Folk art tells the story of many generations and reflects cultures everywhere. It is a wonderful tool for introducing students to world cultures and traditions. This book brings the world of folk art into the classroom with extension activities that integrate art, social studies, science, language arts, and music. Organized into three sections,…

This project explored the learning interchanges which took place between early childhood student teachers and young children, provoked by three-dimensional installations within a children's art exhibition. The exhibition, comprising both two- and three-dimensional artworks, contained over 280 artworks from 15 early childhood programs in the…

Presents poetry written by children to illustrate the valuable qualities that result from children's lack of sophistication and their inherent freshness of vision. (JL)

The purpose of this study is to investigate the interaction of biological unfolding and culturally related factors on sequences of narrative figure drawings by American and Egyptian elementary students. Findings support hypotheses relating to the interaction of natural and nurtural influences on children's drawings. (Author/SJL)

The authors present an art teaching idea which extends the graphic discussion method described in the October 1981 issue. Rather than drawing together, the two participants respond in writing to each other's completed work, which provides an essential aspect of art learning--responding to another artist's images. (SJL)

The author argues that American art education has long been misled by its reliance on Lowenfeld's theory that creativity is the ultimate good and that children are innately creative. She proposes a more structured and technical approach to art education, based on developmental research with children and art. (SJL)

After 15 lessons on clay modeling skills, modeled and drawn human figures by 41 nursery school children were compared to those by control children on formal elements, structure, and detail. The instructional experience significantly improved subjects' clay figure work. No significant sex effect or skill transfer to drawing was found. (SJL)

Section One of this article reviews extant theories of children's art. Section Two outlines evaluative criteria based on developmental approaches: degree of representational detail, expressiveness, and representational accuracy. Section Three explores the theoretical support for alternative standards for evaluating children's drawings. (SJL)

Traces the influence of visionary and perceptual schemas in discussions of child art in psychology, education, and art history. Considers recent accounts of artistic achievements of autistic children and views that young children can draw in perspective. Argues that Luquet has been misinterpreted; he was beginning to define a new theoretical space…

Considers the importance of scholarly discourse on art and human development and maintains that basic questions need exploration: (1) what is developing psychologically? (2) what are the indicators of development? (3) what indicates development has been constrained in some way? and (4) where does art theory belong in scholarly discourse on child…

Presents an art lesson in which students used the spool knitting technique to create finger puppets. Describes the process in detail for creating the puppets. Lists the learning objectives and the materials needed for the project. (CMK)

Discusses how clothing choices can be a form of art expression in children and young adults and believes that art teachers should encourage such creativity. Describes types of outlets for artistic dress-up that can be used in the classroom. (CMK)

Presents a fifth-grade art history lesson that begins with discussion about a group of Canadian artists called the Group of Seven. Explains that the students create their own landscapes following an activity on warm and cool colors. (CMK)

Discusses the use of disguises and masks in the art classroom and in the daily lives of children. Focuses on different materials and objects that can be used as a mask or disguise. Draws on the experiences of the author. (CMK)

Describes the use of handmade cloth dolls without facial features with 2- and 3-year-olds as a framework for an arts-based emergent curriculum related to body awareness. Shows how children's interests guided the project activities. Discusses the teachers' role in maintaining the content level and interest, and the importance of out-of-classroom…