This article describes a workshop designed to give teachers an awareness of current music and the values expressed in its lyrics. (SJL)

Offers a list of English poetry set to music. Includes only recordings that are currently available and poetry that is commonly taught or that can be taught better because of the existence of the music. (EL)

In Canada's province of Alberta, senior high school General Music 10-20-30 is a sequence of courses for students who are interested in a broad spectrum of musical experiences within a nonperformance-based environment but not interested in specializing in choral or instrumental performance. General Music 10, 20, and 30 courses are offered for 3 or…

This resource contains lessons and reproducible student worksheets for use with middle, junior, and senior high students. The lessons, which can be used as part of a general music program, a music appreciation class, or a humanities class, explore composers, music repertoire, careers, musical values, elements of music, personal music preferences,…

Stemming from a teacher/researcher's experience in a public school where music was "hated" by students, this study investigates how early elementary students understand and appreciate music, and how classroom teachers can help students in this process. The research was conducted in a first and a second grade class in two Boston (Massachusetts)…

Classroom activities for ESL that use music and musical instruments are suggested to develop locomotor skills, auditory discrimination, and reading and writing skills. Such activities could include use of musical instruments, imagination games, writing lyrics, hearing ethnic music, and music-related events and visitors. (MSE)

Classroom activities for ESL that use music and musical instruments are suggested to develop locomotor skills, auditory discrimination, and reading and writing skills. Such activities could include using musical instruments, playing imagination games, writing lyrics, hearing ethnic music, and having music-related events and visitors. (MSE)

The 1967 MENC symposium at Tanglewood advocated the inclusion of popular music, along with the classics, in the general music curriculum. The author looks briefly at how well this recommendation is being implemented and discusses the benefits of using popular works in music instruction. (SJL)

Describes how a 1913 Music Supervisors National Conference (MENC) committee identified 18 songs to be included in the curriculum and taught to all U.S. students. Reviews the expansion of the song list and its contribution to a common repertoire for U.S. community sings. (GG)

Reviews the history and state of general music education for K-12 students. Points out that the goals of the Music Educators National Conference were to have music education available to all students and to have all schools and universities require music by 1990. Examines the present situation to determine whether these goals have been attained.…

Examines the effects of sex and violence in rock music videos on viewers to determine the appeal of and emotional responses to the videos. Finds that videos containing the highest level of sex were judged most appealing and resulted in more positive moods. Finds also that viewers did not enjoy violent videos. (KEH)

Explores preschool children's movement responses to music. Using naturalistic procedures Metz generates three substantive core categories regarding the nature of movement response: conditions, interactions, and outcomes. Provides seven propositions for early childhood music education. (LS)

Discusses how listening, in conjunction with questioning and classroom dialogues, promotes critical thinking about music. Suggests that classroom interaction encourages analysis, synthesis, and evaluation of content. Lists ways music teachers can stimulate critical thinking, including an activity called structural dictation, and the development of…

Presents an interview with Bell Yung, a scholar of Chinese music and ethnomusicology. Maintains that world music (music from many nations and cultures) should be taught as early as possible in the schools and at home. Includes two lesson plans for teaching about Chinese music. (CFR)

Describes Leonard Bernstein's contributions to music education as a teacher of conducting and of musical awareness and appreciation, and as a university professor. Emphasizes Bernstein's love of teaching, people, and music. Encourages music educators and the music profession to contemplate his teaching skills to help students feel the joy of music…