Imaging is creating a material picture in the mind that a person can scan as he or she would scan a real current event in the environment. The concept of imaging offers a way of explaining intrapersonal communication, the process of talking to oneself. Imaging also offers a useful way of looking at the role of language in intrapersonal…

If education is concerned with imagination, it is important to know how educators perceive the term. For this purpose, an attempt was made to categorize ways in which teachers conceptualize imagination. Responses were obtained in a survey from 120 teachers who were registered in a graduate course on creative thinking. Participants ranged in age…

The purpose of this study was to determine if the use of classroom activities to enhance children's imaginations could improve their creative abilities. Subjects included 25 fifth-grade students in the Grand Forks, North Dakota, school district. Students were given the Torrance Tests of Creative Thinking and were provided with materials designed…

Expressing the imagination dramatically is a step toward refining and shaping thought and behavior. Imagination is a part of the complex interaction of thought and action and has a place in the knowledge base. Drama is a direct expression of the imagination in action. In drama, the thought--the imaginings--are expressed in action and that action…

The similarities between television viewing and fantasy activity (daydreaming, reverie, mind-wandering, internal dialogue) more than warrant the building of a theoretical construct, especially in the context of recent empirical research on television viewing consequences. A construct of the television viewing process, based on cognitive theories…

This study investigates the effects of social relationships curricula and sex differences on reading readiness and imaginativeness. The subjects were ninety-six 5-year-olds from four kindergarten classrooms. In the pre- and post-assessment phase of the study the children were administered the Gates MacGinitie Reading Readiness Skills Test and the…

PREPARING CHILDREN TO WRITE BY TAKING THEM OUT OF THE CLASSROOM TO SHARE EXPERIENCES IS A RESPECTED PRACTICE IN SOME ENGLISH PRIMARY SCHOOLS. SINCE A TEACHER CANNOT PREDICT WITH CERTAINTY WHEN A CHILD WILL BE READY FOR WRITTEN EXPRESSION, HE MUST REPEATEDLY ENCOURAGE THE CHILD TO SHARE, TO TALK OVER, AND LATER--WHEN THE MOMENT OF EXPRESSION…

An account of an "intensive writing" experiment to stimulate and teach secondary students to write freely and creatively is given in this book. The experimental teaching method which stresses emotion, brevity, simplicity, and honesty is described, as well as the stimulus used for each writing lesson, the results obtained, and the children's…

Even in higher education there is a disjunction between the realities of Monday morning--with its budget crunches, operational constraints, and internecine squabbles--and the world of the imagination. However, the separation of the two realms is neither necessary nor helpful. The focus of this point of view is on the problems and potentials of…

In teaching students how to write, the utilitarian aspect does not need to be ignored, but--more important--the imaginative, expressive aspect should be emphasized. Since all writing depends on the full resources of the imagination, students need to be taught how to recreate or vivify people, objects, scenes, and feelings. A process which helps…

Oral performance of literature can be compared with film viewing, in that both are strongly based on suggestion, which forces the spectator to participate actively in the creation of images. Film is actually a series of still pictures, but persistence of vision produces the idea of motion in the mind. Likewise, literature in performance involves…

Visual thinking is composed of three activities: idea-sketching, seeing, and imagining. This book suggests ways that people whose usual way of thinking is in words can turn to a new mode of thinking; preparations for it, including materials, environmental conditions, and an inner state of relaxed awareness; seeing; imagining; and idea-sketching…

This volume, the final one in the series, presents about 400 ideas which teachers can use to teach creative thinking. The ideas are classified according to teacher behavior (strategies or modes of teaching) and by types of pupil behavior, as described in the rationale for the cognitive-affective instructional (CAI) model presented in volume 2. The…

So long as arts programs restrict themselves to teaching skills of expression, they will not be considered necessary for anyone save prospective artists. The challenge is to produce a curriculum for all students in aesthetic impression--the cultivation of imagery and imagination. Aesthetic perception skills qualify as basic. (Author/SJL)

Advocates emphasizing invention or substance of writing first, and suggests that peer evaluation will provide a necessary audience for student writers. (MKM)