Discusses a number of books requiring the reader to examine their illustrations and pictures closely and making a visual statement that could be lost if only surface meanings are considered. (FL)

This paper attempts to show how Bruner's views regarding discriminate decision-making could be applied to efforts to plan and sequence learning activities in which secondary students examine and respond to works of art. (MB)

Because of aesthetic and technical demands, the industrial arts department is often the natural home for teaching film-making and film-study; a wide variety of resources are available to help the industrial arts teacher prepare himself well to be on the leading edge of the fastest-spreading curricular change. (AJ)

A discussion of how the information explosion will require instantanious visual communication. (HB)

Phrase that provides the title for this article is rooted in one of the most common and erroneous assumptions made by persons who use pictures for instructional or enrichment purposes; that is, if you can see it before your eyes in pictorial form, the meaning has been transferred. (Author/MB)

Investigates the role of visuals in the instructional and evaluation phases of a high school biology unit on the human heart. Results indicate that the instructional strategy of implementing visualization in both the presentation and evaluation phases is a viable instructional variable. Forty-four references are listed. (Author/MER)

The laterality preference patterns and types of oral reading errors were examined for seventh-grade males. Results support the initial argument that difference-poor readers fail to comprehend because of problems in organizing visual input, which seems intimately tied to a bilateralization of functions. (Author)

Describes the development of Media Now, a program for students to develop their own media presentations, including slide and videotape delivery, for building visual literacy and understanding the use and effects of media propaganda. (CMV)

Throughout European history, artists have celebrated the values of their patrons. Today, the schools are the largest employer of artists. To justify art education according to current Back-to-Basics values, art teachers should explain visual art as a language, which they can teach students to read and use. (SJL)

Outlines a concentrated in-service visual training program which incorporates (1) perceptual effects of visual stimuli, (2) synthetic and natural stimuli, (3) non-verbal stimuli, (4) pictorial communication, (5) visual persuasion, and (6) creative visualization. (Author/CMV)

A study of 150 preschoolers suggests that systematic teacher mediation can enhance children's interpretive skills of television material, such as the ability to: identify fantasy in relation to special effects; bridge temporal and logical gaps; identify elements of camera work and their visual implications; and make intelligent predictions based…

Argues for the value of postmodern picture books as a classroom resource for addressing contemporary challenges. Offers a discussion on what postmodern picture books are, a rationale for using postmodern picture books, and teaching postmodern aesthetics. Includes some examples of postmodern picture books. (CMK)

Describes a study that examined whether children respond differently when they speak and write about pictures as a result of participating in a visual literacy program. Fifth graders participating in such a program were asked to examine two books and choose one as a Caldecott winner, giving reasons for their choices. (nine references) (CLB)

Discusses the importance of cultural geography for understanding the environment and of teaching geography as a form of visual literacy. Notes different concepts of landscape, including landscapes as physical geography, landscapes as texts, and landscapes as a process of identity formation. Examines cultural expressions of geographic visual…

Focuses on how visual images can help students integrate concepts and synthesize information to make a judgment, thereby guiding the learner toward higher order thinking. Uses geography to demonstrate how, by incorporating visual exercises, student perceptions of difficult concepts are enhanced. (CMK)