Identifies metacommunication strategies with which preschool children negotiate meanings during dramatic play. Finds behaviors ranging from those which overtly expose the play frame to those which operate within the play frame. Proposes a system of implicit rules, indigenous to the child culture, which guide choice of strategy. (SR)

Discusses the "socio-play" philosophy of drama education as practiced in the Soviet Union. Outlines the basic structure of the Soviet educational system. Recounts a Soviet educator's practice of socio-play philosophy. (SR)

Discusses connections between play and reading at the primary level. Notes that sociodramatic play has the clearest link to reading because it involves imagination and manipulation of time and reality. Argues that play facilitates reading when it involves both the manipulation of symbols and acts of reading and writing. (MM)

Describes the "Power Game," which has only one rule: the object is to win, and the game is over when one player speaks or touches the other. Explains the structure and progression of the game in rounds. States that the game provides a launching point for a discussion of power, winning and losing, and listening clearly. (PA)

Hawaii's Young Playwrights Workshop is a place for students willing to explore new worlds with discipline, self-reliance, and creativity. In the Workshop, students discover their own way of creating plays. The article explains how the teacher encourages students to be creative, letting go of preconceived ideas about writing. (SM)

Discusses racism, sexism, and sexual orientation through an analysis of the play "M. Butterfly." Focusing on the French diplomat, Gallimard, the essay discusses sexual orientation, explores Gallimard's racist investments in his orientalized vision of Song, and discusses his attempt to explain his love affair as heterosexual love gone…

Theorizes that dramatic play involves and can potentially develop the three conditions that promote and characterize creativity--interaction, transformation, and imagination. Notes that children involved in dramatic play are enhancing their creativity and potential for creative work. (TM)

Untutored dramatic play (free, undirected play) and tutored dramatic play (creative drama) involve interaction, symbolic transformation, and imagination as children enact roles in imaginary situations. Both types of play serve the child's artistic, emotional, and intellectual needs. They differ in the degree of spontaneity, consistency of play,…

Describes children's participating in dramatic play activities that are teacher or peer governed. Illustrates children's use of cultural symbols as material for story construction and social affiliation. Argues for a literacy curriculum in which cultural symbols are open to critical examination. (Author/SK)

The early years are a time of joy and a period of great learning for young children. They are beginning to interact with print and experience the delights of being read to. This article presents the experiences of a kindergarten teacher during her class' independent reading time. Aside from just plain fun, children can acquire a wide range of…

Using dramatics for self actualization. (CH)

This description of the development of imagination and fantasy in children outlines how children view their fantasies, imaginings, imaginary companions, and lies at different stages of development. Main topics include (1) the purposes of fantasy; (2) fantasy in preschool children; (3) imaginative games and dramas; (4) promotion or inhibition of…

Effects of dramatic play on children's narrative competence were investigated among 36 second-graders. Children were read a familiar folktale and then "played" the story, discussed it, or drew a picture about it. They were then asked to retell the story either to an informed or to a naive listener. It was hypothesized that (1) more…

Beginning with an extensive overview of theories, this paper proposes an integrative perspective on play. Early theories, which were proposed in the last half of the 19th century, included the surplus energy theory, the recapitulation theory, the instinct-practice theory, and the relaxation theory. More recent theories of play include Freud's and…

Explores the relationship between the cognitive area of reading and selected developmental aspects of symbolic play among first-grade males. Results indicate that advanced readers have attained an equilibrium between assimilation (play) and accommodation that results in their advanced reading performance. (Author)