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Chrzanowski, Rose-Ann C. – Arts & Activities, 2010
An art room should be a garden of visual stimulation, born of creativity, inquiry, critical thinking and intellectual conversation--and a little collaboration is not a bad thing either! When the author unpacked the new stools for her art room at the high school, she envisioned something more beautiful than the brown masonite circles that…
Descriptors: Art History, Artists, Art Activities, Studio Art
Sartorius, Tara Cady – Arts & Activities, 2010
Many artists visit national parks to draw, paint and take photographs of some of the most amazing scenery on earth. Raw nature is one of the greatest inspirations to an artist, and artists can be credited for helping inspire the government to create the National Park System. This article features Thomas Moran (1837-1926), one of the artists who…
Descriptors: Artists, Parks, Art History, Integrated Curriculum
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Caouette, Ralph – SchoolArts: The Art Education Magazine for Teachers, 2008
To be effective and relevant in twenty-first-century learning, art needs to be more inclusive. In this article, the author discusses how teachers can find a good example in Leonardo da Vinci for building an art program. His art, design, and curiosity are the perfect foundation for any art program, at any level. (Contains 3 resources and 3 online…
Descriptors: Art Education, Design, Visual Arts, Artists
Gioffre, Penelope – Online Submission, 2012
This paper explores the feasibility and efficacy of incorporating an interactive, discussion-based instructional approach into an undergraduate art history survey course and investigates effects of the new pedagogic strategy on students' demonstrated comprehension and retention of required content. The action research project follows a systematic…
Descriptors: Art History, Instructional Effectiveness, College Instruction, Introductory Courses
Greenman, Geri – Arts & Activities, 2009
In this article, the author describes the last assignment of her Advanced Studio class, which was about art movement and movement in art. In the assignment, students were to find a master painting they really liked. They would then have to break it up (usually into foreground, middle ground and background) and reassemble it. The difficult part was…
Descriptors: Studio Art, Advanced Courses, Art Activities, Artists
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Cameron, Louise – SchoolArts: The Art Education Magazine for Teachers, 2009
Missouri artist George Caleb Bingham (1811-1879) was both a painter and a politician. An exhibition of his work at the Saint Louis Art Museum in the fall of 2007 sponsored by Bank of America featured his painting "The County Election" along with its preparatory drawings. In anticipation of the exhibition, the museum's education…
Descriptors: Museums, Art History, Artists, Visual Aids
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Nemeth, Erik – College & Research Libraries, 2010
Discovery of academic literature through Web search engines challenges the traditional role of specialized research databases. Creation of literature outside academic presses and peer-reviewed publications expands the content for scholarly research within a particular field. The resulting body of literature raises the question of whether scholars…
Descriptors: Online Searching, Art History, Publications, Databases
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Cunliffe, Leslie – Journal of Curriculum Studies, 2010
This paper conceptualizes the secondary art curriculum as a well-structured but complex knowledge-domain, with the aim of emphasizing meaningful differences in the way creative grammar operates in the following gatherings of art practices: Pre-historic and non-European cultures; Ancient and European cultures before c. 1800; Romantic and Modern…
Descriptors: Teaching Methods, Art Education, Secondary Education, History
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Kruszewski, Julie; Fontes, Kris – SchoolArts: The Art Education Magazine for Teachers, 2008
In this article, the authors present a classroom activity called Pop Culture Peep. In this particular activity, students are required to first research famous artists and/or famous artworks to have an image to use as a reference. Students then plan out how they would decorate the Peep, deciding what materials they would use to create the Peep in…
Descriptors: Popular Culture, Art History, Studio Art, Artists
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Clark, Barbara; Button, Charles – International Journal of Sustainability in Higher Education, 2011
Purpose: The purpose of this paper is to describe the components of a sustainability transdisciplinary education model (STEM), a contemporary approach linking art, science, and community, that were developed to provide university and K-12 students, and society at large shared learning opportunities. The goals and application of the STEM curriculum…
Descriptors: Art History, College Students, Teacher Student Relationship, Aesthetic Education
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Ormond, Barbara – Curriculum Journal, 2011
This article examines pedagogical shifts in art history teaching that have developed as a response to the implementation of a standards-based assessment regime. The specific characteristics of art history standards-based assessment in the context of New Zealand secondary schools are explained to demonstrate how an exacting form of assessment has…
Descriptors: Art History, Foreign Countries, Teaching Methods, Change Strategies
Law, Sophia S. M. – New Horizons in Education, 2010
Background: Under the challenge of many post-modern theories and critics on art and art history, the boundaries and definition of art has becoming more diverse. Conventional art appreciation no longer covers all the debates and issues arising from the complex meaning of art in the modern world. Art education today must widen students' vision of…
Descriptors: Art Appreciation, Interaction, Art Expression, Art Products
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Kane, Patrick – Journal of Aesthetic Education, 2010
This study of Egyptian aesthetics interprets the historical and political context of artistic discourse in the early twentieth century. In a period marked by intense struggle between landlords and rural laborers during the Depression and World War II, the author compares the rise of the Egyptian Surrealists, from the late 1930s, and the…
Descriptors: Art Education, Art Teachers, Epistemology, Aesthetics
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Stolberg, Victor B. – Journal of Teaching in the Addictions, 2009
The purpose of this article is to discuss how images and historical reviews of substance use and abuse from different time periods can be used to provide a better understanding of the historical background of the discipline. Historical reviews of various substances, as well as approaches to addressing substance abuse at different time periods, and…
Descriptors: History, Visual Aids, Substance Abuse, Addictive Behavior
Herberholz, Barbara – Arts & Activities, 2009
Edgar Degas was not yet famous, but was on the point of aesthetic and commercial success when he left Paris in the fall for his New Orleans visit of about four months, during which time he painted 22 major works. It might be said that he was having a midlife crisis at this time. He had been painting ballet and horse pictures to assist his father's…
Descriptors: Art Education, Intellectual History, Artists, Phenomenology
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