Discusses ways in which teachers and parents respond to children's artwork. Presents six traditional approaches to responding to children's art and analyzes these approaches in terms of each one's impact on the child artist. Suggests alternate and more appropriate ways to respond to children about their art. (BB)

An art activity which involved elementary students in making coiled clay constructions is described. (RM)

There are different types of copying, some involving artistic behaviors and some not. It is important to differentiate these types, separating the replication of conventions from more inventive artistic behaviors. A framework for such examination is applied in a group of pilot studies involving children copying comic strips. (Author/RM)

Scribbling is the beginning of an aesthetic developmental process which continues through age 12. Suggestions for parents include advice about materials, projects, games, and appreciation of children's art. (MT)

This paper describes a developmental arts activities program for preschool children centered on traditional Greek arts. The program's elements include discussion and observation of traditional arts, collection and categorization of textile materials, manipulation of the materials, production and work with the materials to construct various designs…

A quarter of a million schoolchildren participated in the 1981-1982 PTA Reflections Project whose theme was "What Makes Me Smile.""Reflections" was initiated to increase childrens'"hands on" experience in the arts. Twelve entries became winners in the visual arts and were on display at Chicago's Junior Museum. (CS)

The pictorial art work of 13-year-old children was assessed by three experienced art teachers on each of six aspects of artistic performance (color, space, pattern, imagery, affect and composition). A significant interaction was found between field-independence, extraversion, and art measure in their effect on art performance. (Author/SJL)

A project is described that involved elementary school students in painting murals to enhance their school's interior. (DS)

Provides the details of an art project focusing on the human skeleton. Includes samples of student work. (RL)

Presents a short guide with diagrams for making basic stitches, and examples of stitching produced by children of lower and upper grade levels. (SS)

Asserts that appropriate responses to children's creative work arise from an awareness of, not only the presence of creativity, but also the stages of its growth and development. Presents example responses to children's work for each of the developmental stages: scribbles, line and shape, and semi-representational. (EV)

Explores whether children with AD/HD respond differently to a specific art directive. Using the Formal Elements Art Therapy Scale to evaluate the drawings, results indicate three elements that would most accurately predict the artists into the AD/HD group: color prominence, details of objects and environments, and line quality. (Contains 29…

Examined in two studies the height of male and female figures in 5- and 7-year-olds' drawings. Found that adult figures were drawn taller than child figures. For boys, mean male and female heights were approximately the same. Girls drew females taller than males because more girls used different structures such as incorporating a skirt or trousers…

Presents a printmaking project that enables students to work with lines and shapes by having them create tile designs on Scratch-Foam Board. Explains that the shape of the combined four tiles should be a pinwheel while the design on one corner of each tile should connect forming a design within itself. (CMK)

In this article, the author profiles Susan Striker, an art teacher, who first opened an art school for children, Young Art, in New York City in 1984. With her popular series, "The Anti-Coloring Book," celebrating its 26th year of publication, Susan Striker has made a career for herself out of not being afraid to go against the tide. Striker went…