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Desportes, Kayla; McDermott, Kathleen; Bergner, Yoav; Payne, William – ACM Transactions on Computing Education, 2022
Performing arts computing environments have received little attention in the educational sphere; yet, they offer opportunities for learners to validate their efforts, ideas, and skills through showcasing their work in a public-facing performance. In this work, we explore an out-of-school dance and computing educational program run by the…
Descriptors: Minority Group Students, Females, Self Concept, Theater Arts
O'Connor, Peter; Gregorzewski, Moema – Teachers and Curriculum, 2022
Underpinning drama education in New Zealand is the desire to improve the lives of individuals, communities and societies by catalysing embodied learning in and through the art form of theatre. Learning in drama is intended to foster well-being, social cohesion and active citizenship. Put another way, drama education in New Zealand has always been…
Descriptors: Foreign Countries, Drama, Teaching Methods, Indigenous Knowledge
Jenks, Saya – Teaching Artist Journal, 2022
This article explores the ways in which two years of increased isolation due to COVID affected a cohort of applied theatre students and how their instructors addressed students' elevated anxiety and disconnection from community. In the spring semester of 2022, I was working as the teaching intern for the course Applied Theatre Praxis taught by…
Descriptors: COVID-19, Pandemics, College Students, Teaching Methods
Kenklies, Karsten – Educational Philosophy and Theory, 2019
European theorists of childhood still tend to locate the first positive acknowledgements of childhood as a human developmental period in its own positive right between the 16th and 18th century in Europe. Even though the findings of Ariès have been constantly challenged, it still remains a commonplace, especially within the history of education,…
Descriptors: Educational Theories, Theater Arts, Children, Educational History
Shawyer, Susanne – Research in Drama Education, 2019
This essay offers an approach to teaching a canonical dramatic literature-based theatre history class while also teaching students to question and resist the canon's ideological traps. The author models the use of French philosopher Jacques Rancière's concept of the emancipated spectator and American educational theorist Joyce E. King's concept of…
Descriptors: Theater Arts, History, Audiences, Undergraduate Students
Kaufman, Eric – Research in Dance Education, 2019
Beginning in the 1980s, and throughout years of employment on Broadway and beyond, I was an unwitting participant-observer to scenes of sexual harassment in musical theater dance workplaces. I experienced being a target of sexual harassment, not as trauma, but as an uncomfortable and accepted aspect of the employment landscape. The…
Descriptors: Sexual Harassment, Theater Arts, Drama, Dance
Sabina Sestigiani; Ekaterina Pechenkina – College Teaching, 2024
This qualitative study explores challenges and benefits of introducing theater techniques into Higher Education (HE) undergraduate intermediate Italian language classrooms. Drawing on student surveys and reflective essays, the study offers original insights into how collaborative, performance-based activities can result in greater student…
Descriptors: Second Language Learning, Second Language Instruction, Teaching Methods, Theater Arts
Catalina Iliescu-Gheorghiu – Language and Intercultural Communication, 2024
Intercultural studies have underexplored the issue of children's theatre as a tool for symbolic representations of (new, hybrid) identities. In this paper, I analyze two theatrical productions addressing both Spanish society and Romanian diaspora (first/second generation) to answer these questions: how are diasporic identities re-constructed in…
Descriptors: Theater Arts, Native Language, Second Language Learning, Spanish
Thomas Rizzuto; Kelley Cordeiro; Allison Roda – Arts Education Policy Review, 2024
Social-emotional learning (SEL) has become one of the fastest growing movements in education. However, while many teachers acknowledge the value of SEL, research shows that comparatively few educators feel prepared to incorporate it into their classrooms, and that current school culture emphasizes academics over SEL. This qualitative study…
Descriptors: Teacher Attitudes, Social Emotional Learning, Art Education, Elementary Secondary Education
Divya Sadana; Rajnish Kumar Gupta; S. S. Kumaran; Sanjeev Jain; Jamuna Rajeswaran – Gifted and Talented International, 2024
The current study explored the neuroanatomical basis of creative personality using the voxel-based morphometric (VBM) approach. The sample comprised two groups -- Creative (CR) group (professional creative artists) and matched controls with no demonstrated artistic creativity (NC) with 20 participants in each group, in the age range of 20-40…
Descriptors: Brain Hemisphere Functions, Brain, Correlation, Creativity
McManimon, Shannon K. – International Journal of Education & the Arts, 2020
"Fracturing and Re-Membering" is a performative mapping combining critical autoethnography and verbatim theatre that re-presents the entanglement of the fragmented and fractured work of teaching, professional development, and research. It draws on data from professional development sessions of a critical literacy and creative drama…
Descriptors: Theater Arts, Ethnography, Faculty Development, Critical Literacy
Carson, Christie – Research in Drama Education, 2020
Emily Hockley, of Cambridge University Press, and Margaret Bartley, of Bloomsbury Publishing, highlight the way that working directly with scholars, students and digital resources creators, through partnerships and collaborative relationships, has helped to frame the current form of their respective online platforms. While the focus of the debate…
Descriptors: Drama, Theater Arts, Teaching Methods, Technology Uses in Education
Hill, Jessica – TESOL Journal, 2023
This article presents select findings from a case study about applied theatre at a school for girls with refugee backgrounds in the United States. The data were collected through direct observations, semi-structured interviews, and analysis of students' work. The study uses an intersectional analysis to explore relationships between gender, race,…
Descriptors: Theater Arts, Single Sex Schools, Females, Refugees
Rachael Hains-Wesson; Kiaying Ji; Eliza Wu – International Journal of Work-Integrated Learning, 2023
In this study, an in-person simulated role play as a worthwhile approach in preparation for work-integrated learning (WIL) through a theater and reality of the board (TROB) pedagogical model is explored. Students participated in a twelve week, in-semester TROB program, acting out in-person board room positions, such as Chair and Secretary before…
Descriptors: Student Attitudes, Employment Potential, Job Skills, Skill Development
de Kock, L.; Groot, B. C.; Lindenberg, J.; Struiksma, G.; Abma, T. A. – Research in Drama Education, 2023
The COVID-19 pandemic emphasises the importance of care for our societies, yet underscores the inferiority of relational caring practices. During this time, we studied the participatory work of artists working with older adults using participant observations, in-depth interviews and visual ethnography. In this article, we present a case study of…
Descriptors: Foreign Countries, COVID-19, Pandemics, Social Isolation