is Credibility") conceptual work at the 2017 Venice Biennale in collaboration with Henry Bell and undergraduate students at Sheffield Hallam University. It…
Descriptors: Refugees, Freehand Drawing, Art Products, Undergraduate Students
Mareneck, Ellen C. – International Journal of Whole Schooling, 2018
Diversity has been the focus of countless books, articles, and conferences in higher education. Unfortunately, for many of us in the majority culture, this issue never required too much investment of time or concern because we were already benefitting from the existing system of racial and/or gender privilege. In this essay I recount my awakening…
Descriptors: Community Colleges, Drama, Theater Arts, College Faculty
Eisenhauer, Scarlett – Afterschool Matters, 2018
For many youth, afterschool programs positively fill the time between school and home. Quality out-of-school time (OST) programs clearly can have beneficial social and academic effects on youth (Durlak, Weissberg, & Pachan, 2010; Eccles, Barber, Stone, & Hunt, 2003; Vandell et al., 2005). However, these outcomes are not guaranteed (Chen…
Descriptors: After School Programs, Theater Arts, Educational Planning, Learner Engagement
Coskuner, Sonat – Journal of Education and Training Studies, 2018
Today, contemporary music emerges as an experimental phenomenon trapped in the laboratory environment rather than an element of skill. Modern music, where principles such as specialism and rationality are determinative, has become difficult to understand not only for performers who carry it on the stage but also for today's audience. One of the…
Descriptors: Music, Acoustics, Performance, Musicians
Sloan, Cathy – Research in Drama Education, 2018
This article moves on from the 'turn to affect' in applied theatre to explore further how concepts related to affect theory might offer ways in which practice might respond to the contemporary context of a 'post-normal' and 'post-truth' world. Acknowledging the influence of transdisciplinary discourses on gender, race, disability, space, place,…
Descriptors: Theater Arts, Interdisciplinary Approach, Gender Differences, Race
Diamond, Catherine – Research in Drama Education, 2018
Without knowing anything of the contentious history between Sulawesi's Chinese and Indonesian Moslem communities, Taiwanese director Peng Ya-ling went to Makassar to conduct a reconciliation workshop. As director of Uhan Shii Theatre, Peng creates performances from oral histories she collects in interviews. She applied this technique in Indonesia,…
Descriptors: Workshops, Foreign Countries, Muslims, History
Hallgren, Eva; Österlind, Eva – Education Sciences, 2019
The purpose is to investigate process drama for teaching civics, mainly democracy and migration. Process drama implies students and teacher to take on roles, to explore a subject content collectively. The study is based on a secondary school educational initiative where a drama pedagogue was invited to address civics through process drama. Four…
Descriptors: Theater Arts, Civics, Democracy, Migration