Many students find it difficult to draw complex subjects. Suggested to help elementary students is a method in which they draw eyes from the center out. Observing detail, breaking an area down into small parts, and then connecting them to complete the whole also facilitates reproduction of a variety of objects. (IS)

Responds to Wilson and Wilson's critique (Sept 1981) of the use of the developmental approach to the study of children's art. Lewis argues that the developmental approach is appropriate for age-related studies and it should not be abandoned as a method because researchers are working on projects where its use is applicable. (AM)

Described are various arts and crafts ideas, mostly with a February theme. Included are: ceramic boxes, valentine ideas, and patriotic projects--symbols of our country, silhouettes of George Washington and Abraham Lincoln, and stars and stripes. (KC)

Presents an overview of factors in the development of children's art and a theoretical rationale for elementary art education. (SJL)

Studied drawing strategies used by children ages 2 to 4 in Singapore nurseries and kindergartens using experiments and naturalistic observation. Found that during period when children are supposedly "scribbling," they make systematic investigations of visual structure and develop a cluster of representational strategies involving patches…

Describes how kindergarten children experienced the stages involved in the ceramic process in 3 30-minute class periods. Students created freeform, textured pendants which they glazed and fired. (KM)

The program See Me, Share My World centers around a vibrant collection of drawings and paintings, photographs, and charts creating a composite portrait of daily life in economically disadvantaged areas in developing countries. These materials introduce American children to their peers in six nations. Connections are more evident than…

Describes how one kindergarten class in Illinois remembers class studies through students' artwork. Discusses the creation and benefits of a "Memory Wall," on which students' art helps make concrete the value of remembering, sharing discoveries, and revisiting prior knowledge. The Wall also offers another window into assessing and…

This paper deals with the main theses of Gombrich's theory of pictorial representation as they pertain to the understanding of representational artworks and children's drawing. It is argued that the current linguistic-cognitive model of representation adopted from Goodman's theory provides an understanding of images and children's drawing in art…

The drawings of 17 four- to five-year-old children from two points in time, age four and age five were analyzed. At both ages four and five, the most commonly used scribbles were single vertical lines, single horizontal lines, and single curved lines, whereas the two least used scribbles were spiral and circular lines spread out. The subjects in…

This photo essay includes children's reflections on the opportunities offered by Artists/Writers Workshop for meaning-making in two languages--the language of pictures and the language of words. As students move back and forth between pictures and words, they experience transmediation. They create new meanings, find new and stronger voices, and…

This study analysed 9 to 11 year old children's drawings of tropical rainforests immediately before and after a visit to the Humid Tropics Biome at the Eden Project, Cornwall, UK. A theoretical framework derived from considerations of informal learning and constructivism was used as a basis to develop a methodology to interpret the children's…

This paper is part of a research project designed to look at questions of giftedness and exceptional ability in the arts through a case study of three world-class artists. Examination of the childhood art of Picasso, Lautrec, and Klee reveals no common subject preferences nor any real anomalies in graphic development. This paper focuses on the…

The problem of "stages" in the development of artistic ability is addressed by reviewing the cases of a gifted autistic child, Nadia, who drew realistically at a very young age, and of a normal child, Eytan, who rapidly taught himself the principles of isometric perspective and of foreshortening. A review of scholarly opinion about…

Based on the notes of Hanns Strauss and his collection of 6,000 drawings by 2- to 7-year-olds, this book describes the stages of development of children's drawings by using the framework of Rudolf Steiner's "anthroposophical" science. In the introduction, the early development of children's drawing is compared with works of art left by…