Ways of using music in school are discussed. (CK)

Paper presented at the annual convention of the National Guild of Community Music Schools, Los Angeles, California, November, 1968.

Points out the value of a favorable music curriculum for children two to eight years of age, advocating an emphasis on and providing guidelines for programs in vocal development, instrumental skills, and music appreciation in early childhood curricula. (RH)

This study examined the effect of instruction in vocabulary and listening on number of changes counted in a music excerpt, verbal descriptions of these changes, and use of music vocabulary. After four weeks of differential instruction, results were mixed and more research is recommended. (Author/IS)

Asserting that children are particularly open to novelty in music, the author analyzes four examples of twentieth-century avante-garde music and suggests how they can be presented in a children's music class. (SJL)

The author explains to the classroom teacher how to make music listening a daily part of early childhood education. She suggests a number of specific musical works--from the classics through rock music-- that young children will enjoy. (SJL)

Notes that songs can bridge generations, draw students and teachers together, and remain forever in a child's memory. Suggests the following approaches for early childhood educators: sing with children, share favorite songs with students, allow students to sing and share their favorite songs, and do not focus on students' musical memory. (LBT)

This article explains how children learn to sing and discusses criteria for selecting songs suitable for young voices. Teachers should begin with the familiar, proceed with what is comfortable, move on to what is functional, and reach out to new ideas. Provides sources for and examples of appropriate records, tapes, songbooks, and story songs.…

At the onset of the essay by Alerby and Perm, musicality is described as emotional or cognitive phenomena. In this response, Fung questions what role a psychomotor phenomenon plays in musicality. Alerby and Perm describe "motor knowledge" in the context of Merleau-Ponty's "maximum grip." Does this mean that "motor knowledge" or "maximum grip" in…

This study was the third in a series examining the relationships among conductors, ensembles' performances, and festival ratings. Participants (N = 51) were asked to score the quality of video-only conducting and parallel audio-only excerpts of performances at a state-level concert festival of nine bands, three each that had received ratings of…

The results of this paper are drawn from interviews with the school principal and the music teacher of a secondary school in Shanghai, China, together with an analysis of 24 seventh-grade students' written assignments entitled "I and Music." These assignments reveal rich and varied connections between the students' social contexts and…

Author presented for consideration the position that the importance of mass media music (FM, AM, juke box, TV, film, etc.) might not be so much in its music as in the musical systems represented by that music. (Author/RK)

Authors discussed how to achieve a successful and meaningful program as well as how to motivate creative expression in pantomime, art number and spelling games. (Author/RK)