This paper explores how a dance scholar's experience in dance is represented in her educational research. Discussion covers perceptions of art, body-mind dualities in schools and educational practice, the process and products of research and choreography, and crafting the choreography of research. (JB)

Discusses the problem of stress and the performing artist. Suggests the need for programs, attitudes, demands, and lives that balance personal well-being with professional endeavors. (SR)

Summarizes results of an interpretive study exploring how students in one high school subject (dance) made sense of their experience. Most participants found school restrictive and uncaring. Feelings about a subject were closely connected to students' feelings about the teachers. Dance permitted more positive relationships with teachers and…

Based on the author's experience as a teacher in a Bachelor of Fine Arts (BFA) program, the author offers some ideas to ease the transition from the private studio to a BFA professional preparatory program. As a teacher in the Ailey School and Fordham University BFA program, the author has seen many students work their way through this challenging…

This paper traces an experience of designing and conducting qualitative research in dance education. The primary aim is to highlight the importance of giving consideration to research methodologies in the emergence of personal research practice. Making decisions about what method/s to use will ultimately direct the engagement with any study,…

This study reports the findings of a qualitative study of competitive West Coast Swing dancers that incorporated both ethnographic and phenomenological techniques. A modern variation of the original Lindy Hop, West Coast Swing is typically learned in dance studios and non-profit clubs. The West Coast Swing community can be considered a community…

In recent years, Problem Based Learning (PBL) has been applied in medical and psychological areas of professional education. The PBL approach requires students to move past traditional choreographic methods toward making dances informed by real-world issues. In PBL, students work cooperatively to solve complex problems. Rather than being presented…

This collection of essays explores various arts education-specific evaluation tools, as well as considers Universal Design for Learning (UDL) and the inclusion of people with disabilities in the design of evaluation instruments and strategies. Prominent evaluators Donna M. Mertens, Robert Horowitz, Dennie Palmer Wolf, and Gail Burnaford are…

This paper focuses on Hungary's arts and cultural education. The cultural area "arts" has the following sub-areas: music, dance and drama, visual culture, film and media. In accordance with the contemporary approach to art, these are all independent branches of art. Although they have a number of common features, they are very different…

This paper focuses on Italy's arts and cultural education. The Ministry of Education is responsible for setting the national curriculum and for the cultural axes. The decisions on all the cultural and creative aims for each type of education are taken at national level and at the level of each individual school. At national level the guidelines…

This paper focuses on Cyprus's arts and cultural education. The Cyprus Ministry of Education and Culture is responsible for setting the aims for cultural and creative dimensions of education. Decisions about the creation of the curriculum related to culture and creativity within education, as well as the arts curriculum are made at a central…

This paper focuses on Czech Republic's arts and cultural education. The decisions related to cultural and creative dimension of education are made at the central level, by the Ministry of Education, Youth and Sports. The Ministry is responsible for the development of the Framework Educational Programme for Basic Education (FEP BE). One of the aims…

This paper focuses on the Netherland's arts and cultural education. The Ministry of Education, Culture and Science is responsible for setting the aims for cultural and creative dimensions of formal education. Decisions related to the implementation of arts curriculum are made at school level. The cultural and creative aims of the whole curriculum…

This paper focuses on Romania's arts and cultural education. The Ministry of Education, Research and Youth is responsible for setting the aims for cultural and creative dimensions of formal education provided by the national education system. However, the Ministry of Culture and Cults promotes programmes and projects in the domain of adult…

In the midst of the violence of the 21st century, many children fear that they or someone they know will lose a relative or friend through terrorism. Professionals in dance movement therapy, dance education, and physical education can help children to overcome their fears in order to feel safe and to build self-esteem. This article examines how…