A MORE STIMULATING ENVIRONMENT COULD BE PROVIDED IN MANY IOWA SCHOOLS IF EACH SCHOOL'S ART DEPARTMENT WOULD TAKE THE INITIATIVE AND PROVIDE THE NECESSARY LEADERSHIP FOR INTERNAL FACELIFTING PROJECTS. HOWEVER, IN SMALL RURAL SCHOOLS, WHERE SPECIAL ART TEACHERS ARE NOT AVAILABLE, THE CLASSROOM TEACHERS MUST FILL THIS VOID BY BEING CREATIVE AND…

This guide to teaching art in the elementary grades aims to develop art experiences that stimulate visual awareness, personal expression, self-evaluation, and ease in using art media. The following art experiences are covered with activities classified in order of difficulty: clay, collage, crayon, drawing, masks, mobiles, mosaics, murals,…

This paper considers 12 paintings which are a cross-section of the art work done by a kindergarten class of 5-year-olds in an attempt to support the following assertions: that there is a qualitative correspondence between the level of maturity evidenced in the paintings and in their speaking about them; that the degree of development in both…

This collection, representing the fruits of recent international work, consists of reprints of articles from the 1967 and 1968 issues of the journal "Social Science Information." It brings together a variety of studies by semioticians of both East and West--treatments of theoretical and methodological issues of modern semiotics, semiotic analysis…

Chronicles the personal and professional life of Lois Mailou Jones, a Black woman painter who blends Western and non-Western aesthetic traditions in her art. The influences of Haitian and African native traditions on her work are discussed. (BJV)

Ashley Bryan, known for his distinctive illustrations on African themes and written and oral presentations of African folktales, responds to questions on his background, career, design process, and oral presentations. (SD)

Describes an exercise in which junior year nursing students, who had just completed a course involving the introduction of nursing diagnosis, go to an art museum and look at art from the point of view of nursing diagnosis. The author examines student responses and whether certain goals were accomplished. (CT)

An industry-funded, school-based project which developed a sequential system of instruction for teaching watercolor to elementary students is described. This model of collaboration between a public school system and a corporation illustrates what can be done to improve art instruction. (RM)

Describes a half-year curriculum called "Portraits," developed by three middle school teachers in collaboration with the education department of a museum, in which students learn and practice the skills involved in visual observation and apply them to reading and writing: precise observation of detail, accurate inference based on these facts, and…

Describes arts-based, anchored instruction at Fair Arts IMPACT Elementary School (Columbus, Ohio), a five-week program centered around "Sunday Afternoon on the Island of La Grande Jatte" (Georges Seurat). Addresses unit objectives such as understanding social climate with respect to race/gender discrimination and examining why people…

Describes a National Endowment for the Humanities summer seminar during which 15 public school teachers were exposed to new ideas concerning the use of art in their classrooms. Discusses the organization of learning experiences and the benefits derived through participation. (KO)

Presents a three-activity lesson plan based on Weir Farm, home of Impressionist painter J. Alden Weir and listed on the National Register of Historic Places. Includes three student readings, three maps, and a tabular chart. Outlines step-by-step instructional procedures and a list of books for further reading. (CFR)

Provides instructional strategies and materials designed to introduce students to Spanish art. Includes four lesson plans with student objectives, background information, and step-by-step instructional procedures. Also includes four full-page color reproductions of paintings by Murillo, Picasso, El Greco, and de Goya. (CFR)

Describes the creation of a traveling art museum to expose elementary and middle school children to contemporary art. Maintains that this is a sound way to build school and community support for art education in general. (KM)

Discusses how computer experiences need to move beyond lessons that regard the computer as merely an extension of older art forms to studies that examine the inherent qualities of the medium. Maintains that art teachers should take advantage of the rich interchanges that can be developed between art and technology. (KM)