The primary purpose of this book is to provide a practical working handbook for teachers and therapists. Chapter one is a general discussion of drama, with emphasis on its relevance to therapeutic work. Chapter two offers practical suggestions for starting a therapeutic session and for creating and extending specific environments. Chapter three…

This dissertation explores the possibilities for releasing playfulness in adults through creative drama. A playful attitude, the capacity to enjoy action for its own sake, is difficult to maintain in a technological society which demands rational control, achievement, and conformity. Creative drama can provide a way to develop playfulness in our…

This resource guide produced for the Follow Through Program, primarily lists instructional aids and supplies; it also suggests practical implications for provisioning the classroom environment, gives specific suggestions for Project Follow Through directors, and lists addresses of suppliers. The materials are divided into nine categories, which…

This sequential curriculum guide for grade ten uses a sequence which encourages the teacher to begin with student experience and language and to progress to a variety of learning experiences which integrate all elements of the language arts and which permit students to discover their own generalizations and periodically evaluate their own…

This manual is designed for use by teachers engaged in doing dramatic work with their classes. The lesson plans and vocabulary are specifically suited to children in the primary grades, but they may also be used with older children who are inexperienced in this type of structured creative activity. The introduction to the book discusses the basic…

This curriculum guide is intended for a course to provide high school students with a unified study of the production staff that makes a play possible: theatre management and set design, make-up, lights, and sound staff. The activities suggested in the course may be used as a laboratory and taught in correlation with the actual production of a…

The 12 articles in this issue of "Indiana English Journal" are concerned with drama and oral interpretation in the classroom. Titles of articles are: "Up in the Tree, Down in the Cave, and Back to Reading: Creative Dramatics"; "Pantomime: The Stepping Stone to Drama"; "The Living Literature of Readers' Theatre"; "Do-It-Yourself Drama"; "Drama for…

This article offers suggestions on imaginative and entertaining ways to illustrate and clarify concepts in the classroom with particular emphasis on capturing and holding the interest of adult students in evening classes. (JD)

Describes development and use of creative drama with 30 children over a six month period. Over time, the dramas evolved through four stages: chaos, control and chaos; control; and flexibility. Certain developmental and psychological themes also emerged: narcissism, exhibitionism, activity, orality, dominance, morality, social themes, comedy and…

Discusses the characteristics of role playing, its advantages and disadvantages, methodology, and organization. A sample play, "Teenage Trouble," is presented. Information is given as to where material for plays can be found. (IFS/WGA)

Notes several benefits that early childhood activities with plants can provide. Contains suggestions on projects involving children and narcissus bulbs, birdseed gardens, and amaryllis. Includes several extentions to the activities which deal with art and dramatics. (TW)

Describes procedures found to be effective for eliciting children's creative dramatic play in the classroom. A second-grade classroom scenario provides an example of the way key components of play training techniques can be implemented by the teacher and indicates the decision-making processes to be addressed.

Children's sociodramatic play is very much associated with their growing ability to use symbols for a variety of functional purposes external to the symbols themselves. Defining such play as "voluntary social role-playing involving two or more children," this paper draws on research on sociodramatic play to: (1) discuss the nature of…

Since children draw no sharp distinction between work and play, it is possible to link science and drama in school, integrating science learning with the rest of their education. The success of this approach is attested by descriptions of four dramatic presentations which were finalists in an interschool competition. (Author/JN)

Asserts that literacy can be seen as a dramatic set. Shows how this conceptualization makes sense of the central concerns of language programs and provides an explicit means for developing literacy. Notes that drama activities provide experiences across many linguistic registers. (RL)