Papers by graduate students, and occasionally papers from their mentors which establish a context for the student papers, are organized by sponsoring University. Student papers presented are: (1) "An Overview of the Development Stages in Children's Drawings" (Jeralyn Hufford); (2) "Theories and Activities of Conceptual Artists: An Aesthetic…

Through content analysis of interviews based on a class art activity, a study of 15 first-graders investigated children's perceptions of a good story. The story was based on children's interpretation of artwork they had created. Through the use of content analysis, three major themes of the children's stories were identified: (1) animals as main…

Giving children the opportunity to be creative requires allowing children to find and solve problems and communicate ideas in novel and appropriate ways. This paper presents 12 basic principles for teachers to follow when presenting art activities with children. These principles include: the process of creating a picture or project is more…

This report describes the development, implementation, and evaluation of a pilot project by the Studio in a School (SIAS) arts group to place professional artists in six preschools and kindergarten programs in New York City public schools. The SIAS program provided both on-site, hands-on visual arts training of teachers and aides and direct…

Divided into two parts, this world directory features collections and archives of childrens' art. The first part of the volume provides information about the collections before October 1989. Entries are arranged in alphabetical order according to the French spelling of the various countries and include the following information for each entry:…

This paper describes the creative activity of two first graders and identifies moments of creative activity that reflect the integration of strands of experience. Children's and adults' creativity are compared. Topics include: (1) the role of novelty in art; (2) the creative act as an interaction of individual, product, and culture; and (3) the…

Imagination is central to our ability to understand reality. Parents and teachers should foster creative processes which facilitate the development of imagination in children. Expensive equipment or artistic expertise is not necessary to help children develop their imaginations. Instead, it is more important for teachers to allow children the time…

A videotape of one student, "Eric," age three years, engaged in dialogue with his teacher about a picture he has drawn, clearly demonstrates the rich language learning opportunities that language encounters on the topic of a student's art work provide for both the child and the teacher. In this encounter, Eric is able to convey affective…

The Portland Chapter 1 Early Childhood Education Program is one of three arrangements in the district to offer education for preschool children. Together, the programs enrolled 1,500 students during 1986-87. Although there are some differences among programs, the one located at Kenton School is typical of most. It consists of 3 classrooms, each…

"Gruppo Futuro" (Future Group), a novel educational project linking futures studies to multimedia and giving children control of the content of their instruction by focusing on their views of the future, was implemented in a Swedish fourth-grade class. Participating in the project were 29 children in Tullingebergsskolan, their teacher,…

Fifty-six objectives, generally with one sample item each, for art in grades four through six are presented. Sample items are usually art projects. Objectives are arranged in categories: (1) elements of art; (2) using the elements; (3) principles of art; (4) perceptual skills; (5) art history; and (6) techniques. Sample items are drawn from…

Describes a study in which twenty first grade students wrote daily in journals, which were then analyzed at the end of the school year. (JC)

The gallery and weaving workshops of the Wissa Wassef School, located near Cairo, Egypt, are described. The school was started 30 years ago by the Egyptian architect Wissa Wassef, who believed in innate creativity and the need to encourage artistic creation by the practice of the craft from early childhood. (RM)

Incorporating the arts into the educational process can help children learn to think clearly and to set and reach goals, so that they can meet change more effectively. Numerous examples of this approach are described. (TE)

As the field of gifted education has increasingly embraced broader definitions of giftedness, teachers and specialists in the education of the gifted and talented need additional ways to assess the talent development needs of a broader array of students. Since learning styles comprise an important component of any comprehensive talent development…