This article describes an activity that required students in third and fourth grade classes to create a life-size, standing self-portrait. The idea was not just to create a picture of themselves to display on a wall or board, but to make "another self" that could interact in the school environment. After completion, the life-size portraits were…

This paper traces a father's observations of the development of one child's drawing for a 15-month period beginning when the child was 3 years, 5 months old. Observations of nearly 400 drawings yielded the following generalizations: (1) drawing is symbolic almost from the beginning; (2) appreciation of the representational nature of drawing in the…

Discusses stages of preschool children's pattern painting and educational implications. (SB)

The Natural Resources Defense Council in New York recently warned against hazardous art supplies in a report entitled "Children's Art Hazards." Potential hazards are discussed. Suggestions on selection of art materials and procedures to minimize risk are made. (MT)

Discusses murals done by Egyptian children. Differences in the drawing styles of American and Egyptian children are discussed. The author states that the significance of the wall drawings is that they represent a rich social setting in which children learn to produce art. (AM)

Argues that the most widely used accounts of children's artistic development are not only inadequate and incomplete but that they seriously misinform, obscuring more than they reveal about children's drawings. (Author/SJL)

Examines the use of iconic representations in young children from a Vygotskian perspective. Uses analysis of children's drawings as basis for argument that iconic representations are narrative in nature: children supplement drawings with verbal symbols to ensure that intended meanings are clear and thereby learn to carry out semiotic activity and…

Investigated whether experiencing 25 minutes of unstructured play in a preceding task influenced the creativity of 6- and 7-year-olds in a subsequent activity. Found that there was a positive effect of a preceding salt-dough play activity upon the creativity and range of colors used in creating a collage with a controlled range of materials.…

Examined reasons why young children typically omit the torso in human figure drawings. Found that more children produced a conventional figure when they constructed a manikin than when they were asked to draw, suggesting that children omit torsos because they have not yet devised a way of drawing them, rather than forgetting them or having an…

Previous studies have revealed that children increase the size of drawings of topics about which they feel positively and use their most preferred colours for colouring in these drawings, and decrease the size of drawings of topics about which they feel negatively and use their least preferred colours for colouring in these drawings. However,…

When this author first published his account of "The Superheroes of J. C. Holz" (Wilson, 1974), he could not have imagined that the comics of one Iowa boy would shape his thinking about children's images, the purposes of art and art education, narrative, popular visual culture, and his present theorizing about pedagogy. He states that…

Children's drawings are thought to be a mirror of a child's representational development. Research suggests that with age children develop more complex and symbolic representational strategies and reference points become more differentiated by gender. We collected two drawings from 109 5-13-year-old children (three age groups). Each child drew…

The purpose of this study was to assess the developmental progression of preschoolers' abilities to draw and paint. Over 3 years, 68 children were observed easel painting 595 times and 65 children were observed drawing 545 times. Results of hierarchical linear modeling indicated that (a) the complexity of children's drawings and paintings…

Education programs have fostered advanced levels of graphic representation ability in young children but have not detailed the specific mechanisms responsible for the accelerated growth. Research suggests that between 6 and 8 years of age children begin to observe more carefully before drawing and that observation prompts aid children's…

Teachers of the visual arts have long considered the importance of how to collect and display their students' work. Throughout history, bulletin boards have covered classrooms and school hallways neatly displaying children's art work. This article briefly summarizes how documentation functions within the Reggio Emilia approach and then discusses…