This volume of an annual collection presents nine essays relating to instruction in the basic communication course. The essays are: "Three Metaphors for the Competencies Acquired in the Public Speaking Class" (Michael Osborn); "Perceptions of Basic Communication Texts: Factors in Student Learning and Textbook Adoption…

Examines two seminal films of adolescent rebellion, "The Wild One" and "Rebel Without a Cause." Argues that both films expressed a discontent with, and acted as a critique of, the complacency and conformity of the postwar United States. Discusses the films' own ambivalent attitudes to issues of conformity and alienation. (MJP)

Analyzes the results of an experiment involving 449 undergraduate students (180 music majors and 269 nonmusic majors). They completed a preference-rating scale concerning musical characteristics from world music excerpts. Delineates the various characteristics preferred by both. In general, musicians had higher preference means. (MJP)

Explores early adolescent girls' use of digital technologies in their literacy practices. Highlights the technology-mediated literacy practices of two seventh-grade girls. Discusses two major themes which emerged from data analysis: the centrality of multimedia popular culture texts in the girls' technology-mediated designing; and the importance…

Addresses the way that popular music depicted the anti-war sentiment during the Vietnam war era, as opposed to country western music which defended government action. Advocates supplementing textbook readings with song lyrics, and suggests a slide presentation to help integrate the two media. Lists three tables with songs organized around specific…

Contends that thousands of high schools subscribe to the daily "Channel One" newscast. Outlines a literature review and survey of 600 high school students about their attitudes toward "Channel One." Finds students generally have positive feelings about the news program but not about the commercials. (CFR)

Study analyzed 60 years of motion pictures to construct a theory of curriculum in the movies. Hollywood's ideal teachers were those who shared character traits found consistently in the films, traits that cut across traditional film genres and persisted over time. Good teachers in the movies used a distinctive curricular approach. (SM)

Asserts that song lyrics illustrate important sociological concepts. Reports on a study using song-lyric packets with 23 students in an introductory college sociological course. Finds that students were very supportive of the strategy and includes an appendix illustrating the approach by presenting one song-lyric packet. (CFR)

In his films, Spike Lee proclaims the existence of a dynamic and multifaceted African-American society, but he consistently delimits a peripheral role for African-American women, subordinate to that of the African-American man. Lee's work will fall short of its potential until it reflects the inherent value of African-American women. (SLD)

Discusses the failure of filmmaker Spike Lee to grapple with the real politics of Malcolm X before and after he left the Nation of Islam. Acknowledging the complexity of the man and his context would avoid creating a mythical figure similar to Oliver Stone's movie "JFK." (SLD)

Compares the effect of modeling on the development of musical preference by comparing subject race and sex with preferred performer race and sex. After viewing "We Are the World," subjects selected the solo part they preferred to perform. These were compared with their favorite performer. Subjects preferred same-race and same-sex models. (DB)

Argues that using popular recordings that feature baseball imagery is an innovative way to introduce students to the pluralistic nature of U.S. life. Outlines a variety of themes that use baseball history to develop concepts about social change, cultural values, and individual achievement. Lists audio recordings that have baseball themes. (DB)

Examines Houston Baker's argument for rap music's place in academe. Baker suggests rap as being one of the most creative and productive forms of cultural expression to come along in some time warranting the same kind of scholarly attention afforded the works of history's most noted philosophers and poets. (GLR)

Argues that art education does not meet its objective of creativity and instead is replicative rather than original. Contends educational journals such as "Instructor" and "Good Apple" reduce fine art to its antithesis, popular art. Concludes that art educators must work diligently to protect fine art from becoming "dumb…

Proposes a cultural model with alternative narratives for education that considers student and teacher diversity. The article highlights black culture, discussing why it is in the best interest of the global community to recreate the current mainstream narratives, thus helping teachers reclaim their own landscapes by employing alternative…