In teaching students how to write, the utilitarian aspect does not need to be ignored, but--more important--the imaginative, expressive aspect should be emphasized. Since all writing depends on the full resources of the imagination, students need to be taught how to recreate or vivify people, objects, scenes, and feelings. A process which helps…

Oral performance of literature can be compared with film viewing, in that both are strongly based on suggestion, which forces the spectator to participate actively in the creation of images. Film is actually a series of still pictures, but persistence of vision produces the idea of motion in the mind. Likewise, literature in performance involves…

Visual thinking is composed of three activities: idea-sketching, seeing, and imagining. This book suggests ways that people whose usual way of thinking is in words can turn to a new mode of thinking; preparations for it, including materials, environmental conditions, and an inner state of relaxed awareness; seeing; imagining; and idea-sketching…

This volume, the final one in the series, presents about 400 ideas which teachers can use to teach creative thinking. The ideas are classified according to teacher behavior (strategies or modes of teaching) and by types of pupil behavior, as described in the rationale for the cognitive-affective instructional (CAI) model presented in volume 2. The…

So long as arts programs restrict themselves to teaching skills of expression, they will not be considered necessary for anyone save prospective artists. The challenge is to produce a curriculum for all students in aesthetic impression--the cultivation of imagery and imagination. Aesthetic perception skills qualify as basic. (Author/SJL)

Advocates emphasizing invention or substance of writing first, and suggests that peer evaluation will provide a necessary audience for student writers. (MKM)

A series of studies involving deaf and hearing impaired children was conducted to assess imagination, originality, and abstract thinking. (Author/SBH)

Analyzes radio program in which host Garrison Keillor fabricates fictional community of Lake Wobegon, thus addressing another fabricated community, the baby boomers. Concludes Keillor's persona moves from nostalgia and bitterness to acceptance of conditions of community, reflecting and encouraging a passive, uncritical approach toward community…

A review of research (particularly that conducted by N. Meier, T. Munro, and B. Lark-Horovitz et al.) about the nature of giftedness in the visual arts and focusing on creativity, imagination, aesthetic judgment, and perceptual ability, provides a basis for examining current assumptions and practices and a foundation for future research. (CB)

Reexamines Maurice Sendak's first children's book, published in 1956. Finds it to be filled with the characters, themes, and psychological concerns that were to become hallmarks of the writer-artist's mature works. (NKA)

A small but significant proportion of preschoolers have imaginary companions who serve many different developmental functions. Prevalence and related demographic and environmental factors surrounding the phenomenon of imaginary companions and implications for health care professionals are discussed. (Author/DST)

Through examples of both a child's imagination and pretend play activities, demonstrates how a child's imagination is the thinking function that sets the stage for play, while actual play consists of a child's understanding and representation of reality. (HOD)

The results of a study on college students indicate that creativity levels are positively affected by educational imagery. Educational imagery can be used in the health curriculum as a method for problem solving and developing self-control. Data and conclusions from this study are explained. (DF)

A civilization course designed to take students outside the classroom through their imaginations offers units on: a trip across France, twentieth century French song, French song as a reflection of history, important moments in French history, an imaginary museum, science fiction, and workshops in graphic arts, the press, and poetry. (MSE)

Postulates that successful writing of all kinds depends on freeing the writer's imagination. Suggests techniques teachers can use to help students find their individual voice in writing, such as providing appropriate classroom proxemics, asking students to complete an evocative phrase, and having students critique each other's papers. (CJM)